Archive for the ‘personal style’ category

Elle’s Four Winter Styles

January 1, 2010

HAPPY NEW YEAR, AND HAPPY STITCHING IN THE NEW DECADE 😀

UK Elle (January 2010 issue) has 4 themes to keep us going for the winter. There are two casual styles which have all the pattern and colour, and two work styles, all black, grey and white.

They’re all different combinations of fairly classic shapes. The big difference is the jacket/ layering top chosen. All styles wear slim pants or leggings.

– – –

Note : Butterick-McCall’s-Vogue has changed their websites. My BMV links now only get you to a page where you can search for a pattern number.
I apologise that I haven’t changed to the new individual URLs, but it would be a lot of work.

– – –

Canadian Winter

Canadians may be entertained to know that UK Elle thinks we should be dressing like backwoods Canadians this winter – plaids, denim, sheepskins. Classic shapes except they have fitted not dropped shoulders.

Plaid big shirts, with yokes and pockets cut on the bias. These are North American homespun plaids, not Scottish tartan plaids. In bright reds and blues. Sadly most of the homespuns available from UK quilt shops are autumn ‘country’ colours.

Of course use Canadian patterns ! Here are the Jalie 2111 shirt (left) and the McPhee Workshop 305 He/She shirt. (Linda MacPhee’s patterns are good for people who like quick techniques.)

”canshirts”

Big warm knits, in fair-isle or scandinavian knitted-in patterns.

Sheepskin lined jackets, hats and boots, with outer wool, denim or suede. Elle doesn’t go as far as suggesting the big red and black fleece lumberjack style !

Jackets are classics. Convertible collars, fairly straight shape, may have yokes. A jeans jacket would be a good starting point. Can be worn shorter than the shirt. For a vest gilet in the same style, simply make one of these but sleeveless. Here’s the Jalie 2320 denim jacket. The line diagrams for the MacPhee 295 Jean jacket are very similar.

”jaliejean”

Remember to allow for the fur lining. I wrapped a strip of fake fur round myslf and was surpised to find it only increased my measurements by about an inch. It’s worth checking body, shoulder and sleeve ease. Or Kwik Sew 5259 is designed to be made with fur inside.

”ksfur”

An alternative is a padded blouson, see the Jalie 2108 insulated jacket, worn with a leather trimmed backpack.

”jaliepadded”

If you look round those sites, you’ll see Canadian designers know something substantial is needed for protection from a real Canadian winter ! Here in the southern UK we’ve had just a touch of snow so far. But some areas in North America are already well below zero. For that you’ll want lined salopettes, such as Jalie 2109 lined overalls (left), or Green Pepper (Oregon, US) 103 waisted and 113 unwaisted.

”salops”

Accessories : Fur-lined flat ankle boots. And aviator style sheepskin lined helmets, such as Kwik Sew 2613, or Onion 6006 accessories.

”helmets”

– – –

Casual Lounging

Long easy tunics or knits in soft luxury fabrics and yarns – silks and cashmeres, worn with leggings.

Taupe, light grey, pinky beige, nude colours, little pattern and some surface texture.

The long tops are usually somewhat loose fitting. The waist is not shaped, but sometimes marked by a seam/ casing or self-fabric belt. This is difficult to find a pattern for, as the line is at waist not under bust level. Easy enough to add a casing at that level.

This must be my style, as I want to quote patterns I’ve often mentioned before. Here are some possibilities (left to right) : McCall’s 5926 (oop), Kwik Sew 3718 (move the casing up a bit), Butterick 5185, McCall’s 5932.

”luxetops”

Accessories : Sheepskin lined flat calf length boots and big shawl scarves.

If you’re wearing this elegant couch potato/ winter recluse style, it looks as if you’re not expected to go outdoors, as there are no suggestions for warm jackets and coats or hats. My favourites are Vogue 8605 or Mizono Vogue 1145, which I’ve mentioned before.

