Archive for 2011

‘Fit to Flatter’ by Amy Herzog

November 5, 2011

October 2016. Amy Hertzog’s on-line tutorials are no longer available. She now has a book, Knit to Flatter, and a Craftsy class, also Knit to Flatter. She gives much detail about hand knitting, but the general ideas apply to all garments. This post has some comments on applying the ideas to dressmaking patterns.

Amy Herzog’s tutorials are a marvellous series about the style elements that flatter and don’t flatter different body shapes. And how to make fit changes.

It’s for knitters, but most is relevant to dressmakers. We have similar basic problems :

– We can’t try something on until it’s partly finished. So how do we know beforehand that we aren’t wasting our time, effort, money, and beautiful materials on making something that looks marvellous on the model and dreadful on us ?

– Most of us have body features that are not ‘average’. How can we alter an ‘average’ pattern so it fits us better ? This is actually easier for dressmakers – we just have to alter the paper pattern. We don’t have to calculate the details of stitches and rows.

In this series there are excellent photos of real people wearing right and wrong shapes (generous of them to show that). Especially tops and casual jackets. The examples are hand knits, but the advice about styling and shaping applies to any clothing, made or bought.
So read “dressmaker” instead of ‘knitter’ and “top” instead of ’sweater’.

Full of ideas and inspiration 😀

– – –

1. Introduction

2. Shapes
Types of body shape and suggestions about what flatters them.

3. Mindful project choice
Starting from body shape and showing what styles do and don’t look good.
Also starting from patterns and suggesting body shapes they look good on.

4. Sweaters [tops] and you
Use photos to identify your body shape.
Take interesting measurements.
Some comments on easier and more difficult pattern changes.

5. Necklines
Advice on necklines that flatter different body shapes.
Instructions for changing width and depth of neckline in knitting patterns.

(Knit stitches are not square, which adds complications. This is why she mentions ’knitters graph paper’. There are web sites where you can enter the number of stitches and rows to the inch/ 10 cm for your knitting yarn. The site produces graph paper with those proportions. You draw your required shape, with the natural proportions, on the graph paper. And use that to count how many stitches and rows you need to knit the shape.)

For suggestions about changing necklines in dressmaking patterns, see my necklines post.

6. Sleeves
Flattering length, width, and shape of sleeves.
Again the instructions section is about knitting.

For dressmaking patterns, it’s usually easy to change sleeve length.
To change sleeve width or shape which involves changing the armhole, it’s easiest to substitute the sleeve from another pattern. Match up the centre lines and shoulder seams of the 2 patterns and trace the armhole across. If you use the correct armhole for it, you won’t need to change the new sleeve.
If you want a wider sleeve without changing the armhole, most fit books tell you how to alter sleeve biceps width without altering the sleeve cap length. Or simply use a larger size sleeve from the same pattern, with the armhole to match.
Brensan Studios Shirt Club are patterns you can swop sleeve styles between as they have the same armhole.

7. Length
Where best to put the horizontal lines on your body.
When she says to use ’short rows’ if you have a tummy, she means add a downward curve to the centre front hem.
The section on pattern modifications uses measurements of the lengths of your body sections (taken in Section 4). So it applies to dressmakers as well as knitters. Guidance about where you need shaping darts.
For me it’s important to know about my high hips (circumference, and distance below waist) as well.

8. Shaping
Where you need darts, and how large to make them. Advice that’s the same for dressmakers. Good on shaping for the back – I recognise myself here.

When she tells a knitter to use short rows, it’s a way of adding length at the centre of a garment piece without changing the length of the side seams. Dressmakers achieve the same result by adding horizontal darts from the side seams.
Do you know how to add darts to a dressmaking pattern? It’s often easier than in knitting. Perhaps easiest to learn by experimenting with a trial garment to find what works for you.

