Sewing a Wardrobe in a Weekend : Pattern and Body Shape

Posted April 25, 2010 by sewingplums
Categories: body shape, fit of clothes, speedy sewing

There’s a fascinating article by Sue Neall on sewing a 6-piece wardrobe in a weekend.

The Vogue 2910 Adri pattern is oop but still available.

”adri2910”

Sue Neall is an expert sewer. Look at that pattern : sheer fabrics, double welt seams, top stitching, lined bias cut top and skirt, skirt also has side-seam zip and shaped hem, pants with darts, curved pockets, zip and waistband. How did she do it all ? Whew, I get flustered just thinking about it !

Are there pattern possibilities and sewing processes which might make a weekend wardrobe an achievable aim for the rest of us – even for people who don’t sew knits and haven’t got a serger/ overlocker. . . ?

There are many patterns labelled Very Easy which are not also Super Quick. Although the processes are easy they’re not fast, for example simple collars. Or there are a lot of processes, such as an eight-gored skirt.

For speedy sewing, most of us need patterns with a small number of easy processes. Something like Park Bench Central Park (quick to sew, but sizing only for people with some experience).

”central-park”

Another problem with patterns that are both quick and easy is they’re usually straight up and down, and about half of us aren’t.

– – –

Pattern and body shape

Styles which are straight up and down are only flattering for those of us who are straight up and down. And this is related to speedy sewing. You don’t have to be full busted for it to be well worth taking the time needed to add bust darts to most of these patterns. And do some side seam shaping : curving in for a waist or flaring out for larger hips.

”3alters”

Moving the pattern side seam by 1/2 inch changes the garment by 2 inches or 1 size.
Moving the pattern side seam by 1 inch changes the garment by 4 inches or 2 sizes.

Nancy Nix-Rice (“Looking Good” p. 36) comments about rectangular shape garments :
– pears/ triangles : need shoulder pads to balance shoulders to hips.
– inverted triangle : rectangles make hips look as wide as shoulders.
– hourglass : rectangles hide best feature – small waist.

Nancy Nix-Rice uses the ‘Vogue’ body shapes of inverted triangle, triangle, rectangle, and hourglass. She doesn’t separate people who are rectangular (straight up and down) from round (waist larger than bust). ‘The Triumph of Individual Style’ does. They suggest round / apple shape people need soft curved shoulder shapes rather than square ones. Big shoulders may not be fashionable these days, but fitted shoulders are. Happily so are cut-on and raglan sleeves, which have a softer effect. And are quicker to sew.

– – –

Triangle/ Pear

Smaller above the waist, larger below. If you have a clearly indented waist, also look at Hourglass advice.

For a pear, a rectangle shaped garment big enough to go over the hips is huge at the top. That’s why shoulder pads are recommended, to stop all that spare fabric from sagging. Not a good starting point. I prefer flare at the side seams, from shoulder or underarm.

”2pears”

Vogue styling advice for pears usually suggests shoulder emphasis and a neat waist with full skirt. And these are not quick techniques.

Easiest to start from a-line or flared patterns. Or perhaps ones with a bit of gathering, though that’s not a super quick technique. There are surprisingly few of these patterns, considering how many there are of us with this shape.

One possibility is oop VE Vogue 8371. Those ‘handkerchief’ corners would look very droopy on me, but easy enough to cut them off.

”v8371”

Make a larger size and add a front opening to the sleeved version, for a jacket.
Change the length of top and skirt for more current proportions.

An equivalent is See & Sew Butterick 5203 (add a skirt), or Vogue 8542 for knits.

There are of course other a-line and flared patterns. I chose V8371 to show some of the extra steps you may need when there is not a wide choice of suitable quick patterns.

Being small busted, I look better with an interesting neckline/ front. VE Vogue 8482 with an easy drape neck is a possibility (flare the side seams).

”v8482drape”

This is an example of what keeps coming up – those of us who are not rectangular may have to do some pattern altering or change style features to get flattering patterns.

– – –

Inverted triangle

Larger above the waist, slimmer below. It’s helpful to separate people who have large cup size but narrow shoulders, from people with wide shoulders but a small cup, and people with both large.

Big shoulders – taper a rectangle.
Big in front – well worth the effort to do an FBA, or at least add bust darts.

For people with bigger shoulders, there are Very Easy patterns which assert the shoulder emphasis with a strong horizontal line. Such as VE Vogue 8552. (possibly remove zip and centre back seam).

