Archive for the ‘current fashion’ category

Change in proportions

October 27, 2012

One of my key garments is a shirt-jacket. I had fun recently looking at older shirt-jacket wardrobe patterns on Etsy. There were dozens of very similar patterns published in the 70s to 90s.

Here’s one from the 70s. McCall’s 3280, 1972.
(Goodness, that summer I bought this house, so lived on crusts for several years. And I finished my thesis. It wasn’t a time I was thinking much about new clothes !)

”m3280”

This look was popular for decades. A recent pattern like this was only discontinued a short time ago, Butterick 4811.

”b4811”

In the late 80s to 90s, there was also another popular look for unlined casual jackets – oversized and collarless. Here’s McCall’s 7501, 1995. Huge oversize supported by huge shoulder pads, worn with a small skirt or full pants.

”m7501”

So, what is it about these styles that makes them look not quite up to date ?

Well, some designers have been showing oversized jackets in recent seasons, but usually without the huge support structures, and worn with slim pants or leggings. You Look Fab has a post about these here. Jackets like this haven’t reached this suburb (except for the students who buy men’s overcoats from the charity shops).

These days there’s so much freedom in fashion, you can find at least one designer who uses any given look. I’ve tried to focus on what’s frequently seen.

Here’s what I might replace those looks with.

New wardrobe pattern for wovens, Butterick 5821.

”b5811”

For a less casual jacket look, use the wardrobe jacket, but thigh length and without the hem casing. Add a waist casing for this season’s waist emphasis if that suits your body shape. Lots of seams for adding hip width if you’re pear shaped.

Or Nancy Zieman’s knits wardrobe McCall’s 6247.

”m6247”

I want a shirt-jacket wardrobe so would add McCall’s 6606, especially lower right.

”m6606”

– – –

What are the differences compared with earlier styles ?
Ignore the curved versus straight style elements, a matter of personal style.
I think the key is proportions and silhouette.

Shirts and tops

Shirts are now often not mid hip length but low hip or thigh length.
Several common proportions :

The trendy shirt look is slim with slight waist shaping, such as Butterick 5678.

”b5678”

A narrow belt at waist is ‘this season’.

Or oversized but without the huge shoulder pads, such as Katherine Tilton Vogue 8748.

”v8748”

Or for overlayers, try the indoor poncho look in a woven fabric, see McCall’s 6603.
Actually, in the trendy mail order catalogues I’ve received this season, there have been knit sweaters this shape and ponchos, but not shirts. (The ‘arty’ catalogue always has an oversized shirt.)

Both slim shirts and big trendy tops are worn with slim pants/ skirt or leggings.

The current casual shirt look is looser fitting, as in McCall’s 6606 shown with the wardrobes above. Straight not shaped to the body, but not very loose fit. Even the new Palmer-Pletsch unisex shirt (McCall’s 6613) has 4 inches of ease not 8.
Worn with straight or boot-cut pants.

The ways style elements are used to emphasise the shoulders has also changed.
We no longer wear :
– huge shoulder pads or very dropped shoulders,
– wide spreading or high collars.
These days unlined casual jackets rarely have shoulder pads. And shirt and notch collars are usually not emphasised. Instead we have :
– yokes or epaulets,
– fitted or slightly dropped sleeves.

Shoulders dropped well down the arm are coming back as they’re essential for over-sized styles, but they’re not generally used. Though dropped shoulders are featured by some boutique designers – like the Katherine Tilton shirt – as arty rather than trendy personal style.
Raglan sleeves rather than dropped shoulders are currently used on gear for easy movement like sweatshirts.

Skirt

Skirts are now usually straight or slightly tapered (pencil),
or subtle rather than full A-line.
Knee length or shorter, or below knee, or calf length.
Or short and flirty pleated (one of the very, very few styles I think is best worn only by the young).

You can wear a full skirt if you like the ease of movement. Make it in soft fabric so the silhouette isn’t wide and stiff (unless you’re going for a vintage look), and wear at lower calf length with a fitted top.
Such as Butterick 5650.

Pants

Pants are now usually slim,
or straight,
or boot cut rather than flared.