She thinks we all look best with waist shaping in our clothes. Yes, in an ideal world. But in winter I wear so many layers that looking more shapely than a box really isn’t an option 😀

9. Implementation
Making your custom styled top pattern.
Choosing the best style elements for you from all the previous sections : this is the same process whatever the source of your clothes – knitting, sewing, RTW.
The measurements section is also relevant to dressmakers. Though do add bigger ease levels if your pattern is for woven rather than knit fabrics.

There’s a section for knitters on doing the pattern calculations. This is the only section in the whole series where there’s not much for dressmakers.
For dressmakers it’s the usual strategy :
– develop well fitting personal basic pattern blocks, or learn what changes you need to make to commercial patterns.
– learn how to transfer style elements from one pattern onto another.

10. Conclusions
Review, plus ideas on how to use favourite style elements from any pattern in a way that’s best for you.

(Ravelry is a huge site for knitters. Somewhat akin to Pattern Review.)

– – –

Amy mentions light/ dark colours but otherwise says little about colour, which for me is very important in getting a flattering result. But there are many interesting tips and helpful comments in all this. You do sometimes have to make an effort not to be distracted by details about knitting. But the general principles are the same for all clothes makers. Recommended 😀

All the recent wardrobe planning reminded me how much I like sweater knits. But the simplest sweater patterns are basic rectangles, which are not good on my pear shape. So this Fit to Flatter series is just what I need.

It is very relevant to choosing flattering style elements for anyone. And for making appropriate pattern alterations in dressmaking as well.

– – –

Links available November 2011

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Nancy Nix-Rice : carefully chosen garments : extras

October 22, 2011

Nancy’s ‘core’ wardrobe consists of 12 mix-and-match items (4 under-layers, 3 over-layers, 5 bottoms). Of course she does’t expect us to live in just 12 garments ! Even though she shows so many variations we could wear a different outfit every day for a whole season.

Nancy also shows how to add items so they expand the wardrobe options. Instead of becoming orphans. She relaxes the rules : extras don’t have to co-ordinate with absolutely everything you already have ! Basics are clothes that mix-and-match without much thought, and can be worn on most occasions you find yourself in. Extras still need to make part of several outfits, but they can be more individual.

Nancy’s examples continue with the same classic shapes, and add some classic relaxed styles : jeans, shirt, and a drape front knit cardigan. Three new colours and another print !

– – –

First four extras : two more pairs of tops in accent colours
(end of Lesson 24)

Here’s something for people who long to have more colour 😀
Under- and over-layer in accent colour 2.
Under- and over-layer in accent colour 3.

The key point Nancy makes is you get better use from these added items if they’re :
– pairs of related under and over layers.
– colours which combine with the colours you already have.

Nancy chooses two more sweater sets. Sleeveless shell and over-layer that closes to the neck. Such as Silhouette Patterns 195 Sweater Set.

”sil-195”

Nancy chooses knits with texture, frills, and sleeve length variations for added interest.

You haven’t got to continue with the same styles as your original core. This could be the place where you add tops for different occasions – tee and hoodie for exercise, knit top and shirt-jacket for relaxed casual. Keep your blouse and jacket for looking competent or formal.

– – –

Fifth extra : print shirt
(Lesson 26)

Add a shirt which can be worn either as an under- or an over-layer. Gives a huge number of options. For this, the shirt needs to have unfitted waist – made from a casual-dartless block.

There are many many shirt patterns, from beginner’s camp shirt casual such as Kwik Sew 3475

”ks3475select”

to sublime elegance such as Chado Ralph Rucci Vogue 1215 (below) or Vogue 1054.

”v1215”

Male Pattern Boldness has had a shirt sew-along with many tips.

For fabric, Nancy uses another print that combines your first colours (darker and lighter neutrals and accent), for maximum co-ordination and interest.

– – –

Sixth extra : casual pants in your first darker or lighter neutral
(first paragraph of Lesson 27)

Nancy chooses corduroy jeans.

Jalie 2908 jeans was the top Pattern Review pattern for 2009.