”v8552”

(I think the pockets might look good on someone with large shoulders, but less so on someone with a large cup size.)

Inverted Triangle is the body type that’s most likely to have difficulty getting into a more fitted design without an opening. See my post on size. You may be surprised by what you can get over your shoulders or bust without needing a zip. If so, you can also leave out the centre back seam.

But you are more likely to need a zip or other opening in a more fitted design. In that case, for a quickly made pullover style you might prefer drop shouldered loose fitting rectangles, like Anything But Ordinary by Louise Cutting.

”abo”

– – –

Hourglass

Balanced above and below a clearly indented waist.

What a pity to waste a good figure by not adding bust darts.

Nearly all patterns from the big companies have at least a little side-seam waist shaping, so increase it.

Sadly, belting a rectangle garment gives what Nancy Nix-Rice (“Looking Good Live” DVD) calls the ‘sausage effect’ – fabric bulging above and below the belt.

There are Very Easy patterns with simple princess seaming combined with cut on sleeves. Not so much extra work after the fitting is done. Perhaps VE Vogue 8512.

”v8512”

(Change the neckline if this isn’t right for you.)

Again see my post on size. You may be surprised how much you can narrow the waist and still get it over your head without a zip.

Or add fish eye darts at waist level. But make sure they don’t make the waist area too small to get your shoulders through.

”hgdarts”

Best to add bust darts as well, or you may get odd fabric strain lines.
Princess seams are probably much less work once the fitting is done !

It’s not very flattering for people with an indented waist to wear styles without side seams.

– – –

More shape means more work

For us non-rectangles, it’s adding shape which takes the pattern adjusting and sewing time.
Unless we just use fabrics which fall into place to show our curves : knit fabrics, soft fabrics with little body, or cut on the bias.

Sadly, tapering or flaring the side seam gives a curved hem, which is much slower to sew than a straight one !

As there are so few Super Quick patterns for us non-rectangles, we may need to do a lot of pattern preparation :
– fitting work : add darts, change side seam shape, adjust lengths.
– adapting suitable patterns : change necklines, add or remove openings, etc.

Or use very oversized ’boutique’ style patterns, as in the Shapes pattern line. These envelop all body shapes, but are not to everyone’s taste.

”shapes”

Sue Neall, who sewed the 6 item wardrobe in a weekend, did her pattern altering as part of her weekend. But the only pattern adjustment she made was an FBA. For us less expert more oddly shaped sewers, there isn’t time in one speedy weekend for basting, trying on, and fiddling with the fit. So it’s either use a TNT or make a muslin beforehand.

So I think we less experienced sewers with less straightforward shapes should do our pattern preparation before the main weekend, as well as fabric preparation, collecting notions, and winding bobbins. So we just leave the cutting and sewing for the breakneck phase. Though admittedly even two express weekends, a cutting one and a sewing one, would be a super-challenge for most of us. . .

– – –

6 becomes 4

Apart from changing the side seam shape, most ways of improving things for us non-rectangles involve more sewing processes. So while there are Very Easy patterns for us, they’re nowhere near as quick to make.

Perhaps those of us who are not rectangles are going to have to settle for making only 4 items in a weekend, and leave the 6 item wardrobes to the rectangle shapes among us 😀

It is of course ridiculous for me to be writing about speed sewing, as I’m the world’s slowest sewer. On the other hand, perhaps that’s why it’s a topic that fascinates me so much. . .

I’m planning more posts, on speedy processes and specific patterns.

– – –

Patterns and links available April 2010

Four current styles ? Styling some Visitors

Posted April 17, 2010 by sewingplums
Categories: current fashion, personal style

Have just seen a fascinating ad for a new TV series (‘Visiting Time’), in which the personality of each character is clearly signaled by what they’re wearing. (Haven’t seen an episode, so don’t know what the characters are actually like.) They are supposed to be visiting aliens. It looks as if the aliens are trying to fit in by wearing the most current styles. . .


Pity it’s a difficult photo to scan well.

One (the leader ?) wears a classic blazer, white shirt, and trousers. The outfit so many stylists who suggest minimum wardrobes try to get us all into. Another wears a sheath dress, much in style this season. One wears a tightly fitted possibly hoodie jacket with fitted shoulders, skin tight jeans/ leggings and knee high boots. And there’s one wearing a drapey cascade jacket with equally soft pants.

Easy to find patterns to mimic these looks.