”luxejkts”

How about a cashmere-alpaca fleece coat with a cashmere beanie, scarf and gloves 😀

But stylish people round here are wearing padded blousons or thigh length pea coats (see below).

– – –

Military

This is one of the more formal styles. The key to the theme is the jacket, worn with a white top and black or grey slim pants. Lots of buttons, studs if you like them. There are two related shapes.

One jacket style is short with princess seams and band collar. Basically the traditional hussar jacket, which is fitted and high hip length, with either an edge-to-edge front closure with lots of braid or frogs, or double breasted with shiny metal buttons.

Many pattern lines have one of these shapes, even already with added braid. Here are Kwik Sew 3466 (top left), Burda Patterns > Coats, Jackets > 7934, Onion 1031 uniform jacket (bottom left). Or for authenticity there’s Folkwear 133 Belgian Military Chef’s jacket.

”military”

The second jacket style is a double breasted pea coat with big lapels and collar, and shiny buttons again, low hip or thigh length. Most patterns are coats which can be shortened. Try Burda Patterns > Coats, Jackets > 8022, Vogue 1266, or oop Vogue 7978

”peacoat”

There is a touch of big shoulders in this military style. But otherwise the big shoulder idea seems to have disappeared. There are very few in the images Elle picked to preview next season. So perhaps big shoulders were a fad rather than a hint of a longer term style change.

Military accessories : this time the boots are unlined calf-length and heeled. Other accessories are all black leather, with studs and buckles. Military style square sided caps : Kwik Sew 3481, or Vogue 8528 View E for a softer look.

”caps”

— – –

Androgynous

More white shirts and black or dark grey slim pants, this time in very classic styles.

‘Boyfriend’ jackets and knits. These are long and straight, perhaps a bit over large. The jackets are an extreme version of the classic notched lapel style. The lapels are not only typically slim, but also very low. The ‘break’ of the lapel, where it starts to fold out from the front, is often below waist level. The ‘gorge’, the point which divides the collar and lapel, is also very low, perhaps below bust level.

Here’s an extreme version from Andy & Deb in Pantone Fashion and Home > Trends > Splashes of Sunshine for 2010.

”boyfrdrssm”

The true boyfriend style is of course tailored, with notched lapel and collar combination. I’ve had difficulty finding patterns for this very long lapel, can’t even find one for men !

(P.S. the new McCall’s 6043 suit has a lapel down to waist level, though not a low notch between collar and lapel. And it has very slim pants !
P.P.S. the new Vogue 8638 jacket pattern has long lapels and low notches.)

Drafting your own lapel collar combination isn’t a beginner project. You could try in Pattern Master Boutique. Set the neckline depth (on Settings tab) to it’s lowest for the ”break’. Set the Notch depth (on Collar tab) to its lowest for the ‘gorge’. Also make the lapel narrow.

Or for a simpler solution to get a touch of this look, make a straight jacket with a turn back from a deep V-neck front edge and add a cut-out notch, as indicated in the fashion sketch.

If you’re buying a long classic knit cardigan, choose one styled for women, so it has a neat fitted armhole and slim sleeves.

Accessories : more black, mainly crisp in line, or Chanel quilting and chains, or go frivolous and girly to tone down the masculine look.

– – –

All four styles include slim pants and leggings. ‘Canadian’ ones can even be in plaid 😀 Burda WOF magazine has patterns for slim pants and leggings in most current issues. Otherwise try Donna Karan Vogue 1039 (left) for pants.and Issey Miyake Vogue 1114 (right) for leggings, or Onion 0005 (in the speciality patterns).

”slims”

– – –

All styles have large square hand held bags, in their own typical materials : plaid, black, silver, fake fur, quilted. These don’t look like an attaché case but would be big enough for a laptop. Should be easy to make a fabric version. Basically a big square stiff sided tote, with leather or square cornered hardware rather than fabric handles. Much easier to make than what I thought was ‘the’ bag for this season, which is leather and covered in silvery metal : D-rings, buckles, eyelets, exposed zips. . .