All styles in new Butterick 5818.

You can wear very full or very flared pants (with a high-hip length top) if you have the body shape for them, but happily we haven’t got to wear them if we haven’t !

P.S. Lovely new post by Imogen Lamport on what is in/out of style – letting go of trends.
Key question : “Could you go into a store and buy a similar garment today (if not, it’s gone out of fashion) ?”

– – –

Nowadays there aren’t many full wardrobe patterns in shirt-jacket style.
There are many patterns for shirt plus pants. Add a simple top, and a skirt if you wear them.

Would this be a good casual look for you ? – or do you feel as miserable in a shirt as I do in a blazer 😀

– – –

Links available October 2012

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Touches of high fashion for a/w 2012

September 22, 2012

I’ve been lazy about images. For lots of photos of runway styles, look at the Style.com (US Vogue) Trend Report for the a/w 2012 season.
Also the UK Elle Trend Report.
UK In Style has separate reports on each fashion city, if you want to be reminded that the fashion journalists pick out a small selection of possibilities from a huge variety of styles.

Fabrics
Brocade is the season’s big idea for a patterned fabric.
Fur used in unusual ways, such as sleeves or yokes only, or inset strips.

Patterns and embellishments
brocades again.
Chinese inspired.
baroque arabesques.
geometric patterns with right angles.
big dark florals.
leopard and python animal skins.
glued or sewn jewels or metal plates/ studs.

Pant and skirt suits made with top and bottom in the same print/ non-classic weave.
Or the opposite – make different sections of the garment in different prints.

Colours
(For the Fall 2012 Pantone Report scroll down the left side of their site to Features.)

Red in all its shades, but especially berry, is the key colour for this season.
Black leather and lace is neo-Goth.
Silver, especially in accessories and hard-edged minimalist ‘futuristic’ clothes styles.
Gold, especially in added baroque pattern.

Shapes
Oversize coats.
Bow-neck blouses.
Waist emphasis – peplums, padded hips, waist belts from narrow to wide cinch.
Jumpsuits – though just with a bib front as in overalls/ dungarees, not a complete top with back and sleeves.

Style details (this season’s ‘masculine’ styles)
Military – browns, olives, or brights for colour.
Equestrian – leather and high boots.

Accessories
Clutch purse.
Mule shoes, ankle boots.
Snoods, neck rings, fun fur scarves.

These are the key trends picked out by US Vogue and UK Elle, but if you look through all the runway shows you can find designers who support most style enthusiasms 😀

Different fashion writers can pick out different themes.
Here’s Angie of You Look Fab’s similar summary of the season.
Here’s an update on Angie’s must-haves for this season.
There’s a rather different selection of trends from Connie Crawford here.
Here are Nancy Nix-Rice’s wearable ideas on the season’s trends.
With lots of inspirational current outfit photos from her here.

As usual, there are possibilities to suit many tastes. And not to worry – go your own way if nothing appeals !

For more focus on casual clothes, it can help to look at the ‘resort’ collections.

Eek, on the insider sites, the 2012 autumn-winter runway collections are now ‘old news’. You can already look at the 2013 spring-summer collections if you want to be really fashion forward ! (Style.com, firstVIEW, Tom and Lorenzo)

Actually, you can only impress people with your high style if they know the same fashion references.
Nancy Erickson had a quote from Chanel in her July/August newsletter :
“A really well dressed woman. . . should be able to pass through a motley crowd unnoticed, but should create a mild sensation on entering a drawing room among the knowing elite.”

Perhaps your favourite ‘knowing elite’ is not clothes high spenders in expensive drawing rooms or on the red carpet, but top professionals, sports fans, vintage lovers, goths, gym users, cafe-bar party goers, people in the countryside, at art gallery openings, music festivals.

Is that important to you ?
or celebrate the creativity and skill shown on the runways, and treat it all as entertainment 😀

– – –

Links available September 2012

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My choices for a/w 2012 : new BMV patterns

September 15, 2012

This season I’ve just picked for myself, not patterns of general interest.
There are some marvellous new Vogue designer patterns for people who want to look both stunning and professional. But I’m past that stage of my life.

