Very Quick and Easy patterns which are not timed

Posted November 19, 2016 by sewingplums
Categories: speedy sewing

My previous post was on patterns which the pattern companies claim you can sew in 3 hours or less. That post is here : Speedy patterns to make in half a day or less.

The patterns in this post are obviously quick and simple, but the publishers are not actually committing themselves about how long you need to make them !

The same comments about fabrics apply :
Quality fabrics can give a luxury look to even the simplest of styles. Choose wovens with a bit of body, so they don’t need much support from interfacing and don’t change shape while you’re sewing them. Not slippery, doesn’t fray easily. Similarly with knits – choose stable ones, that aren’t too floppy. Knits have the advantage they don’t fray, so no need for seam finishing. And there are non-knit fabrics like this too.

Some of these patterns may use less than ideal sewing processes to speed up the make. You can always choose to take a bit longer on better techniques, though it may take some thought.

(The patterns are tissue unless download is mentioned.)

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Some patterns for quick casual outfits

Here’s a very simple pattern for skirts and pants :
Butterick 3460.

For casual outfits, combine those with these free slouchy top download patterns from Tessuti :
Cut on sleeve, straight sides (sheers)
Cut-on sleeve, a-line (knits)
Boxy with separate sleeves (knits)
There’s also the free MariaDenmark kimono tee (link in right menu).

Pattern companies and special pattern lines

All the patterns from 100 Acts of Sewing are ultra simple.

And the ePatterns among the download patterns from Sewing Workshop. Add quick elastic waist skirts and pants for a complete wardrobe.

I don’t sew knits myself so I’m not very aware of patterns for them, but I know many people like Pamela’s Patterns and find them quick to sew.

If you like a flouncy / lagenlook style, and have tried the pattern so you’ve found the pitfalls, a few of Tina Givens patterns use simple shapes and techniques, and most are downloads. Though ‘buyer beware’, you do need to know enough to correct any gaps in the patterns and instructions. If you like a softer look but don’t want to go completely lagenlook, many of these can be shortened to thigh length and worn with other skirts, pants or jeans.

If you don’t need good instructions, there are the ‘one figure’ styles from Hot Patterns. Some are available as downloads.

And it’s worth searching for the gems among the dross in the free download patterns from fabric.com (many of these are from Hot Patterns).

Also most of the styleARC patterns suitable for beginners are quick and easy.

Yet more simple tops and bottoms among the Sure Fit Designs Made in a Day styles. Most of these can be made starting from any basic top and pants fitting slopers, not just the SFD ones. Though you do need to do a bit of pattern work the first time you use them.

Quick and easy jackets are usually loose fitting with no collar. Maybe no closure, or use snaps, clasps, frogs, ties, cord loops instead of buttonholes. Often with cut-on sleeves. Or made from rectangles with square armholes. Sometimes raglan sleeves. There are patterns for these from many companies. Here’s my post from 2011 listing quick jackets from independent designers – most are still available.

MacPhee Workshop It’s Magic and World’s Easiest are ingenious simple casual patterns, though for my taste the techniques are sometimes over simplified. As they’re in Canada, there are many warm jackets and coats – not usual in quick pattern collections.
A couple of those are versions of the one-fabric-piece bog coat. Here’s Shirley Adams’ video about making a bog coat without a pattern.

I now have a pinterest board of patterns for very easy jackets and vests.

For a slight increase in skills and time needed, there’s a large range of Fast and Easy patterns from Butterick.

Very easy wardrobe patterns

Make the co-ordination decisions quick and easy by using a wardrobe pattern. Many easy New Look patterns for 2 or 3 items (most both tissue and printable on-line, see size menu), such as :

for knits :
New Look 6762, New Look 6735 (‘core 4’ of jacket, top, skirt, pants), New Look 6730, New Look 6461, New Look 6458, New Look 6420, New Look 6403, New Look 6402, New Look 6384, New Look 6216.

for wovens :
New Look 6428, New Look 6292.
This one isn’t labelled ‘easy’ (skirt and pants have darts and zips), but is nearly and has a ‘Core 4’ of jacket, top, skirt, pants : New Look 6217.

‘Learn to Sew’ pattern ranges

If you’re an experienced sewer, then you’ll probably find these patterns easy to make.

Kwik Sew Kwik Start
Simplicity Learn to sew
McCall’s Learn to sew (avoid the camp shirt 6972, or add a neck facing so you can sew the collar quickly and easily – video on facing pattern here from Louise Cutting)

Although these are ‘Learn to Sew’ patterns, many of them would be challenging as a first project for most complete beginners. But they do usually use simple techniques and clear instructions. I think the Simplicity and Kwik Start instructions are better for beginners, but that won’t matter so much for an experienced sewer.

