Archive for the ‘fit + patterns’ category

The Casual – Dartless block

July 16, 2011

In a previous post about easy ways of getting a well fitting pattern making basis, I mentioned several books and tools which make a simple starter shape without darts. This shape is called the ‘casual’ or ‘dartless’ block.

(May also be called “flat pattern cutting”, as compared to “form cutting” which makes clothes that fit. Though I find that confusing, as pattern making by drawing a pattern on paper is often called ‘flat pattern making’ in contrast to ‘draping’.)

The simplest version of the casual dartless block has :
– straight vertical sides.
– no darts.
– wearing ease for a loose fitting style, may be about 6 inches or more.
– front and back patterns the same except for the neck line.
– as the front and back pattern armholes are the same, the sleeve cap is symmetrical.
– often a longer shallower armhole and a flatter sleeve cap. So the sleeves can be attached before the side seams are sewn.
– often a dropped shoulder, especially for women wearing unisex styles.
– straight loose sleeve arm.

”easysewtee”
Tee pattern from Easy Sewing the Kwik Sew Way

”multisnit1”
Multsnit 1.15

This is the easiest block to develop into casual cut-on sleeve and raglan sleeve styles.

This sort of pattern is very familiar in casuals and outerwear. Often made in knits, fleeces, stretch wovens. Also good for stiff or bulky fabrics such as quilted, fake fur, waterproofed, home dec. And in quality wovens on the right body shape, they can look elegant. Many independent pattern designers base their styles on a version of this block. Often simple jackets are just made from a larger dartless/ casual block.

Incidentally, classic jeans are made from a dartless pants block with little ease. Which is why people with indented waists may have difficulty finding the right pair. But that’s another long and different story. Palmer-Pletsch has a new DVD on fitting and sewing jeans here.

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Commercial ready made dartless/ casual blocks

There are some commercial sources of basic casual dartless blocks.

Such as Connie Crawford’s dartless blocks for wovens and knits.

Here’s the unisex casual block from Shoben Fashion Media.

”shobencasualsm”

The dartless block is used too for the tee and blouse patterns in the wardrobe pattern book ‘Easy Sewing the Kwik Sew Way’. Easy sewing because there are no darts (or zips). And the sleeves of both tee and blouse are attached before sewing the side seams.

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A personal casual dartless block

The easiest way to make a dartless block is just to leave out bust and waist darts of a fitted pattern. But that doesn’t give a good result.

The flat dartless block is so much part of current style that modern pattern making books have a whole section on it. There are a surprisingly large number of different ways of drafting a casual block from measurements, with different results. Which I’m not going to write about here.

Here’s a free download for a simple draft from Burda Style.

If you have the Sure-Fit system, it’s the shirt pattern.

What I’ve found myself doing in practice is not to draft a pattern from measurements, but to get a commercial dartless pattern to fit me well.

I found I can’t use the simple standard commercial dartless block as is, if I want to look good and feel comfortable. With my high round back and uncomfortable armholes, I need :
– different slope for front and back shoulders.
– shoulder darts.
– neck opening moved forward.
– different shape front and back armholes.
– I think a more fitted armhole is more flattering on me, and I don’t mind inserting sleeves.
– my preferred ease levels and comfort for movement give me different width patterns front and back.
So I’ve made my personal version of a ‘dartless’ block with these changes and the amount of ease I like for layering. Which I substitute when a pattern uses the dartless block.

I would have had to do most of that fitting work anyway if I’d used most drafting methods, which assume a more average body than mine. So I might as well just work by getting the fit of a commercial pattern right, rather than going through the drafting stage and still having to do the fitting.

In fact this was the first personal block I developed. The casual block is the easiest block to sew. Much used for beginners’ patterns. No darts. Bigger flatter armholes, so you can add sleeves before sewing side seams. The basis of most relaxed styles, which I usually wear. So I thought it would be the best block to start personalising. I was astonished by how many changes I needed to make before I was happy with the result. Now I know about the features of casual dartless blocks, it isn’t so surprising. The standard dartless block may be easy to sew, but if you haven’t got an average shape it doesn’t look good.

So there’s a second surprise – it isn’t actually necessary to look dreadful when wearing simple clothes with minimum darts ! You can improve the fit of the casual block. Any garment, even the most shapeless, looks best when it hangs well from the shoulders. So get good shoulder fit even on these simple styles. Add darts where you most need them. Use a neater armhole if you don’t mind inserting the sleeves.

