Casual chic holiday wear – dresses, wardrobe

Posted December 8, 2012 by sewingplums
Categories: Eileen Fisher, specific capsules

More casual partying clothes for the 2012 holiday period from Eileen Fisher’s Holiday Tool Kit.

”holiday-kit-2”
Eileen Fisher

The folded red item is a simple dress.

My previous post on this capsule was about patterns for the tops and pants.

This is about patterns for the dresses, plus some of my own ideas for expanding these 6 items to a holiday travel wardrobe.

There aren’t patterns to copy the dresses exactly, so they need a little pattern work. But again they’re mostly quite simple makes.

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Drape front jersey dress

”drape-front-shift”
Eileen Fisher

A loose shift dress shape with cap sleeves, rather than a fitted sheath, though it does taper slightly to the hem. Like the tops, that means it’s based on the casual dartless block.

The neckline is like the popular DKNY knit, Vogue 1250.

”v1250-dkny”

But that DKNY dress is rather fitted. The shape of the Eileen Fisher dress is more like this DKNY for wovens, Vogue 1300.

”v1300”

So some pattern combining may be needed.

Or you might prefer to lengthen this top for wovens, Vogue 8816.

”v8816”

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V-neck sleeveless A-line layering dress in velvet with silk trim

”pullover-dress-combo”
Eileen Fisher

A low-thigh length overdress with flare and a shaped hem.
Made in velvet, with silk charmeuse for side panels and trim on neckline and armholes.

The pattern is basically a v-necked a-line dress with shaped hem.

Here’s a Fashion Star pattern, McCall’s 6553. It has seams for side panels, though they are much wider than the inspiration.
Alter the neck line and hem line shapes to copy the inspiration, or to what’s most flattering for you.

”v6553”

Butterick 5655 View B is simpler.
Use the outer-layer pattern pieces only, and change the neckline and length.

”b5655”

Kwik Sew 3802 is for knits, and has another way of achieving an interesting hem shape. Omit the sleeves and change the neckline.

”ks3802”

The Eileen Fisher version is made in two fabrics, velvet with contrast shiny trim for neck and armhole edges and side panels. If you want this texture change you’ll have to make a pattern for adding the side strip from underarm to hem. Quite easy pattern work. Just draw a line on the pattern where you want the new seam, and remember to add seam allowances. Combine the front and back side pieces into one pattern piece for a neater result.

For many sewers the sewing is more difficult than the pattern making. Combining velvet and charmeuse is a bit of a challenge. So you might like a simpler fabric combination. It’s easiest to combine 2 of the same fabric type, just different in colour or print.

And remember this is an overdress, so you need a size larger than usual for a dress, to allow for comfortable layering.

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A possible wardrobe

These 6 items – 2 dresses, 3 tops and pants – could make a good “dressy casual” party wardrobe capsule.
Easy wear shapes, but in shines and velvets. See end of my previous post on this capsule for more fabric suggestions.

For a complete holiday period travel wardrobe, I think you need to add some more fitted tops, to layer under the over-dress or give a different silhouette. Or to layer under these over-sized tops if you need more warmth.
Tees, blouses, shirts – keep up the quality with the fabrics.
And more than one pair of pants. Plus a slim skirt of any length.

Add a cardigan jacket if you want more layering options.
McCall’s 6084 is a quick pattern for both wovens and knits which I’ve suggested for previous Eileen Fisher capsules.
This gives a change of silhouette, it’s not wearable over those wide tops. Make it thigh length for a different look.

”m6084”

There are many similar patterns in another of my posts on Eileen Fisher styles.

For a heavier jacket : Eileen Fisher’s key jacket style for this season has a funnel neck. There are many patterns for these. Here’s one with very dropped shoulders, Very Easy Vogue 8539.

”v8539”

Remember your coat needs to be generous sized to wear over those loose tops. So a poncho or cape might be a good idea.

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Accessories

Add scarves, socks, jewellery, a hat. . .
‘This year’ shoes : ankle boots or decorated ballet flats. Eileen Fisher also has mid-heeled pumps and wedge heel sandals.

‘This year’ bag/ purse : a duffle bag or big clutch. Oversized clothes cause problems for shoulder and cross body bags. They need very long straps so the bag hangs at low hip/ thigh level – not a flattering spot to emphasise for many of us.

Duffle bag and clutch are easy shapes to make your own patterns for, if you have a little experience with bag making.
If you’d like some support for your efforts :

Studio Kat Cordicella duffle bag.
Make it in bling fabrics for a party bag 😀

”cordicella”

Hot Patterns Out to Lunch clutch.

”hp-out-to-lunch”

Eileen Fisher has a clutch in suede. There are several BMV patterns for smaller clutches, if a big bag/ purse isn’t a flattering proportion for you, or you prefer a small bag for parties.