The girl far left is mainly styled by long blonde hair, so it’s a bit difficult to see her jacket, but it’s obviously close fitted, minimally styled except for edge trim, possibly with a hood as a style feature.

”fitted”

Butterick 5427 could be a starting point. Narrow trim on all edges.
It’s very current to use colours, fabrics (and pressing !) so the fitting seam and dart lines disappear.
She gets paired with a man with longer hair, black leather jacket and blue jeans. What’s the betting he’s also wearing boots . .. .

Classic blazer : button at bust level, collar notch quite high.
Many blazer patterns available, but most of them have long lapels and button at waist level. This character is buttoned at bust level, perhaps she’s supposed to be ultra-classic.

”classic”

New Simplicity 2446 jacket is just right.
Not surprisingly this character gets a man in a suit.

Sheath dress – could make a sheath from one of the standard fitting shell patterns. (Butterick 5746 also includes a sheath dress, though it’s an easy adaptation of the ones which are just fitting shells, McCall’s Palmer-Pletsch 2718, which includes 5 fronts for different cup sizes, and Vogue 1004.)

”sheath”

This is the dress from wardrobe Butterick 5428 – add a self fabric belt.
(The wardrobe jacket with a bow doesn’t go with a sleek efficient version of sheath style, but would be good for “from day to date”.)
From a close look at the dress in the photo, it may have hip pockets for a bit of subtle detail. That would mean a waist seam.
There are many sheath dress patterns available at the moment, with small style elements to add interest. This is the season of the dress, and there are patterns to suit all personal styles, not just romantic or boho. This style is definitely sharp and crisp.
She gets paired with an equally sharp crisp man – close fitted jacket with mandarin collar.

Drape jacket – lots of patterns available for this more relaxed look. The closest to the one in the photo is probably McCall’s 6084.

”cascade”

This most laid-back of the characters gets paired with another man in a suit, but a minority one.

These do show clearly that fitted styles are the main silhouette at the moment. My problem is that a fitted jacket style isn’t what I’m looking for. I usually wear a jacket over several warming layers, so it needs to be something loose. I’m pondering on this.

As these characters are aliens, am not sure how much we need be influenced by the fact that they’re all wearing grey, black or dark blue. . . Hadn’t any of the aliens’ style scouts noticed that brown is supposed to be the clothing colour which humans think is the friendliest. 😀

– – –

Patterns available April 2010

– – –

P.S. Look at the comments in the related post automatically generated by WordPress. There are many good suggestions about making sheath dresses.

Fabric wedges for body bumps below the waist

Posted March 28, 2010 by sewingplums
Categories: fit of clothes

Many fit alterations can be dealt with just by adding super wide seam allowances to a muslin, and playing with them in a trial garment. Or by adding in or folding out pattern strips.

But there are some fitting problems which mean you have to change the shape of the pattern piece to get fabric where it’s needed. These alterations add wedges rather than strips. A wedge is wide at one end and narrow at the other, it adds different amounts of fabric in different places. So it changes the angles of pattern pieces, not just the length. Once the fabric is cut out, it’s too late to make this sort of change.

These wedges may be needed to cover extra large bumps front and back, above and below the waist, as well as on the arms. Usually the aim is to add fabric to the middle of a pattern piece, while only changing the length of one side of the pattern at most.

This post is on wedges for skirt and pant fitting. Above the waist, the best known wedges are the FBA, and for larger arms.

(I should say I’m not a fitting expert. I’m just trying to make sense of all the different guidance I’ve found.)

In summary : this post talks about 3 wedges which are related to crotch length :
– adding a wedge at waistline – if you have a tilted waist or large tummy.

– adding a wedge at middle CB seam – if you have a larger butt.

– adding a wedge at crotch extensions – if you have a deep torso.

Since writing this I’ve heard about a fourth wedge :
– adding with the wide end of the wedge at side seam. Not related to crotch length. People with very shaped hips/ thighs silhouette may need this.

My examples show changes to the pattern. But it isn’t necessary to do this on the pattern before making a test garment – you can slash and spread a muslin. And that way you don’t need to guess how big a change you need, you let how far the slash opens tell you. Here’s an example of above waist changes

from Craftsy.

– – –

Fullness front and back below the waist :

There are many ways of adding fullness to cover bumps front or back below the waist.
Method 1 : add at waist.
Method 2 : add a horizontal wedge at bulge level from centre to side seam.
Method 3 : add an angled wedge, like that for an FBA.
Method 4 : add to crotch extensions (pants only).