”jalie

Pattern Review have 85 pages of tips in a jeans sew along for this pattern. Male Pattern Boldness has also had a jeans sew-along. There are tutorials on making the front pockets here. And Jennifer Sterns’ jeans pattern gets many good reviews for the instructions.

Judith Rasband in ‘Wardrobe Strategies for Women’ says jeans aren’t basic, because you can’t wear them at any time in any place without wondering if you’re appropriately dressed.

Your preference for casual pants might be chinos, such as Palmer-Pletsch McCall’s 6361. Or yoga pants, perhaps Palmer-Pletsch McCall’s 6082.

– – –

Seventh to tenth extras : a complete Core 4 in a second darker neutral
(Lesson 27).

Your second darker neutral does need to ‘go with’ the first, if you want maximum co-ordination possibilities. But it gives you the option to add a new frequently-worn colour.

For styles, Nancy repeats the basic classics. Her ‘Core 4” consists of under-layer, over-layer, skirt and pants, see first post in this group.

You might choose any wardrobe pattern which includes all your core items.

But you could use this opportunity to add a different style. All in denim ? all in a pretty print ? all in sweatshirt fleece ? Just :
– make all four items in a closely related colour group.
– link the colour and textures to what you already have.
– choose styles that make the look more casual or more professional, prettier or more edgy, but not so different that they look incongruous combined with the other clothes in your main ‘core’ wardrobe.

And take care with co-ordination. It may be dull to repeat shapes, but it does make everything interchangeable easily ! (Here are some thoughts on reducing the number of shapes.)

– – –

Eleventh extra : drape front cardigan
(Lesson 27, after the new Core 4)

Nancy’s final piece is a drape front knit cardigan. In a lighter colour related to your second dark neutral. This is a modern casual classic, with many patterns.

Jalie 2919 was one of Pattern Review’s top patterns for 2010.

”jalie2919”

Simplicity 2603 was one of Pattern Review’s top patterns for 2009.

”swaterfall”

These patterns both have a long front drape. A short cascade front looks better on me, see my post on cascade jackets.

– – –

Nancy ends Lesson 27 with a summary of the complete wardrobe. In Lesson 28 she makes some suggestions about choosing your group of clothes from your own closet or shopping.

– – –

Nancy has added 11 garments to her core 12. Making 23 garments total. All fit onto a short hanging rail ! And she stopped counting how many hundreds of different outfits she could make.

Nancy’s choices for these additions continue the same basic styles as the core wardrobe, but with added colour :
– two sweater sets in accent colours.
– another ‘Core 4’ in a second darker neutral or ‘basic’ colour.
That adds 8 items.

She also adds :
– casual pants (jeans) in your first darker neutral.
– ‘casual/ dartless block’ shirt, in a 3-colour print.
– drape front knit cardigan, in a lighter colour related to your new ‘Core 4’.
Well, don’t leave these ’til last if you need casual clothes !

As usual, all Nancy’s ideas for combinations and styling with accessories are thought provoking and inspiring.

If you follow Nancy exactly, you’ll have 7 shells, 8 over-layers, 4 skirts, 4 pants. In 3 neutral/ basic colours and 3 accents.

Want to go in another direction ?
There are several interesting suggestions for small groups of garments, ‘capsules’, in the Wardrobe Builder section of the Petite Plus patterns site. These ideas can be used by anyone, not just people who’re that shape.

Nancy hasn’t included ‘statement’ pieces. These are of course very individual. Instantly recognisable, not co-ordinates. But they still need to relate to your basics in colour and shape, so you can wear them !