I keep saying this, but I wear big shirts and vests – a look that does appear on the runway and in many stores – though the fashion journalists rarely mention it and the wardrobe planners never do. Happily the pattern companies cater well for my tastes, even if the fashion writers don’t !

Here’s some of the new possibilities.

– – –

Big shirts

I love a yoked shirt – works well for my personal style and my body shape.
The yoke gives a bit of definition to my skimpy shoulders.
And the gathers below allow a trim slim look over the shoulders combined with extra fabric to cover my hips.

I also prefer a style that closes up to the neck, rather then a V-neck. I feel the cold, it suits my face shape better, and it gives a bit of dimension to the front of a garment – needed as I have a small bust.

Here’s a couple of very different styles.

A big loose shirt with choice of 3 necklines, 2 sleeves and 2 hems (similar big yoke at back), McCall’s 6605.

”m6605”

Best to wear leggings or slim pants with such a big top, if you don’t want to look like a balloon !

By contrast, here’s a neat slim fit, Butterick 5826.

”b5826”

Possible to wear a much wider range of pant leg widths with a closer fitting style like this.

I also like an inset yoke and a smock style, but patterns for those are mainly from Simplicity/ New Look.

– – –

Big tops

For wovens – the front of this drape style (left) is cut on the bias, McCall’s 6604.

”m6604”

Butterick 5816 has multiple options.

”b5816”

If you like the comfort of big loose tops, here are wide poncho-like styles for indoor wear, 3 necklines including a hoodie, 4 sleeves, 2 hems, McCall’s 6603.

”m6603”

– – –

Vests and sleeveless tops

An easy-wear extra layer of warmth without encumbering the arms.

Here’s a fairly conventional vest pattern – ah, no, it has actually got both bust and back neck darts ! Looks spectacular made in fur (and fur gilets are high fashion). Large enough to layer over a fitted jacket, Vogue 8838.

”v8838-1”

(Safari and trench styled vests are also current. And closely fitted tailored versions.)

Or a deep cowl sleeveless layering knit tunic with 3 hems by Nancy Zieman, McCall’s 6607.

”m6607”

Leave off the cowl, add a scarf instead, change neckline/ add collar if you’re adventurous – many easy style changes.

– – –

Piecing and Jackets

Many crafters like the challenge of pieced jackets. Modern ones are made with areas of different tones of similar solid fabrics, rather than myriad small pieces of patterned patchwork fabrics.

(P.S. though see the Givenchy Resort 2013 collection for some fantastic piecing and fabric combining.)

There’s a multi-fabric option for the jacket with the fur vest, Vogue 8838. The skill involved in making that back will only be appreciated by other sewers !

”v8838-2”

There’s also a new jacket from Marcy Tilton, Vogue 8839. For knits including fleece. It has a short cascade collar, more flattering for my small busted top. And interesting options for combining fabrics. A bit straight up and down for my shape, I might add some flare.

”v8839”

Somewhat similar – the new style multi-fabric shirt has each pattern piece in a different solid fabric (collar, placket, yoke, etc.). Not the main pattern sections (front, back, sleeves) pieced from multiple fabrics. (Or use large rather than small areas of fabric for your ‘piecing’.)

Use your favourite classic shirt pattern, or there’s a new version of the Palmer-Pletsch unisex shirt, McCall’s 6613.

”modcloths”
(These examples aren’t the Palmer-Pletsch pattern, they’re from Modcloth.)

And there are multi-fabric options for the Butterick 5816 top.

Not pieced (though it could be) : a new pattern for my usual shape of jacket – Connie Crawford Butterick 5828.

”b5828”

Or exaggerate the size – Style.com says oversized coats are a big fashion idea for this a/w.

– – –

Bag

I’m a fan of Marcy Tilton bags, this one is Vogue 8843. But what’s with the big green leaf ? I confess I didn’t notice the bag at first, and thought the pattern was for a leaf shaped bag. Not something to take on the bus in the rush hour !