Add of course a phone by Dior, Prada, or Dolce & Gabbana. 😀

– —

Patterns available December 09

The perfect shirt ?

December 3, 2009

Style is not just in the major choices, such as whether to have a straight or a gathered sleeve, but also the details. All the possible style adjustments in pattern making software gave me this ‘aha’ moment.

– – –

Which immediately reminded me of two patterns I’m intrigued by : they’re both shirts yet they’re so different. The differences need an eagle eye for detail, a way of looking at patterns that I’m not used to. Perhaps that’s part of why I’m not a top clothes designer 😀 I found it very interesting to look slowly and carefully at these patterns.

”photos”

Left oop Vogue 2972 by Alice + Olivia.
Right McCall’s 5433 by Palmer-Pletsch.

In picking out these two shirt patterns, I’ve already made several major shirt styling decisions :
– I look better in fitted armhole styles, I don’t look so good in dropped shoulders.
– Although a yoke is a classic feature of a man’s shirt, and looks good on me, neither of these has a yoke. Yokes are difficult to fit on my sloping shoulders, but a yoke gives my shoulders more definition, which helps me as I don’t like shoulder pads.
– Some people say a style only counts as a shirt if it has no darts, and neither of these patterns passes that test either !

I prefer the shirt on the left, but I’m sure many people like the one on the right – it’s softer and more relaxed in effect, and more suited to the full busted. No pockets in the wrong place ! and the vertical lines of waist darts can have a slimming effect.

The left style has :
– crispness of fabric.
– visible ‘button’ detail
– this detail appears on the placket whether it is open or closed. (This is done by using poppas rather than buttons.)
– 3/4 sleeve (this sleeve is also a bit shorter than the 3/4 sleeve in the right hand pattern).
– neck opening worn up even though unbuttoned – that could be because of crisper fabric, or the way the placket is constructed, or the use of interfacing in the front band.
– deeper collar
– bust pockets
– shoulder point is at outer corner of shoulder, not above arm articulation point

Here are the line diagrams for the fronts :

”fronts”

(The size of one of the diagrams had to be changed. I’ve got them to the right relative proportions as far as I can.)
The line diagrams show there are differences in :
– collar point angle
– number of buttons, and button spacing
– depth of side slits
– possibly different angle of bust darts, related to possible differences of armhole depth.

The back drawings are :

”backs”

Personally I get better armhole fit with back shoulder darts, so I might add them to these patterns.

Both have double button detail on the sleeve cuff, though the buttons are placed differently. Sleeve placket type not clear from these drawings, but there are several options.

The left pattern has an underarm sleeve seam, while the right pattern has the sleeve seam moved to the back so the placket is easier to make.

These two shirts don’t include several other shirt style choices such as : different collar / cuff / sleeve widths, different front and sleeve plackets, different yoke shapes.

– – –

So even something that looks as obvious as a basic shirt actually involves many detailed style decisions. No wonder we’re willing to buy patterns, to pay someone else to choose all the details that ‘look right’ to our individual taste. To use pattern making software to make something equally satisfactory, I would have to be aware of all these details and how they affect the look of the final garment. And I haven’t naturally got that sort of awareness. I expect I could learn a bit about it, but it wouldn’t ever ‘come naturally’.

Perhaps my ideal shirt pattern is a combination of these two patterns, details of styling from the Vogue pattern, combined with added waist darts, and shoulder darts or yoke. Perhaps it would be better if I looked for a different pattern altogether, some sort of ‘shirt-blouse’ . . . There are multiple possible patterns for a basic blouse with set in sleeves, wrist cuffs, waist darts, and either convertible (very easy) or band (easy) collar. I think I’ll choose between them just on how I react visually without detailed analysis – though of course the eye can be tricked by the style and quality of the illustrations, the fabric used. . .

Patterns available December 09

Trends for Autumn/ Winter 09

September 17, 2009

What are the style choices for the coming season ? I’ve summarised below what a couple of UK style magazines say. And added a note about the trends on US Vogue’s Style.com.