23 Garments in Nancy’s scheme ? Why not make it two dozen ? What do you dearly miss ? What would you like for your special free-choice Bonus Item 😀

– – –

Patterns and links available October 2011

– – –

Other posts in this group :
Neutral Cores, colours, personalising
Accent colour and print
Accessories
More thoughts
And related post :
Two-piece dresses

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October Vogue patterns

October 15, 2011

I’ve been getting oppressed by all the classic examples in Nancy Nix-Rice’s wardrobe plan – will I never learn – I got daunted by all the blazers earlier in the year. . . Was surprised by how much I’ve cheered up by looking at the new Vogue patterns with all their interest. Several more posts on Nancy’s wardrobe plan are in preparation, but here I am skiving off for the week 😀

– – –

Tunics / shirt-jackets

A marvellous crop of new tunics.

Guy Laroche Vogue 1268 is a dress. But I see it made shorter as a tunic. Or with the fronts separated as a light jacket.

”v1268”

Issey Miyake tunic Vogue 1278 has a good collar for drawing attention to your face. Much more to it than Vogue’s photos show. That outer layer is sheer, an interesting idea.

”v1278”

And I do love Lynn Mizono’s shirt-jackets. Here’s Vogue 1274.

”v1274”

– – –

Vests

Several options for cozy warmth. Two of them are hidden in coat patterns.

Vogue 8775 is good as I like a snuggle-up collar.

”v8775”

Another is a hoodie by Sandra Betzina, Vogue 1276.

”v1276”

And Vogue 8776 is called a cape, but without all the draughty cold problems of wearing a real cape. UK In Style magazine November issue has a whole section on this style. Looks like wearing a hot water bottle cover ! I can see myself in a fleece version of this feeling really toasty in winter. Not sure how easy it is to move your arms, but it looks fun to try 😀

”v8776”

– – –

Jackets

Marcy Tilton’s Vogue 8779 jacket goes with the new oversized styles I”m thinking of writing a post on. Short jackets aren’t good on me, I would probably make this thigh length.

”v8779”

Vogue 8780 has a upper cascade front and a longer back with more shaping than usual. A combination that’s right for me. Though for me an open front jacket is more a warm-weather style.

”v8780”

– – –

There are a couple of attractive Katherine Tilton patterns, but they also don’t meet my winter needs. Patterns perhaps for people in a warmer winter 😀

This Vogue 8778 picture collar top is good for drawing attention to your face, but I wouldn’t find it comfortable to wear a thick coat over.

”v8778”

And a cascade front vest with interesting back, Vogue 8777. But I wear a vest in winter for warmth, so need one that closes up to the neck.

”v8777”

I may take another look at these in spring.

– – –

Relating these new patterns to Nancy Nix-Rice’s wardrobe plan : if your core wardrobe items are like Nancy’s examples (shell top, jacket, skirt, pants), there’s an elegant raglan sleeve fitted wardrobe pattern for you : Vogue 8781 with a shell/ dress, notched collar jacket, skirt and pants.

”v8781”

And if your core items are (top, skirt, dress, jacket) there are plenty of attractive modern dresses for you, and a couple of vintage dresses – one with jacket. But I rarely wear dresses myself.

My personal core items are (shirt, tunic, vest, casual jacket, pants – with many sweater knits).

These new patterns do include a useful fitted shirt-blouse with 4 sleeves, classic shirt and bow collars, in blouse and tunic lengths, Vogue 8772

”v8772”

There are some very slim pant patterns here. Not good on my legs. I always wear slightly tapered classic pants, like the ones in the wardrobe pattern. There is a new 5-pocket jeans pattern with both slim and straight legs, Vogue 8774.

If I was going to pick a skirt it would be like this Vogue 8773 slim gored skirt with 2 lengths, 2 slit positions. I would lower the raised waist, or I’d look as if I have no upper body, but long waisted people will love it unchanged. Replace the slits with pleats to make it like Nancy’s skirt examples.

”v8773”

– – –

Of course this isn’t all of the new Vogue patterns, just my favourites. This batch includes some lovely party dresses.