”v8843”

– – –

Finally a skirt

There are many attractive new pants patterns this season, from very slim to wide. But I only wear one style of pants, simple classics – slightly tapered or slightly more tapered. I haven’t got the right shape legs for leggings, but I do need to look for a slim pair of pants, to have the current proportions with those big tops. Hmmm. . . Palmer-Pletsch McCall’s 6440 is not new but recent.

There is a pattern which might entice me back to skirt wearing – a long skirt with matching jacket, Vogue 8841. I could wear this round here without looking odd. Slightly shorter jacket is like the proportions of skirts and jackets in the early 20th century, my favourite historic period for style.

”v8841”

Aren’t we lucky to be free to choose from such a wide range of styles these days 😀

– – –

Patterns and links available September 2012

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Colours, prints, fabrications – s/s 2012

June 30, 2012

Apart from the peplum, there wasn’t a new major obvious shape influence on the catwalks for this spring/ summer season.

There are shift dresses – good to see them back as they’re such useful shape for the half of the population who are rectangle shape. But several collections have over-large shift dresses which make even the models look fat.

And there was a suggestion of wearing men’s striped flannel pyjamas as part of the ‘boyfriend’ look, but happily that didn’t last long. With versions in satin for party wear.

The main repeating ‘stories’ that appeared from several designers are about colour, print, fabric. Choose which you will, as they suit different personal styles.

The ones here are mainly from the UK Vogue February 2012 booklet on The Collections.

Sorry this is so late. Although summer officially started only a few days ago, McCalls have already published their first autumn patterns ! These summer ideas haven’t had much impact on me so far. They may head-line in Vogue, but haven’t yet percolated down to this little bit of multi-ethnic suburban middle England – not that we’ve had much opportunity to wear summer clothes yet anyway 😀

– – –

COLOURS

Black, cream and gold
(Many designers show almost entirely black collections, but that’s not newsworthy.)

”gucci-balenciaga”
Gucci . . . . . . . . . . . Balenciaga

White

”louis-vuitton”
Louis Vuitton

Muted pastels and sorbets

”tommy-hilfiger”
Tommy Hilfiger

(Cream or pale green if you have warm-yellow based skin tone.)

Except for black with cream contrasts, most of the colours this season are light, and many outfits have an overall similar value of colour scheme. Not many big contrasts of light/ dark or neutral/ accent.

Well, as an alternative to low contrast there is still colour blocking, some of it as strong as ever, though now some gentler.

”colour-block”
Ports 1961 . . . . . . . . . . . 3.1 Phillip Lim

Or of course you could follow Pantone’s seasonal colour report and make a whole outfit in this season’s orange. . .

Or high street fashion – pants in any bright colour, if you like strong colour but not orange.

Or – it’s another season with lots of denim blue.

”marc-jacobs”
Marc by Marc Jacobs

PRINTS

Underwater soft aquas and watery prints

”underwater”
Versace . . . . . . . . . . . Chanel

Pretty allover florals

”erdem3”
Erdem

Paisley and arabesque, either prints or cut-outs

”valentino”
Valentino

African – the fabric styles, as well as leopard and zebra animal prints.

”donna-karan-afro”
Donna Karan

Techno print – the sort of patterns you can only make on a computer.

”preen”
Preen

Print jackets and pants are also high style this season.

Here in the UK we’re supposed to wear athletic singlets and fabrics covered in Union Jacks, patriotic for the Jubilee and Olympics.

FABRICATIONS

Shimmering metallics, sheers, satins, grey and silver

”chanel-the-row”
Chanel . . . . . . . . . . . . The Row

For everyday not just special occasions.
Usually with simple shapes, minimalist rather than bling, possibly a sci-fi look.

Cut-outs and tape laces
several examples already.

– – –

There are of course clothes with all sorts of interesting style elements and added embellishment – I’ve chosen examples which show the fabrics clearly.

Look at the trends for yourself :
Style.com – US Vogue
UK Elle
UK In Style (scroll down for spring/ summer)

Pick which you like if you find them attractive. Otherwise take it all as entertainment and don’t worry about it 😀

– – –

Photos from Style.com
Links available June 2012

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