– – –

Of course choose your own celebratory style if these boxy garments aren’t to your taste 😀

And you haven’t got to wear red, black, grey – extra important to wear flattering colours on special occasions!

What is your key to special festive wear ? It’s probably obvious from my comments that for me it’s the quality of the fabrics. How about lots of extra embellishment ? exuberant use of fabric ? or wild colour ? is a skirt essential ? or a very close fit ? bare skin ? heaped-on bling ?

Have fun with your choices 😀

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Links and patterns available December 2012

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Scarf wearing

Posted December 1, 2012 by sewingplums
Categories: personal style

Want to increase the variety of looks you can get from your accessories ?

Or to simplify your casual-but-special wear this holiday season – just get a silk, shiny, embellished or lace scarf, wear it with your basics and tie it in an interesting way. For something unusual and striking, try Elizabeth Gillett NYC Vogue 8762 (now out of print).

”v8762”

Here are some links to guidance on scarf wearing.

50 + ways to tie a scarf, with individual videos.

Eileen Fisher scarf tying videos (scroll down to How To section).

YouTube video on 25 ways to wear a scarf.

Imogen Lamport video on pashmina tying in her post on winter accessories.

Maitai’s picture book tutorials on scarves with many photos – see How Tos in her right hand menu.

‘Go Chic or Go Home’ gives links to several other sites with many ways of tying scarves.

Nancy Nix-Rice lesson on scarf tying with photos of finished styles and written instructions.

YouLookFab on scarf styles that : 
– don’t shorten your neck here,
– don’t enlarge your bust here (many examples of large scarves).

Other accessories ? – a host of ideas for combining accessories in nearly every post from The Vivienne Files.

And here’s a piece from YouLookFab about brightening your outfit using accessories.

Me, I’m learning to use accessories this year, and I’ve solved my festive-wear questions with a new lace scarf and some bling – which I don’t usually wear at all !

Have fun exploring how to use accessories to increase the number of looks you can get from your clothes 😀

Winter 2013 update :
Here’s YouLookFab on the ‘big’ scarf.

Links and pattern available December 2012

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Casual chic festive capsule – tops

Posted November 24, 2012 by sewingplums
Categories: Eileen Fisher, specific capsules

Happy Thanksgiving to those in the US who start their festive wear needs this week. Here in the UK we have to wait ’til Christmas 😀

These are casual partying clothes for the 2012 winter holidays, from Eileen Fisher’s Holiday Tool Kit.

”holiday-kit-1”
”holiday-kit-2”
Eileen Fisher

Some quite easy makes for a relaxed special occasion capsule.
As usual this got much too long, so I’ve made 2 parts : this on the tops and pants, and a later piece on the dresses (here).

So, what about patterns ? The tops are all based on the casual dartless block. But if you’re full in front, you may want to add a dart.
Some lengthening or shortening of pattern pieces needed to match the inspiration (even a couple of changed necklines), but otherwise the patterns are straightforward.

– – –

Velvet cowl neck box top

”velvet-top-combo”
Eileen Fisher

What Eileen Fisher calls a ‘box top’ is like a poncho with side seams, very wide.
This one is about hip length.
And has about elbow length sleeves. With the very generous size, the side seams and armholes come about half way down the upper arm.

The key to party wear here is to make everyday over-sized casual styles in special fabrics.

The indoor poncho-like McCall’s 6603 has about these proportions. Make the collar on View A (upper left) continuous and wider, and use the lower left sleeves.

”m6603”

Or there’s the Sewing Workshop Hudson top – in your usual size or one larger, and shorten the sleeves.

”swhudson”

If you prefer something less dramatically sized, there’s Butterick 5816, with a choice of cowl or draped necks.

”b5816”

If you prefer a close fit, here’s a cowl neck knit top from Katherine Tilton, Vogue 8793.

”v8793”

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Ballet neck boxy tunic in shiny knit

”satin-top-combo”
Eileen Fisher

A little narrower and longer than the previous top, but otherwise much the same. The sleeves also end at the elbow, but are longer because the body of the top is a narrower.

This is a shiny knit fabric, with a contrast texture rib band used for the sleeve cuffs.
I think this would work just as well in a heavy satin fabric. Perhaps crepe backed satin so you can use the contrast.

There are multi-fabric versions of a shape like this in new Butterick 5855.

”b5855”

Or use another size of the previous pattern. This is still a style based on a casual dartless block.

Many casual wear patterns can easily be adapted for party wear simply by using party fabric, a party neckline, and elbow length sleeves.
Try one of these :

Katherine Tilton’s loose tunic for knits Vogue 8690 could look very different in shiny fabric with a ballet neckline.

”v8690”

Cutting Line Designs 2×4 includes both necklines.