Long ago, everyone had to wear the same look to be ‘fashionable’. Then in the 80s it was either power dressing or ‘anything goes’. Now there is a range of style choices, though they are usually some version of ‘classic’, ‘casual’ or ‘dramatic’.

The general styles not catered for by these fashion editors are ‘romantic’ and ‘sporty’. People who like lace and embroidery are expected to wear beading, fringe and gathers. I don’t think they’re the same at all. Perhaps looking pretty isn’t a current stereotype, Or perhaps both gentle and more active people don’t make for eye-catching photos and exciting copy. Well, people who prefer softer lines know to look in the Butterick catalogue for patterns. People who enjoy a sporty style may like Jalie or Green Pepper patterns. And Stella McCartney designs for Adidas.

– – –

Note : Butterick-McCall’s-Vogue has changed their websites. My BMV links now only get you to a page where you can search for a pattern number.
I apologise that I haven’t changed to the new individual URLs, but it would be a lot of work.

– – –

Anyway in this season (autumn/ winter 09), according to the UK Elle and UK In Style October issues, the looks we can choose between are :

– – –

Classic Chic
Trench or double breasted coats, ruffled blouses, white shirts, slightly tapered skirts (knee length) or pants, dresses and matching suits often with defined waists.
Camelhair, classic leather bag, silk scarf, slim leather belt at waist, riding boots (not western !)

This camel coat is from Donna Karan. (Style.com links are very slow in my browser. To see the slide show, click the link under the catwalk photo on Style.com) Look at MaxMara for trenches. And Chanel for lovely wearable suits and evening dresses. Or Burberry Prorsum for an edgier look.

”dkcamelcoat”

There are many appropriate patterns in the Vogue catalogue, so I haven’t picked out specifics. If much of Burberry goes too far for your pleasure, look at Nancy Erickson’s patterns and excellent newsletter about how the classic style changes with the trends.

– – –

Downtown Cool
Soft long jackets, fur tops, plaid big shirts, slim pants, ankle boots, big scarves.

Get inspiration from parts of the Gucci show, though this style is as much street as catwalk.

”guccitwo”

Here’s a wardrobe pattern for this look (McCall’s 5983).

Add the jacket from Vogue 8546.

”hoodiecoat”

Many shows include jackets with cut on elbow length sleeves and big turn-back cuffs. There are several patterns in the McCalls and Butterick catalogues, or try Vogue 8603.

”vwoman”

And the long tunic look includes thigh length cardigans.

– – –

Easy Luxe
don’t care, anything goes together, relaxed but expensive, loose large casuals.

Typical show Chloe

”chloecoat”

Here are some possible ‘big easy’ patterns (Vogue 8538, Vogue 8499, Vogue 1112. Despite what the style description says, these are not just big but interesting too !

”bigeasy”

Or this Issey Miyake wardrobe (Vogue 1476)

”miyakewardrobe”

– – –

Boho Chic – Boho Glamour
Short skirts, tunic dresses, drapes, gathers, handkerchief hems, long fur and other vests, grey tees/ sweat shirts.
Animal prints, big soft bags, thigh boots.

Iconic show Isabel Marant, or Kenzo if you prefer calf-length skirts.

”marant”

Butterick 3311 includes a fur hoodie vest. See also Butterick 5359.

”furhoodie”

McCall’s 5287 and Butterick 3257 are oop, still available in the US but not UK.

There are many thigh length tunic-dress patterns available, especially at McCall’s, such as 5926, or Anna Sui at Vogue patterns.

”cowltunic”

– – –

Balmainia (rock chick bling) – Fierce Chic
Big shouldered jackets, short capes, buckled boots, hip slung belts, slim pants, tunics.
Lots of studs, leather, metal and shine, black and grey.

Key-note show Balmain.

”balmain”

Burda have ‘biker with attitude’ jackets. Go to Burda and search for the pattern numbers : 507B for the jacket and 7593 for the vest.