I need shoulder darts to look good in a ‘dartless’ style. If you have a large cup size, you may want to add a bust dart. Marcy Tilton has some helpful videos on adding a dart in the armscye.

That’s why I join the people who call this the ‘casual’ block. Commercial designers do use a truly ‘dartless’ block. Garments without darts and with long shallow armholes and flatter sleeve heads are so much easier to manufacture.

Here’s my post with more detail on developing this personal dartless block.

The vertical sided dartless block may be easy to make and very current for casual styling, but it isn’t flattering for all body shapes. Perhaps best worn by rectangles and apples and wide shouldered inverted triangles.

A waste of an hourglass waist. And I think many of us pears look best if we add flare to allow for our hips. Rather than using a style with vertical side seams, when we have to make the bust level big enough to have room for our lower levels. I also find it more flattering to wear a fitted rather than a dropped shoulder.

After all, the whole point of all this is to have clothes that look good and feel comfortable. When we sew for ourselves we can choose the elements of a style that work best for us 😀

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Patterns and links available July 2011

First patterns for Fall – casuals

July 9, 2011

The second group of new season patterns from McCall’s and Simplicity. These ones are more relaxed (in my opinion !) My previous post, on new patterns in more formal styles, is here.

More on my recent themes. Another welcome 4-pocket pattern. And more comments on easy pattern alterations to get different styles.

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Tunic tops

A big overshirt, McCall’s 6401.

”m6401”

I love this sort of big shirt top. Though a gathered waist casing isn’t flattering on me. Pull in the waist tie lightly, just a slight styling element, a waist marker. A tightly pulled-in tie on an indented waist gives the ‘sausage effect’. Perhaps reduce the bulky gathers with darts.

Two collars, three yokes, four sleeves, two waists, two hem shapes, three lengths, with or without pockets. Goodness, how many options does that make ! All easy changes which could be made to many basic patterns.

Here’s a partial batwing top that’s not for me, but good for some body shapes, McCall’s 6400.

”m6400”

Made in knits. Aren’t these fun – orient yourself by the neckline curve at the top. Though I think you need a rather different body shape and personal style than mine to carry this off !

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Jackets

Many styles (no blazers !)

Here’s a pattern to add to the few 4-pocket styles available, Simplicity 2153.

”s2153”

A good example of how simple changes in collar, cuffs, pockets, casings, trims, fabrics, can make everything from a dressy vest to a parka, prettier or more utility.

Three collars, four sleeves, three pocket shapes, two pocket placements, with or without collar/ waist/ hem casing or yoke trim.

Have you got a hood from another pattern, that you could add for more weather protection or another trendy style ? Measure the stitching lines of jacket neckline and bottom of hood, to make sure they’re the same length. Add extra to the bottom front of the hood if it’s too short, add tucks or pleats if it’s too long.

By contrast, for a pattern which changes the whole cut, here’s a one with multiple jacket styles, Simplicity 2150. Goes with the new season issue of ‘Sew Stylish’ magazine. ‘Sew Stylish’ always has advice on simple pattern changes,

”s2150”

Two princess styles. It’s easy to change neckline/ collar/ single or double breasted on a princess style – just change the centre front panel.
And two ‘dartless’ styles without body shaping.

Or how about Nancy Zieman’s version of the classic casual knit jacket, this one with wide neckband and optional styling ties, McCall’s 6408.

”m6408”

Two sleeve lengths, two body lengths, two hem shapes, with or without waist ties.

For a sporty casual look there’s a new waist length jeans jacket or vest, McCall’s 6406. Only for the trim of hip ?!

”m6406”

To make different versions – change collars, pocket shapes, top stitching style, add fun buttons, use bright or natural colours or a floral fabric.

And here’s a pretty bolero with cut on elbow length sleeves by Flirt Brooklyn, McCall’s 6407.

”m6407”

Lengthen the body – to hip, thigh, knee, calf, ankle. . . Lengthen or shorten the sleeves. Change the shape of the collar or front edge, or add a hood. Change button layout or add bows or clasps. Use embroidery stitches or trim round the edges. Home dec fabric or voile. Or a contrast lining fabric. A good basis for embroidery or appliqué. Another pattern that could be the starting point for many different versions if it’s your style !

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According to the preview in UK BMV magazine there are some lovely outerwear jackets and edgy co-ordinates to come from Vogue.