”cuttingline2x4”

Have a look at my post on stylish sweatshirts for more pattern options.

– – –

Jewel neck merino knit tunic, yarn with a bit of shine

”merino-tunic-flat”
Eileen Fisher

Upper thigh length, with over-wrist long sleeves.
A conventional tunic in silhouette. Still a dartless shape, but not so oversized.
Raglan sleeves. Difficult to see on the photos, but the sleeves have an inset strip of slightly more open weave fabric which runs from neckline to wrist.

For a pattern, possibly lengthen Butterick 5679 View C and omit the side pocket section.

”b5679c”

Or Kwik Sew 3954 is another raglan sleeve choice, this one with fitted upper body and flare below, if that’s better for your body shape.

”ks3954”

– – –

More designer patterns for tops

Not exact copies of the inspiration but in similar style.
From wider to narrower :

Katherine Tilton’s Vogue 8748 big shirt for wovens is even more over-sized, with ‘armhole’ seams at elbow level.
Many variants possible. Omit the cuffs and/ or the collar. Close the front opening, and add your most flattering party neckline.

”v8748”

Loose fitting knit tunics from Alice + Olivia, Vogue 1261. With raglan, fitted and cut-on sleeves, choice of necklines and hem shapes – just the thing.

”v1261”

Or slimmer-fit knit tunics from Katherine Tilton Vogue 8817 with interesting seam detail and fabric combining.

”v8817”

– – –

Slim pants in ponte doubleknit

Large tops are best worn with slimmer pants, so your clothes don’t make you look gigantic. Make the tops long enough to cover your hips, so you can wear pant legs slimmed as far as they will go for you, without worrying about what’s happening at hip level ! My lumpy legs are not good in tight fitting leggings, but slimmer pants are possible.

For stretch knits, you might use McCall’s 6173 View A. Use an elastic waist if you prefer – no one’s going to see it under these tops.

”m6173”

If you prefer stretch woven for pants, there’s Melissa Watson’s McCall’s 6405.

”m6405”

– – –

Your choice of style and details

Would any of these tops make a good relaxed special occasion outfit for you ?
Or make all three tops and the pants for a holiday season capsule, covering most situations where you don’t need to be really dressed up. Add a long slim skirt or very full palazzo pants and you might manage many black-tie events too.

If you’d prefer to copy Eileen Fishers’ simple dresses, I have another post coming on them.

There’s a party clothes sew along at Stitchers Guild, if you’d like some other ideas !

These wide boxy shapes are definitely not everyone’s best shape or favourite style.
Perhaps you have other favourite casual patterns you could make in festive fabrics.
And clothes based on the casual dartless block are not fashionable “body con” party wear.
If you’re at your best in a more fitted styles with body shaping, there’s plenty of choice in the pattern catalogues.

If velvet and shine don’t make you happy but you do like variations in texture : lace, sequins, brocade, and touches of fake fur are current festive options.
Or these ‘this season’ prints can be good for parties : chinese, baroque, flowers on a dark background, computer generated abstracts.

Eileen Fisher uses a current berry shade of red, with black and grey. Happily if we make our own versions we can choose her shapes but aren’t limited to her colours. Especially if we have warm-toned personal colouring. Choose flattering colours that make you feel festive.

Remember Eileen Fisher clothes are usually very simple in cut. It’s the quality of the fabrics that makes them luxurious.

Enjoy whatever you make and wear for the holiday season 😀

– – –

Links and patterns available November 2012

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Change muslin, acknowledge original ? – dartless pullover

Posted November 17, 2012 by sewingplums
Categories: fit of clothes, pattern making for clothes

I keep talking about getting a well fitting starter block, then using it as the basis for patterns. But what I find myself doing in real life is start from a basic commercial pattern, and alter that to fit and flatter. Then using that as the starting point for other versions.

I’ve found I have to do most of the fitting work anyway even if I use personalised drafting methods or fitting aids, which assume a more average body than mine (see my post on fitting aids). So I might as well work by getting the fit of a commercial pattern right, rather than drafting or using a fitting aid and then still having to make all the fitting changes.

So I wondered how much I should acknowledge the original commercial pattern. How many changes can I make before it no longer counts as the same pattern.  Would the original designer be aggrieved if I didn’t mention her, or insulted if I did  😀

Asked a question about this at Stitchers’ Guild, and got some interesting and wise replies.

I think there are two different goals of changing a pattern:
– deliberately use a pattern as the starting point for making a different design,
– alter a pattern to fit and flatter, and find you’ve made so many changes the result could count as a different style. But getting a different style was an incidental output of the process, not the intended outcome.

It’s this second process I’m commenting on here.