”burdabiker”

Add flanges in the jacket armholes for the pointed shoulder look, with shoulder pads to keep the shape.

– – –

Paris oh la la
Corset looks, mini skirts, thigh boots, berry colours, bows and stiff ruffles.
Bling, silk, satin, rings.

Key-note show Marc Jacobs at Louis Vuitton.

”ohlala”

For the full ooh la la effect, enjoy the range of corset patterns from Vena Cava,
or take the Laughing Moon no.103 1890s Waist Blouse pattern or no.105 Saloon Girl pattern as a starting point,
or McCall’s 3674 is a Moulin Rouge pattern, oop but available on ebay.

Make the rabbit ears with millinery wire and a headband 😀

For a less in-your-face version see Vogue 2810. with an Oscar de la Renta evening coat (Vogue 2714).

For other quieter special occasion wear, see the US Vogue styles below.

– – –

The US Vogue Style.com trends emphasise retro and evening styles rather than casuals and quirky:

Classics :
smart investments
forties and fabulous

Fierce chic :
Biker Babe
party like it’s 1983

Glamour :
boudoir crossing (transparencies)
ruche hour (interesting draping)

I’m not in tune with retro, so am not a good person to comment. For original patterns, go to LanetzLiving, Patterns from the Past, or So Vintage.

There used to be some lovely Vera Wang Vogue patterns with transparent panels, sadly no longer available. For a quick version of the look, make a coverup from chiffon, perhaps Vogue 7161.

This drapey Donna Karan dress is Vogue 1119.. See also the designer eveningwear at Vogue patterns.

”dkdrape”

– – –

Of course these notes are a summary of a simplification. And happily we haven’t actually got to wear any of them unless we want to. If none of the looks are ‘you’, pick one feature of a trend, such as a touch of fur, animal print, or glitter, or a longer top.

I could wear Downtown Cool, though I’m not an urban person. But I might add some heirloom sewing or quilters’ embellishment, which probably isn’t at all Cool 😀 I would not be happy if I was covered in bows and flounces or leather and grommets, but I know people who thrive and flourish in them. Anyway it’s fun to explore the possibilities.

Colours need care. As usual there’s much black, which is sad as up to half of us don’t look our best in it. A good alternative is grey as it has many possible shades, though it needs experimenting to find one that flatters you. Or try dark brown. Accent colours are red, berry shades, peacock blues, and nudes, none of which are easy for everyone. Non-bluey reds are good on me, but otherwise I will as usual be going my own naturals way on this.

As you can see, there’s a lot of choice about style ! Different groups of fashion editors think different things important. But there is some agreement. All three emphasise the big pointed shoulder look, which is the main ‘newsworthy’ theme of the season. Though it’s not very practical or flattering as a shoulder shape for most of us. There are many signs that big shoulders are coming back – not a look that’s good on me. Two editors notice classic styles. Both UK editors give a boho style and a casual style. The three ‘special occasion’ styles each catch the interest of only one group.

There is also overlap. If you look at a wider range of photos you’ll see that many catwalk outfits are a mixture of these styles. And there is a lot going on that doesn’t fit neatly into these editor labels. To my eye, the elements that keep reappearing (apart from all the black leather and silver !) are tunics, slim pants, fur vests, and long jackets, often with wide lapels or double breasted, band collars, waist-deep V necks, pleated fullness (often in balloon shape short skirts), big scarves and neck rings, boots. But this is just one person’s view.

See the Style.com Designer Directory if you want to spend the whole season happily looking at clothes instead of sewing them 😀 – and explore a much wider range of styles.

– – –

Photos from Style.com.
Patterns available September 09.

To get to main blog, click on red header.

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Personal Style questions

September 6, 2009

The words used to describe personal styles change over the years (classic, romantic, casual, dramatic, vintage. . . cool, boho, cottage core, urban, normcore, edgy, retro, hip-hop . . . ) but some basic aspects of personal style stay constant.
It’s good to have a couple of key words for a style, as an easy way to keep it in mind.
But actually personal styles can vary in a huge number of details.

