Archive for the ‘current fashion’ category

The balloon skirt

October 10, 2009

When “The X Factor” judges and contestants all appear in a look, you have to notice it ! The magazines I reviewed for the coming trends now barely mention the balloon skirt, so perhaps it’s a fad rather than a trend. But it’s entertaining to look at the possibilities.

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Note : Butterick-McCall’s-Vogue has changed their websites. My BMV links now only get you to a page where you can search for a pattern number.
I apologise that I haven’t changed to the new individual URLs, but it would be a lot of work.

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Here’s a balloon skirt from Marc Jacobs at Louis Vuitton

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In this quiet suburb, I haven’t yet seen anyone wearing matching leggings !

Dior has a less strong look, with a soft hem shape over a knee length skirt, or even below the knee :

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As some of these skirts are fully pleated from the waist, people might think this is good for disguising big hips. But most of these styles are actually worn by people who are very slim underneath. From what I’ve seen, this shape only looks good on less slim people if they have a defined waist and good legs.

An easier ‘street’ touch of this look is to have this full shape below the waist or a bubble hem, on a parka or jacket. Or add pleats to a thigh length tunic, as in this McCall’s 5926 cowl neck top. Again this sort of tunic is probably best worn with leggings or slim pants, so won’t flatter everyone.

”cowltunic”

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How to make this look ? For a skirt, there is Burda 7610 (picture). Or Onion Skirt 3024 (see Blog roll) has the balloon hem.

”burdaskirts”

Here are two designer dress patterns with related effect. The Donna Karan dress (left) (Vogue 1119) has a draped hem. The Alice + Olivia dress (right) (Vogue 1122) has the similar style of bell shaped hips.

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Marcy Tilton has a lower calf length skirt (Vogue 8499).

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But a specific pattern isn’t really necessary. This style is fairly easy to make using a skirt pattern with pleats at the waist, such as Butterick 5285

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For the Waist, use pleats which widen at the outer end. If the pattern you start from has straight pleats, angle them out.

Here are a couple of angled pleats :

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And here are the marked fold lines for making those pleats :

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Angled pleats are like unsewn darts. Interestingly, there is no picture of an angled pleat in my favourite instruction books.

It’s a good idea to try on with pleats basted, before sewing. Then you can check and adjust the pleats if necessary, so they don’t bulge and buckle and have strain lines. As someone with high hips, I know these peculiarities can be disconcertingly likely in pleats over the hips !

The pleats may be unsewn, or sewn part way down. Probably unsewn pleats, which have a bulkier effect, are better on slimmer people.

To get the proper balloon effect, the fabric needs to have some body/ stiffness. Otherwise you will have to add some support interfacing under the pleats. For a strong look this might be a good idea anyway.

Though for larger people who just want to give a suggestion of the style, boosting the amount that the pleats stick out is not so good ! In fact. I think on larger people it’s better to make the strongly curving shape below the waist using curved darts rather than pleats – gives the shape without the bulk.

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A Hem that is smaller than the widest part of the skirt is an essential part of the complete balloon look. There are two main ways of making this hem :

One is simply to add pleats at the hem. They may be free or sewn down. They can match the pleats at the waist or not – experiment with how many look good on you.

Using an inner skirt is a bit more complex :

a. Decide what length you want the finished skirt

Make a straight or slightly A-line skirt lining, 2 – 3 inches shorter than you want the finished skirt. Ir’s best to make the lining fitted with darts at waist, to minimise bulk.

Make the outer skirt 2- 3 inches longer than you want the finished length.

b. With right sides together, either pleat or gather the outer skirt hem onto the inner skirt hem.

Turn them right side out and baste together at the waistline.

c. Then do closure and waist treatments.

It might be a good idea to make a ‘muslin’ trial garment to test the effect !

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Runway photos from Style.com.
Patterns available October 2009

Trends for Autumn/ Winter 09

September 17, 2009

What are the style choices for the coming season ? I’ve summarised below what a couple of UK style magazines say. And added a note about the trends on US Vogue’s Style.com.

Long ago, everyone had to wear the same look to be ‘fashionable’. Then in the 80s it was either power dressing or ‘anything goes’. Now there is a range of style choices, though they are usually some version of ‘classic’, ‘casual’ or ‘dramatic’.

The general styles not catered for by these fashion editors are ‘romantic’ and ‘sporty’. People who like lace and embroidery are expected to wear beading, fringe and gathers. I don’t think they’re the same at all. Perhaps looking pretty isn’t a current stereotype, Or perhaps both gentle and more active people don’t make for eye-catching photos and exciting copy. Well, people who prefer softer lines know to look in the Butterick catalogue for patterns. People who enjoy a sporty style may like Jalie or Green Pepper patterns. And Stella McCartney designs for Adidas.

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Note : Butterick-McCall’s-Vogue has changed their websites. My BMV links now only get you to a page where you can search for a pattern number.
I apologise that I haven’t changed to the new individual URLs, but it would be a lot of work.

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Anyway in this season (autumn/ winter 09), according to the UK Elle and UK In Style October issues, the looks we can choose between are :

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Classic Chic
Trench or double breasted coats, ruffled blouses, white shirts, slightly tapered skirts (knee length) or pants, dresses and matching suits often with defined waists.
Camelhair, classic leather bag, silk scarf, slim leather belt at waist, riding boots (not western !)

This camel coat is from Donna Karan. (Style.com links are very slow in my browser. To see the slide show, click the link under the catwalk photo on Style.com) Look at MaxMara for trenches. And Chanel for lovely wearable suits and evening dresses. Or Burberry Prorsum for an edgier look.