I have two clear examples, which I’ve come to different conclusions about. I wanted a version that fits well and looks good, and assumed I would make minor changes. But the original patterns I chose obviously aren’t good starting points for me, as nearly every proportion and curve of my version is different from the original. So it could count as a different pattern. This post is on a loose drop-shoulder dartless pullover top. Second post is on a raglan sleeve knit top.

– – –

A casual pullover top

Last year I did a lot of work on fit and flatter of a casual pullover top.  The most basic dartless top pattern has front and back armholes the same, which doesn’t give anywhere near a good result on my high round back and sloping shoulders. I added shoulder darts, changed shoulder slope, changed body and sleeve length and width (front and back not the same), changed shape of armhole and sleeve cap so they fit well, changed to a more flattering neckline for me.  The only thing unchanged was the parallel sides of the body ! 

My starting point was Taylor Made Designs Sew-Easy Shirt by Cindy Taylor Oates.

”cto-sew-easy-shirt”

I think I could have started from several other commercial patterns (or drafted my own from the instructions at Burda Style) and had to make similar alterations.

Perhaps Cutting Line Designs Two x Four.

”lc2x4”

or The Sewing Workshop Hudson top.

”sw-hudson425”

Here’s the front of my version (white) compared with Cutting Line 2×4.

”lc2x4-mine”

Look at the middle line of the commercial pattern. Well, mine is the same width at bust level !

Many people love this Cutting Line pattern and find it fits ‘out of the envelope’. But obviously my comfortable and well fitted armhole and neckline are different. (Yes, my version is drop shouldered on me 😀 )

There are many similar casual top styles. (For general comments on this type of casual ‘dartless’ block, see my post on them.) I decided my version is one of the large family of slightly drop-shoulder loose fitting top patterns, and I needn’t mention the original designer. Many people would acknowledge the starting point even for such a generic design. I would mention Cindy Taylor Oates if I used her piecing inspiration.

– – –

A far from tidy muslin – new armhole and sleeve cap

Perhaps some of you are like me, and daunted and amazed by the pristine muslins people show in their blogs. So here is part of the armhole development for my personal sloppy top pattern.

”sloopy-top-armhole2”

Made using swedish tracing paper, which I love – trace the pattern and mark out a sewable trial garment in one step ! A little stiff and no ‘give’, so not for testing draped or bias designs. Many people prefer to use fabric, but my first trial of a pattern is usually far from a good fit, and this is excellent for showing all the sags and strains.

Here’s a comparison of sleeve caps, my muslin and the original. My version is the final one of several as I looked for a way to match sleeve cap to new armhole. Compare with the middle original line.

”ctosleevecap2”

(I didn’t discover a magic method for developing a sleeve cap – involved a lot of reading, guesswork, and trying things out.)

Obviously big changes to armhole and sleeve needed to get a good look on me.
Two main changes :
– a higher more fitted and scooped out armhole, which usually needs a taller sleeve cap,
– front and back armholes and sleeve cap different. The usual casual drop-shoulder pattern, with front and back armholes and sleeve cap the same, doesn’t fit well on my rounded shoulders.

– – –

A few general thoughts on muslin making

I consider the ‘muslin’ is a working tool, and I like seeing evidence of the alteration steps I’ve gone through. Other people greatly prefer tidiness. Some people make a new muslin each time they change the fitting pattern. That approach I confess would drive me wild with boredom.

An interesting process, especially now I’ve done enough pattern work to be happy with slashing and spreading and generally altering. In the confident expectation it is possible to get there in the end !

Not a feeling I got from working with ‘easy fit’ tools of any type. I definitely didn’t enjoy my initial stages of learning to fit, as ‘easy’ fitting aids didn’t work for me, and much-recommended fitting texts didn’t include the guidance I needed. I had the same lack of success with pattern making software, and with the personal slopers produced from drafting instructions in pattern making books. I felt lost and confused. All these people telling me their method produced marvellous results – and on me it looked terrible. . .

Now I have Liechty & Co’s Fitting and Pattern Alteration book, I know that all those ‘easy’ methods which claim to work for everyone actually only deal with about a quarter of all fitting issues. I know more about what I’m doing, and expect to experiment rather than get it right first time.

It’s certainly very rewarding when things transform from lumpy mess to sleek and flattering 😀 I still remember my delighted amazement when for the first time the CF lines on two sides of a pattern fell neatly together all the way down without any pulling and tugging on my part ! Or the first time I made a high round back adjustment, and the back fell down smoothly from the shoulders. . . We sewers do have simple joys 😀

It was also exciting to find this sort of boxy top doesn’t have to look bad on me – I’m so used to that from RTW I thought it was part of the style !

Well this has turned out to be more about muslins than attributing the origin of the design. . .

Good Luck to all who need to make so many changes to a pattern just to get it to look good 😀

– – –

Patterns and links available November 2012

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