There are 2 main approaches to making style decisions :
Follow what makes you feel and look good : “Do you prefer wearing skirts or pants ?”
Follow an expert : “You’re a Natural so you prefer wearing pants”.

Following an expert can be very helpful when you start being interested personal style and don’t know what the options are.
Ultimately it’s more important to follow your own feelings and needs.

After much reading about wardrobe planning, I have a list of style questions I find helpful.

Answer these questions with what you would like to wear in an ideal world – don’t pick what is fashionable, or what you have to wear for your work, climate, budget. . .
I’ve given lists of items to choose between, but they don’t cover all the possibilities – feel free to add your own likes. And ignore questions about elements you have no strong feelings/ opinions about.

If you’re new to personal style issues, you may find this long list rather overwhelming ! If so, just consider one or a small group of questions at a time.

– – –

Which types of garment do you prefer wearing ?
– are you a pants or a skirt person ?
– if you prefer skirts, are you a dresses or a separates person ? slim or swirling ?
– if it’s pants – do you prefer jeans, skinnies, leggings, chinos, pants/trousers. . . ?
– – tight or baggy crotch ?
– which types of top do you like most ? shirts, blouses, tees, tunics ?
– which types of layering top do you most like to wear ? blazer, ‘kimono’, sweater, cardigan, tunic, vest, shawl, big shirt, sleeveless jumper-style dress?

There are many pinterest boards here showing different styles of dresses, jackets, skirts, pants, collars, pockets, etc. for you to choose your favourites from.

– do you prefer more professional looking, or more dirt tolerant, clothes ?
– do you like to go to ’dressy/ formal’ occasions ?
– do you like to show skin or cleavage, or are you naturally a ‘modest’ dresser ?
– does the climate/ environment/ culture you live in, or the hobbies you enjoy, affect whether you need warm or protective layers ? longer or shorter pants, skirts or sleeves ? special accessories ?

– what is your basic body silhouette ? rectangle, round, triangle, inverted triangle, hourglass, a combination ?
– if you’re bigger above the waist, have you got wide or large shoulders, or a generous cup size, or both ?
– do you prefer to wear clothes that are skin tight (negative ease – your clothes have to stretch for you to get into them)/ close fitting/ average fitting (about 2-4″/5-10cm. ease)/ loose fitting/ very loose fitting (over 10″/25cm. ease) ? (Ease is the difference between body measurements and garment measurements.)

– what shapes and lengths of tops, tunics, jackets, skirts, pants, are most flattering for you ? (essential to check the view from the back too ! and just get a general idea – the best lengths in detail often depend on particular shapes and combinations of garments and shoes.)
– what shapes and lengths do you feel most comfortable in, or feel most like yourself when you wear them ?
– do you like to wear a collar or raised neckline, or do you avoid them ?
– which armhole shape do you prefer – fitted, dropped shoulder, cut-on ?
– do you prefer simple sleeves, or ones that get attention ?
– do you look good wearing a belt ? at waist level ? at high hip level ?
– do you look best with tops tucked in or out ?

– what is your face shape ? what is the most flattering hair style for you ? what hairstyle makes you feel most true to yourself ?
which hair styles need the level of care you are happy with ? which do you feel comfortable wearing ?
– what is the most flattering shape and depth of neckline for you ? also the best collars ? (Cut out shapes in kitchen towel paper and try them on – that’s good to use as it sticks to most clothes.)
– what are your best features, that you want your clothes and accessories to draw attention to ? face, legs, waist, shoulders, bosom, butt, hands, eyes, skin, feet, hair. . .?