I do like the Simplicity Sew Stylish multi-jackets pattern, or Nancy Zieman’s version of that knit jacket classic. And the overshirt, though deep armholes wouldn’t be wearable under most of those jackets. And. . . 😀

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Patterns and links available July 2011

First patterns for Fall – workwear, and simple style changes

July 2, 2011

Whew, new winter season patterns, when we’ve only just had a few days of summer.

Well, all the new season RTW collections are available at Style.com. And the fashion magazines are telling us the major trends (more on that planned).

Meanwhile the pattern companies are supplying us with new wearable and current styles that fit in well with my recent themes. Especially classics for workwear. And I make some suggestions on co-ordinates.

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Focus on simple pattern making

I’ve found myself making a lot of comments on simple pattern alterations. There are many patterns which show how easy it is to alter a basic shape to make different styles. Just by changing lengths and swapping style elements. Yes, some types of pattern making are complex. But making a different version of a basic is quite simple.

A good month for thinking about this, as the ‘One Pattern Many Looks‘ contest is running at Pattern Review in July. The contest is limited as you’re only allowed to use one pattern view. One collar, sleeve, body shape combination, the same main pattern pieces throughout. For example you’re not allowed to draft facings for a new neckline (see my change necklines post). Length changes only if they don’t change the general type of garment, such as from a blouse to an evening dress. The aim is to make changes with fabrics, trims, and small style elements like pockets and tabs. I don’t think any of the versions in my post on what you can make from one pattern would be allowed in the PR contest !

By contrast I talk here about -all- the variations in one pattern. It’s worth looking carefully at any pattern with several views. They’re full of ideas for change. Many simple ways of ‘pattern making’ to get new styles which don’t involve challenging dart rotation, ’slash and spread’, or ‘pivot and slide’.

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Blouse and jumper dress

More ‘classics for workwear’ with a bit of current interest.

Soft blouses with several cup sizes, in Simplicity 2151 Amazing Fit. Take care with puffy sleeves in crisp fabrics if you’re a large cup size.

”s2151”

A good range of choice for collars and sleeves. Notice all the collars work with the same neckline. And all the sleeves work with the same armhole.

Three collars, three sleeves, with or without trim. Combining each collar with each sleeve gives 9 different versions. Make another set with added trim. So just the options shown give you 18 styles. Then add a short sleeve. Or use soft or crisp fabric, dark or light colours, plains/ solids or prints, satin or crepe. A lifetime of possibilities from one pattern !

If you wear layers, you’ll need a lower necked jacket to allow for/ reveal those blouse necklines. Perhaps the jackets in the first wardrobe pattern later.

Or one of these jumper dresses for feeling cosier in winter offices, McCall’s 6396 (left) and McCall’s 6397 (right).

”m-jumpers”

Remember you need to allow up to 2 inches/5 cm extra underarm ease in a jacket, for each added layer you wear under it.

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Skirts

Flirty flippy or sleek. All three styles in McCall’s 6402 are ‘street’, though the pleated style is currently mentioned most often by stylists.

Those curved seams could give some apparent shape to hips that haven’t got any. Alternatively and unexpectedly, that hip drape gives a vertical line which can disguise wide hips. Though take care if you have a tummy – the vertical line of an overlay is good, but not the added bulk of that hanging drape !

”m6402”

If you look better with smooth over your hips, there’s Simplicity 2152.

”s2152”

Three lengths, two pocket styles, two types of trim, different amounts of top stitching

UK In Style magazine August issue says a pencil skirt is the look of the season. Longer and slimmer than those two choices. But YouLookFab goes for A-line and flowing. So take your pick !

What are the best length and shape for a skirt on you ? Are your body shape and proportions best in an a-line or a tapered skirt ?
Do you prefer the ease of movement in an a-line ?
Make sure the skirt silhouette and inner design lines/ style seams work with the silhouette and inner lines of jackets you plan to wear it with.

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Pants

A wide choice of pant styles. UK Elle says this is a ‘trouser season’ : any shape from skinny to super-wide, worn with a blouse or ‘understated’ knit.
There are full legs or straight in McCall’s 6403 (left). And very skinny pants in stretch wovens from Melissa Watson, in McCall’s 6405 (right).

”m-pants”

Super-wide is full over hips and down the leg. Not very practical as they need to be near floor length to look good. For most of us that means party wear rather than everyday.

(Talking of practical, in late summer there was a new pattern for chinos from Palmer-Pletsch, McCall’s 6361.)

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Jacket

I don’t wear raglan styles on my sloping shoulders, so tend not to mention them, but here is a good fitted version with much potential, Simplicity 2149.