Beware patterns labelled Easy or Beginner by many of the pattern companies, which may not be at all quick or even simple. Assess these patterns carefully for whether they use techniques that are trouble free and quick for you.
I think Very Easy Vogue patterns are a special trip-up point, they often use techniques which would be called ‘intermediate’ by anyone else 😀

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Lots of good options. But we do need to allow for our own way of working. People who often sew quickly will go “oh good, 1 hour. . . whizz. . .done”. Meanwhile I’m saying “hmm, I do need to make samples of that stitch on my new machine. . . hmm, I need to adapt that pattern for my x, y, z fitting issues. . . hmm, that style element may be quick to sew but often doesn’t work well on me, I’d better make a test garment. . .”. I can take months to make a 1-hour pattern 😀 I can’t happily sew quickly a pattern that’s new to me. If I want some quick sewing, it has to be a Tried ‘N True pattern, one on which all the testing and development work has already been done.

But the quick pattern choices are wide. These days the need for speed doesn’t restrict you to making very plain classics. Copy the well known designers who make very simple shapes in very special fabrics.

Good Luck with finding some speedy patterns which suit your clothing and sewing style. Then you can happily build a wardrobe with minimum effort 😀

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Patterns and links available November 2016

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Make everything from one pattern ?

Posted November 12, 2016 by sewingplums
Categories: pattern making for clothes

Interested in the challenge of making everything from one pattern ? And I don’t mean a wardrobe pattern !

The Pattern Review One Pattern Many Looks contest for 2016 is currently running.
For this contest, you have to choose one view of a pattern. They only allow you to make changes in fabrics and trims.
They specifically exclude doing any pattern work, apart from fitting.

Personally I find it more fun to do some simple pattern work. I know many people don’t want to change patterns, but the alterations suggested in this post are simple.

And an advantage of a DIY version of this pattern altering process is that you don’t have those lengthy legalistic discussions about what meets the rules and what doesn’t, which take up most of the contest discussion 😀

A starter pattern

Several years ago I wrote a post on using one pattern for a dress, top, jacket, vest, coat.
The pattern I used is now out of print.

This time I’m starting from Simplicity 8060, a Mimi G jumpsuit pattern.
There’s a link to a sewing video on that page.

”s8060”

If a shirt isn’t your style, you could do these simple pattern alterations starting from many other jumpsuit patterns with sleeves and waist seam.
I’ve collected some of the current ones on this pinterest board.

Or of course you could instead work the other way round, and use your favourite top and pants patterns to make a jumpsuit. Make the length of the top pattern at your personal bodice length (nape of neck to waist) plus 1-2” / 3-5cm, to allow for movement. If you’d like a tutorial, here’s a video from Wonder How To.

Most of these pattern altering ideas don’t just apply to one pattern. They’re general pattern altering skills which can be applied to many other patterns as well. I’ve begun a pinterest board of some patterns that are easy to change.

Some simple ideas for what you can make from a jumpsuit pattern

(Apart from a jumpsuit !)

Use top and bottom patterns separately.

Use a larger size of the top for a bomber / blouson jacket.
Use the casing and drawstring for the waist.

Make a dress with a waist seam, by adding a gathered rectangle of fabric below the waist instead of the pants. Any length from mini to maxi. How about using some special occasion fabric ?
Several examples of commercial patterns which do that on this pinterest board.

Use the pants pattern pieces to make gathered waist pants.
Use the casing and drawstring for the waist.

For simple re-styling :
– move / omit / change shape of patch and slant pockets,
– change the shape of the collar : round the corners, or use only the band.

With very little pattern work

These changes can be made direct with the pattern tissue if you want to.
Or for more speed there are even easier methods.

Change hem and sleeve lengths – see instructions for lengthening and shortening the pattern tissue, given on most pattern sheets including this one.
If you’d like more detailed advice, there are detailed examples of lengthening and shortening in this post from Tilly and the Buttons.

Lengthen the top to make :
shirt / tunic / shift shirt dress without waist seam.
Use a size larger for a shirt-jacket, longer for a duster.

If the top pattern is the same width all the way down from underarm to hem, you can just mark the added length onto the fabric when cutting, with no need to change the tissue. (Well, I need to check that’s big enough for my hips !)

Lengthen or shorten the sleeves.

Omit collar / cuffs / sleeves.
Make sleeveless tops, vests and sleeveless coats.
Add a bias binding or bias facing to the remaining edge.
Or make a facing pattern, see about 3/4 of the way down this post.

Shorten the length of the jumpsuit pants to make a romper.
Shorten the pants used without the top, to cropped, capris, bermudas, shorts.

For speed shortening, just fold back the unwanted part of the tissue when cutting. Though remember to allow for the ‘turn of the cloth’ at the hem (see angle at hem of pants pattern below for an example).

With a little more pattern work

For these changes, it’s best to trace the pattern and work with the tracing.