”dkcamelcoat”

There are many appropriate patterns in the Vogue catalogue, so I haven’t picked out specifics. If much of Burberry goes too far for your pleasure, look at Nancy Erickson’s patterns and excellent newsletter about how the classic style changes with the trends.

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Downtown Cool
Soft long jackets, fur tops, plaid big shirts, slim pants, ankle boots, big scarves.

Get inspiration from parts of the Gucci show, though this style is as much street as catwalk.

”guccitwo”

Here’s a wardrobe pattern for this look (McCall’s 5983).

Add the jacket from Vogue 8546.

”hoodiecoat”

Many shows include jackets with cut on elbow length sleeves and big turn-back cuffs. There are several patterns in the McCalls and Butterick catalogues, or try Vogue 8603.

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And the long tunic look includes thigh length cardigans.

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Easy Luxe
don’t care, anything goes together, relaxed but expensive, loose large casuals.

Typical show Chloe

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Here are some possible ‘big easy’ patterns (Vogue 8538, Vogue 8499, Vogue 1112. Despite what the style description says, these are not just big but interesting too !

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Or this Issey Miyake wardrobe (Vogue 1476)

”miyakewardrobe”

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Boho Chic – Boho Glamour
Short skirts, tunic dresses, drapes, gathers, handkerchief hems, long fur and other vests, grey tees/ sweat shirts.
Animal prints, big soft bags, thigh boots.

Iconic show Isabel Marant, or Kenzo if you prefer calf-length skirts.

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Butterick 3311 includes a fur hoodie vest. See also Butterick 5359.

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McCall’s 5287 and Butterick 3257 are oop, still available in the US but not UK.

There are many thigh length tunic-dress patterns available, especially at McCall’s, such as 5926, or Anna Sui at Vogue patterns.

”cowltunic”

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Balmainia (rock chick bling) – Fierce Chic
Big shouldered jackets, short capes, buckled boots, hip slung belts, slim pants, tunics.
Lots of studs, leather, metal and shine, black and grey.

Key-note show Balmain.

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Burda have ‘biker with attitude’ jackets. Go to Burda and search for the pattern numbers : 507B for the jacket and 7593 for the vest.

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Add flanges in the jacket armholes for the pointed shoulder look, with shoulder pads to keep the shape.

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Paris oh la la
Corset looks, mini skirts, thigh boots, berry colours, bows and stiff ruffles.
Bling, silk, satin, rings.

Key-note show Marc Jacobs at Louis Vuitton.

”ohlala”

For the full ooh la la effect, enjoy the range of corset patterns from Vena Cava,
or take the Laughing Moon no.103 1890s Waist Blouse pattern or no.105 Saloon Girl pattern as a starting point,
or McCall’s 3674 is a Moulin Rouge pattern, oop but available on ebay.

Make the rabbit ears with millinery wire and a headband 😀

For a less in-your-face version see Vogue 2810. with an Oscar de la Renta evening coat (Vogue 2714).

For other quieter special occasion wear, see the US Vogue styles below.

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The US Vogue Style.com trends emphasise retro and evening styles rather than casuals and quirky:

Classics :
smart investments
forties and fabulous

Fierce chic :
Biker Babe
party like it’s 1983

Glamour :
boudoir crossing (transparencies)
ruche hour (interesting draping)

I’m not in tune with retro, so am not a good person to comment. For original patterns, go to LanetzLiving, Patterns from the Past, or So Vintage.

There used to be some lovely Vera Wang Vogue patterns with transparent panels, sadly no longer available. For a quick version of the look, make a coverup from chiffon, perhaps Vogue 7161.

This drapey Donna Karan dress is Vogue 1119.. See also the designer eveningwear at Vogue patterns.

”dkdrape”

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Of course these notes are a summary of a simplification. And happily we haven’t actually got to wear any of them unless we want to. If none of the looks are ‘you’, pick one feature of a trend, such as a touch of fur, animal print, or glitter, or a longer top.

I could wear Downtown Cool, though I’m not an urban person. But I might add some heirloom sewing or quilters’ embellishment, which probably isn’t at all Cool 😀 I would not be happy if I was covered in bows and flounces or leather and grommets, but I know people who thrive and flourish in them. Anyway it’s fun to explore the possibilities.

Colours need care. As usual there’s much black, which is sad as up to half of us don’t look our best in it. A good alternative is grey as it has many possible shades, though it needs experimenting to find one that flatters you. Or try dark brown. Accent colours are red, berry shades, peacock blues, and nudes, none of which are easy for everyone. Non-bluey reds are good on me, but otherwise I will as usual be going my own naturals way on this.

As you can see, there’s a lot of choice about style ! Different groups of fashion editors think different things important. But there is some agreement. All three emphasise the big pointed shoulder look, which is the main ‘newsworthy’ theme of the season. Though it’s not very practical or flattering as a shoulder shape for most of us. There are many signs that big shoulders are coming back – not a look that’s good on me. Two editors notice classic styles. Both UK editors give a boho style and a casual style. The three ‘special occasion’ styles each catch the interest of only one group.

There is also overlap. If you look at a wider range of photos you’ll see that many catwalk outfits are a mixture of these styles. And there is a lot going on that doesn’t fit neatly into these editor labels. To my eye, the elements that keep reappearing (apart from all the black leather and silver !) are tunics, slim pants, fur vests, and long jackets, often with wide lapels or double breasted, band collars, waist-deep V necks, pleated fullness (often in balloon shape short skirts), big scarves and neck rings, boots. But this is just one person’s view.

See the Style.com Designer Directory if you want to spend the whole season happily looking at clothes instead of sewing them 😀 – and explore a much wider range of styles.

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Photos from Style.com.
Patterns available September 09.

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