”s2149”

Another example of how you can change a style by changing the elements. Look at length, collars, cuffs, pockets, trims, to see what big changes in character you can make with quite small pattern changes. No need to go to all the trouble of developing the fit of a new cut to get a different style.

Three necklines, four cuffs, three upper pocket styles, three lower pocket styles, several trims and contrasts.

More body conscious than a blazer. Pretty, classic, or edgy depending on colour, fabric and trim.

A jewel neckline on a jacket needs care with the choice of blouse. Wear a camisole or silky tee for a sleek look. Use another jewel neckline, or mandarin collar. You may need to lower the jacket neckline by 1/8 – 1/4 inch / 0.5 cm to make room for a shirt collar or high bow (see the last wardrobe pattern below).

In my opinion, skirt or pants to wear with this depends on length.

The longer ‘jackets’ could be coat or dress, depending on fabric.

These hip length jackets could look best with straight or slightly tapered skirt or pants. Or a skirt with many pleats. Even a skirt with a flounce from the same level as the jacket hem.

Waist length goes with almost any lower silhouette. Micro or maxi. From skin tight to balloons, bubbles and tulips. Pleats, frills, and drapes.

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Soft wardrobes

Simplicity are always good for wardrobe patterns in a wide variety of styles. This time there are some soft ones.

Imogen Lamport’s ‘Business Casual‘ style is mainly knits. Simplicity 2148 is a wardrobe for knits.

”s2148”

Look carefully and see the two very different jackets actually have the same upper body, sleeve, and neckline band.

Imogen Lamport’s ‘Relaxed Business‘ style is drapey rather than tailored. Perhaps a cascade or revers jacket with slim pants or skirt, and some cowl or drape neck tops as well as soft blouses.

Or if you feel your best wearing Jackie O ‘vintage’ style or ‘Chanel’ jackets, there’s Simplicity 2154.

”s2154”

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To my taste, these styles are for workwear or ‘dressy’ occasions. Few of them suit my relaxed life and personal style. I plan to comment on new McCall’s and Simplicity casual styles in my next post. Choose what is best for you, and enjoy the possibilities of the new season 😀

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Patterns and links available July 2011

Pattern making – just drape

June 18, 2011

Classics or adventures ?

When you have your basic blocks or TNTs, you can make easy changes. Add decorative seam lines, alter length, ease, openings, collars, sleeves, pockets, to make an almost infinite variety of styles. This suits me personally, as I like to wear simple classic shapes.

But it does lead to the current uniformity in the shapes we wear. It doesn’t warm my heart by reminding me that fashion design can be an art form. For that I need to look at designs by people who explore new cuts and shapes.

Perhaps the designs in the drapey angles post.

Or Lynn Mizono’s Vogue 1216 jacket.

”v1216”

Or patterns from Au Bonheur des Petites Mains, such as this Tunique drapée.

”tuniquedrapeesm”

And how about this pattern from La Mia Boutique magazine May issue.

”lmb-532”

There are pleats in upper skirt, lower bodice, end of waist wraps. Those triangles pointing down are the front upper bodice !

Shapes which might never occur to someone starting from a flat pattern.

If you want to try this yourself, get some cheap fabric and a dress form. Play around with scissors and pins. Madeleine Vionnet worked out her draped designs on a small dress form.

”vionnet-draping”
image from the Vionnet site.

(P.S. Here’s a piece about a modern designer using draping.)

Looks much more freeing than starting from flat pattern making. Sadly the only small dress forms I’ve found here in the UK are rather expensive. And I guess that making a usable pattern from what you’ve draped has to be quite a rigorous and precise process.

There are several text books on draping, but I haven’t seen any of them. One is Connie Crawford The Art of Fashion Draping.

(P.S. There’s a new class at Craftsy on this, but I haven’t tried it – Fashion draping. Not for sewing beginners.)

(P.S. New book : a href=”http://www.amazon.com/Draping-Complete-Course-Karolyn-Kiisel/dp/1780672861/”>Draping – the complete course by Karolyn Kiisel.
Enthusiastically reviewed by Male Pattern Boldness.)

Draping looks fun, though I haven’t tried it. I suspect it needs a different type of imagination than mine. I seem to be on a flat-pattern-making book buying binge at the moment ! Ah well, at least I’m not buying so many patterns 😀

Some people find they’re naturally suited to flat pattern making. Others feel they’ve found their home when they start draping. Which are you happiest doing ?

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Links available June 2011