All the wardrobe planning has made me realise how much I wear vests, and how few I have. So these vests are the patterns I expect to be going for first 😀

– – –

Patterns and links available October 2011

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Two piece dresses

October 8, 2011

The Japanese call a dress a “one-piece”. But many wardrobe planners suggest a two-piece dress, as it adds more options. Look at these pieces from Butterick 3037.

”b3037-1”

In a solid light wool or linen, they might be called a suit. In a pretty print, a dress. The print top with the linen skirt would be separates. I don’t think it’s helpful to worry about the words. Just think whether a top and bottom made from the same fabric, but too light and unstructured to be called a suit, would be useful in your wardrobe.

And what pattern to use ? Of course you could just make your favourite blouse/ top with a simple skirt in the same fabric. But what about specific patterns for 2-piece dresses ? Here are some pointers.

– – –

Classics

Butterick 3037 in full has a good range of choices. A top with 2 necklines and 3 sleeve lengths. Straight and A-line skirts in 3 lengths.

”b3037-2”

If you like classics you could base a whole wardrobe round this. Remember an over-layer needs to be larger. Add pants with the same waist style as the skirt, to increase the options. Learn how to change necklines and hem shape (see my post on pattern variations), and you’ll never need another pattern 😀

There are some similar patterns in the evening sections of the catalogues. Skirt and bodice options. Make a knee length skirt and they’re wearable for day too. Here’s an example : Butterick 3843

”b3843”

There are few two-piece patterns in the dress sections of the catalogues. The best source is wardrobe patterns. Many contain a top and skirt that can be made in the same fabric. Not all, often the top is knit and the skirt woven. I’m not listing these patterns because there are so many, especially at Simplicity and New Look.

Here’s one example, Butterick 5147.

”b5247”

Tuck that top into a big New Look skirt for a vintage 50s effect.

– – –

Trendy

The trendy version of a two-piece dress is a tunic top over a short skirt. Here are some examples.

McCall’s 6288 by Rebecca Turbow.

”v6288”

Simplicity 2305 by Cynthia Rowley

”s2305”

Simplicity 2059 by Lisette.

”s2059”

And what about this, which intrigues my pattern loving self 😀

Donna Karan Vogue 1259

”v1259”

– – –

Separates in different fabrics

Interesting, there are some patterns which include a top and skirt that the designer wants made in different fabrics. They are in the ‘separates’ sections of the catalogues.

Rachel Comey Vogue 1170.

”v1170”

Rachel Comey Vogue 1247

”v1247”

– – –

Other styles

Try the two-piece approach for other personal styles as well. It may be easier to combine favourite blouse and skirt patterns.

If you like ruffles and wraps, how about Kwik Sew 3474 for example, with a mock wrap skirt.

”ks3474web”

A casual person might prefer a tunic over a longer skirt in a knit fabric. Simplicity 3568 perhaps.

”s3568”

For lovers of the arty oversized : here’s a wide top combined with a long handkerchief skirt.

”walloslight”
from Wall London.

Perhaps copy this using the largest size of The Sewing Workshop Hudson top. And a DIY handkerchief skirt pattern. (or see this tutorial by Shams on her ‘tablecloth’ skirt.)

– – –

I used to think two-piece dresses are dowdy. But now realise I was looking in the wrong direction. This is just a sample of the interesting possibilities if you look beyond the dress sections of the catalogues. Check the separates. Or combine blouse and skirt patterns.

Two-piece dresses can also be good for someone like me, very different sizes above and below the waist. Easier to make two different size items than to try to join them together at the waist !

Judith Rasband has whole DVD, Look Changers, on the different ways you can wear a 2-piece dress. The particular styles may be dated, but the general styling ideas apply in any decade.

Doesn’t matter whether you call the two pieces a dress or separates made from the same fabric. Two items made from the same fabric have a stronger visual effect than the same two items made in different fabrics. Is that effect an option that you want to have available from your clothes ? If so, a top and skirt in the same fabric are garments you’ll want to have.

– – –

Patterns and links available October 2011

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