– are you happier in knits or in woven fabrics ?
– do you like plain fabrics, or hand dyeds, prints, plaids, stripes, textures or patterned weaves, velvet or corduroy, shiny, embellished ?
– stiffer materials like leather or denim, or softer more drapey ones?
– if you like prints, are they floral, geometric, animal, hard edged, fuzzy. . .
– lots of big contrasts, or only subtle differences ?
– do you like added beads, or braids, piping, cord, studs and eyelets, ornamental zips, fringe, tassels, lace, embroidery, topstitching, fabric textures such as tucks, gathers, flounces, smocking, 3-D flowers, applique, patchwork, quilting. . .

– what are the darker and lighter neutral colours that are most flattering for you ? (that make you look good even without make up or hair colouring ?)
– what is your favourite and most flattering ‘accent’ colour ?
– do you look best in light or dark colours ? clear or muted-greyed shades ? colours with a yellowish (warm) or with a blueish (cool) underlying tinge ? high contrast or minimal contrast ?
– do you look your best when wearing white ? in black ? in denim blue ? in none of these ?

– are you happiest in fitted or loose clothes ? structured/tailored, or floaty ? simple or detailed ?
– is the weight of clothes important for you ? do you feel more comfortable in light weight clothes ? in heavy weight clothes ?
– what about the weight of accessories ? the weight of bags? shoes? necklaces?
– do you like or dislike wearing high heels? flats? low necklines? high necklines? ankle length skirts? thigh length skirts?

– what is your favourite accessory ? bags, backpacks, belts, necklaces, brooches/ pins, bracelets, earrings, rings, scarves, hats, gloves, shoes, boots, sunglasses ? none ?
– what are your favourite styles for jewellery and accessories : quiet or bling ? large or small ? best materials ? simple or detailed ? modern or antique ? angular or curved ? a mixture ?
– what is your favourite style of bag ?
– what is your favourite size of bag (purse) ?
– what are your favourite materials for your bag ? fabric, leather, straw ?
– what heel height is most flattering to your legs when wearing a skirt ?
– what is your favourite style of shoes ?

– what is the clothing style that you feel most yourself in ? quiet or striking ? casual or tailored ? pretty or hard-edged ? dry-clean or mini-care ? crafter or modernist ? minimalist or bling ? modest or exposed ? classic, quirky, romantic, high fashion, sporty, artistic, elegant, cool, edgy, urban, vintage, boho, sexy, something else, a combination ?
– have you got a ‘signature’ ? is there a colour, or a type of print or fabric, or a type or shape of garment, or a type of accessory or trim, a style element, or something else, that you alway wear or would like to wear ?

– and apply (most of !) these questions to undies and nightwear too.
– what bra and panties styles and sizes can you wear without getting underwear lines ?

– remember a time when you felt at your happiest and best. Would the clothes you are thinking of making or buying help you to feel like this ?

– do you need to adapt your clothes a little away from your personal preferences, to suit the climate or lifestyle where you live or work ? if so, what is the most important feature for you to maintain, so you feel you keep your own style ? (Our local smartly uniformed junior supermarket manager goes home in black leather and chains. He gets to keep his beard and pony tail during the day.)

– – –

Obviously ‘personal style’ cannot be summarised in one word !

Your personal style may well be different from mine, so notice especially when you disagree with these questions, or think there is something important left out !

These sorts of questions don’t point to specific best designs, but for me they do greatly cut down on the mass of alternatives.

Once you start thinking in this way, you may find many other style specifics are important to you.

P.S. I copied this list and changed ‘my’ choices to bold format, so I can just quickly read through the bold words to get a written overview of my style.

P.S.S. Looking at this 3 years later – I’ve realised the clothes patterns I choose have most interest and variety around the neck area, with very little variation in sleeves. So I would add some questions here about which style elements you like to vary. See my post on Where do you like your outfit variety ?

P.S.S.S. 2021. April Grow’s Perfectly Put Together course (not free) goes through many of these options with detailed examples. She has an ‘edgy classic’ style in Winter colours, so the specific examples won’t work well for many people. But as an illustration of general principles about where you prefer to be among the huge variety of style options, and that your preferences may depend on details, this is good.

– – –

First published September 2009

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