Change neckline.
Here’s a post on changing necklines.

Close front of top to make a pullover top, perhaps with a variety of half plackets (henley, polo, zip).
Extend that to a shift dress.
Here’s a post on closing the front of a pattern.

To make a skirt from the pants pattern – lengthen downwards from the vertical part of the crotch seam.
Use the casing and drawstring for the waist.
I’ve extended the stitching lines in this diagram, as I tend to make my own patterns without seam allowances. You can of course extend the cutting lines.
Remember to add hem allowance.
On this image I took it easy and used straight lines. But hem and side seam need to meet at a right angle. So if your pattern piece has sloping sides, you need to curve the hem shape.
(Going from pants to skirt is much easier than the other way round.)

”skirt

Hmm – what about a coat ? Use 2 sizes larger of a lengthened top pattern, and add a lining 😀
See this Threads magazine download book on drafting and sewing your own lining patterns.

This post focusses on all the things you can do to make different garments from one particular pattern.

This post used to end with a section listing some other sources which show how easy it can be to alter a pattern.
That section has expanded so much, I’ve now made it a separate post on Simple pattern alterations.

If you love patterns, this can be a fun thing to do 😀

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Pattern and links available November 2016

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Changing a pattern neckline

Posted October 22, 2016 by sewingplums
Categories: pattern making for clothes

You like a pattern except for the neckline ? or you want to try a different shape ?
Changing a neckline is quite easy pattern work.

First draw in the stitching lines on the existing pattern. It’s easy to do this with a transparent French Curve with 5/8 inch marked round the curved edge. These stitching lines show the position of the shoulder seam and the finished neckline edge.

”nkptcircle”

The crucial point to identify is where the neck edge meets the shoulder seam, sometimes called the neck point.

So long as you draw your new front stitching line-finished neckline through this point, you won’t have to alter the back neckline (or vice versa).

”v-neck”

If you want a wider or narrower neckline, draw in the new finished neckline position. Then measure how far the new neckline is from the old neck point, along the shoulder seam. Use this measure to find where to start the new back neckline.

”lowneckarrow”

To add the new cutting line :
– make some marks 5/8 inch from the stitching line.
The ends of both a tape measure and a seam gauge are 5/8 inch.

”cutlinemark”

– Then join the marks into a smooth curve – easy to do with a French Curve.

”cutline2”

Changing the neckline of a wrap top/ dress is a bit more complex. Here’s a tutorial.

Neckline finish

You could simply finish the new neckline with a bias binding or a bias facing.

If you want the added structure of a proper facing, that involves a bit of easy pattern making.

See instructions for making a facing pattern about 3/4 of the way through this post.

Here’s a video from Louise Cutting on how to add a back neck facing to a pattern that hasn’t got one (facings do make collars very easy to sew on).

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There’s a Craftsy class from Suzy Furrer on drafting necklines.

Again, many possibilities to think about and try out. But once you’ve decided what to do, the pattern work needed can be very simple.

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Links available October 2016

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To get to main blog, click on red header.

Choosing necklines

Posted October 22, 2016 by sewingplums
Categories: pattern making for clothes

Do you know what is the best neckline for you ? There’s much to consider. There’s the shape of neckline that enhances your upper body. There’s the shape of neckline that flatters your face. And the widths and depths of neckline that go best with your proportions. All that before you even think about pattern making techniques for changing a neckline.

My old post on choosing and changing necklines is much visited but now rather out of date. So I’ve updated it in 2 sections.
1. choosing necklines.
2. changing a pattern neckline.

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The neckline shape that flatters your body

If you search ‘choose neckline’ you’ll find a lot of guidance, especially about the best necklines for your body shape, your combination of neck, shoulders and bust.

Amy Herzog has good advice about necklines. She gives much detail about hand knitting, but the general ideas apply to all garments. She used to have on-line tutorials, now it’s in a book, Knit to Flatter, and a Craftsy class, also Knit to Flatter.

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What about flattering your face

To think about this, you need to be aware of the shape of your facial features – your jaw, lips, nose, eyes, eyebrows – are the edge lines straight or curved ?

The Triumph of Individual Style is a beautiful and interesting book with many reproduction art works of women. The aim is to show that, whatever your shape, someone has found it worth celebrating. There’s an interesting section on facial features, pp. 16 – 21. (The proportions of the clothes in this book are very outdated, so just look at the general principles for a wealth of helpful ideas.)

Once you’ve decided whether your features are mainly straight or curved, there’s conflicting advice about what to do with this information. Some people say the best neckline echoes the shape of your features. Others say the best neckline counteracts your features, so use curved shapes if you have an angular face, angular ones if you’re curved. Perhaps the choice between these attitudes depends on personal style, rather than there being one answer which is right for everybody.

The shapes of your face might influence for example whether you look better in a V-neckline with straight edges or with a slightly curved shape.

So do some experimenting. Cut neckline shapes from kitchen towel and try them out.

Imogen Lamport (Inside-Out Style blog) says the best neckline shape is related to your jaw shape. Your jaw shape is likely to be related to your body type (curvy or angular) but is nearer your face.

‘The Triumph of Individual Style’ says you can wear any shape of neckline, so long as it balances your face with your body. Though they recommend echoing your jawline.

Personally I agree with going for shapes that echo the curves of my features. Necklines with sharp angles seem out-of-kilter with my face. But then I prefer softer curved looks anyway. And also, I’m old enough to have ‘jowls’. I find my best neckline is the shape that echoes what my jawline shape used to be 😀 I have to be careful with a draped neckline. They look good in a fabric with enough body to fall in a curve. But if the fabric is so soft that the bottom of the drape falls into a sharper V, that isn’t good on me at all.

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Width of neckline

Gale Grigg Hazen has an ingenious suggestion about measuring necklines, in her book Fantastic Fit for Every Body. Use a transparent (quilters) ruler to measure how wide your neck is, and how far your straps are from your centre line.

”gghneck” (Grigg Hazen p.170)

Compare these measures with the pattern : is the pattern neckline wide enough for your neck ? too wide to cover your straps ?

‘The Triumph of Individual Style’ says your neckline or collar opening should be wider than the widest part of your face. For most of us that means we aren’t at our best in a jewel neckline which is close fitting round the neck.

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Depth and balance

‘The Triumph of Individual Style’ has some fascinating suggestions about flattering neckline depths, pp. 49 – 55. They suggest two ‘balance points’, for high necklines and low.

All their measurements need to be made vertical and straight, with a ruler. Not over the bumps, as you would using a tape measure.

High balance point

Measure vertically from the widest part of your face to the tip of your chin. Your widest point could be at your forehead, your check bones, or somewhere on your jaw.

I’m 3-1/2 inches vertical from cheek bone to tip of chin.

”upperpt”

Measure that distance down from the neck end of your shoulder.

Across from there is the most flattering level for your upper neckline.
On me this comes at the level of my collar bones. I’ve long known that a neckline closely fitting my neck doesn’t look good on me.
This point can also be a good place for collar emphasis, such as the notch of a notch collar.

Low balance point

Measure vertically from your hairline to the tip of your chin.
Or, if you always wear a hair style that substantially covers your forehead, measure down from your hair.

I have a long face, and on me this is 8 inches.

”lowerpt”

Wear something that you don’t mind sticking a pin into or marking.

Measure the length of your face down from the tip of your chin, On me that comes near my bust point.
Mark that level, which is said to be the most flattering level for lower necklines.

You need to convert this to a measure that can be compared with a pattern. So measure from the neck end of your shoulder down to the pin or marker, this time using a tape measure on your body. Because of collar bones and bust, that is likely to be longer than the vertical measure down from your chin.

I’ve got prominent collar bones, and on me this measurement is 11 inches.

If this point comes low on you, you need to think what this means for you personally. With my long head, the low neckline point comes so low it would need a lot of double sided tape to be at all decent, and would be much more revealing than suits my style. But that doesn’t mean I can’t emphasise necklines to this level. It explains why I like wearing long necklaces, and deep V necks on layering tops and jackets, which are all coming down to that level.

So if you need modesty you could have a more obvious neckline going down to this point, filled to a higher level by something less obvious. And I’m trying out emphasising this level using embellishment, a corsage, or a necklace pendant.

Now I know about these balance points, I keep spotting celebrity examples. Wear your neckline below the low balance point if you want all the attention to be on your cleavage !
I think the necklines of most patterns are developed on models with long necks.

Cut test necklines from kitchen towel, or drape scarves, and see what you think. Image consultant suppliers sell sets of basic neckline shapes made from calico. You can try a much wider variety if you make your own !

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Collars

Of course, getting the best neckline shape is essential, but only the first step. Then there are collars, bias drapes, bows, ruffles, whatever. But presumably these additions follow the same principle – that they are best when they coordinate with the lines, shapes, and proportions of our bodies.

For example, big collars need to be in proportion to our overall build. (I’ve just been attracted by a large collar jacket pattern, but fortunately thought of checking my personal croquis. A deep collar wider than my shoulders, on a short jacket, would make me look like a heffalump. . .)

‘The Triumph of Individual Style’ has illustrations showing how to adapt classic collar shapes to high and low neckline balance points.
And Darlene Miller’s book ‘Your shape, your clothes and you’, has illustrations suggesting curved collars go with curved bodies and straight with straight.

There’s a class on drafting simple collars at eSewingWorkshop.

And a Craftsy class by Suzy Furrer on drafting collars, which covers many more collar types.

Lots of possibilities to think about and try.

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Links available October 2016

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To get to main blog, click on red header.