Sadly there isn’t yet universal agreement about which method to use. Perhaps that reflects how many factors influence good pants fit.

(I haven’t come across names for all these methods, so I’ve given them labels for convenience.)

– – –

Method 1 : Add at waist :

The easiest way to add fabric to cover vertical fullness below the waist is by adding fabric at centre waist level.

For example, Vogue pants fitting pattern Vogue 1003.
This is the only method this fitting pattern suggests. Odd, as the Vogue Sewing Book 1963 and Vogue Sewing 1982 both mention the next method.

”

This is okay for small amounts.
But here (left) is an example of adding a large amount this way :

”addwaist”
(Waist level addition left, horizontal wedge method right.)

If you add a large amount at the waist, the added fabric may be in the wrong place (at your waist, not over your curves). So the result may be added strain lines in the wrong places, rather than a solution to your fitting problem.

The very exaggerated wedges in the photo add about 2 inches. I’ve used them to show the effect clearly.
In practice, Morris and McCann in “Every Sewer’s Guide to the Perfect Fit’ p.73 suggest you only add fabric at the waist to make a change up to 1/2 inch.

– – –

Method 2 : Horizontal wedge :

The easiest way to add fabric in the centre of the piece is with a horizontal wedge, wide at centre narrowing to side seam stitching line.

”buttwedge”
(wedge about 2 inches)

This changes the whole angle of the top of the pant back. It’s also necessary to smooth and fill out the side seam curve. The result has a characteristic tilted shape.

I don’t know if there’s something about the Dutch – but all pant patterns in KnipMode magazine are like this.

”knipflipped”

So if you’re this shape you might like to get hold of this magazine !
(No need to go to the Netherlands, I’ve since heard this shape is known as ‘Burda butt’ 😀 )

You might get an idea of how big a pants wedge you need to add by measuring over your bumps. Taking the centre line crotch length measurement of your back probably won’t help, as it may to be somewhat shorter than your protuberances !

Sadly there are some problems with this simple horizontal wedge method.

You can’t use it on the front of a skirt, if you want the centre front on a fold, as the centre seam isn’t straight.

You can’t use it on skirt or pants centre seam if you want to use a zip, as the centre seam isn’t straight.

Palmer and Alto in ‘Fit for Real People p.180 say they don’t like to use this method because of the changes to the centre and side seam shapes.

This method adds the most fabric at the centre line of the body. And the extra is actually most needed in the centre of the pattern piece.

So Morris and McCann in “Every Sewer’s Guide to the Perfect Fit’ p.88 say you should only use this method for alterations up to 1 inch

– – –

Method 3 : Angled wedge :

For larger changes you may need a method which adds more fabric in the centre of the pattern piece.

This method is described by Morris and McCann ‘Every Sewer’s Guide to the Perfect Fit’, pp. 75-6 for skirts and pp. 89-90 for pants. Palmer and Alto describe it for skirts in ‘Fit for Real People’ p.180. They say it comes from Judith Rasband ‘Fitting and Pattern Alteration’, which I haven’t seen.

”anglewedge”
(wedge about 2 inches)
(Example wedge rather high, as the darts in the sample pattern are short.)

Slit across horizontally to the bottom of the first dart, then across to the second dart (if any, and angled if need be), and then up to the waist-side seam corner at the stitching lines. (This of course interacts with where and how long the ideal darts are for you, so some adjustments may be needed.)

Spread vertically by the extra amount needed to cover the bump. Make sure the upper edge of the first part of the added strip is parallel to the lower edge, by spreading out the darts.

This changes the pattern shape at the waistline, and lengthens the centre seam, as well as widening the darts.
Happily it doesn’t change the side seam shape.

One problem is that the centre seam can’t be more angled than straight up.

”wedgecorrect2”

Cut off the section of the altered pattern which extends beyond the centre line.
This shortens the waist length.
So restore the proper waist length by making the darts more shallow.

Morris and McCann in “Every Sewer’s Guide to the Perfect Fit’ p.75-6 say you can use this angled wedge method to add up to 1 inch on skirt front and back. And on pants to add up to 1 inch on the front and 2 inches on the back, p.90.

They don’t say what to do if you need more than 1 or 2 inches. If you do need to add more than this, you might use a combination of methods, adding at waist level, at hip level, and at crotch extensions (below). Or you might consider using designs with added seams. It’s much easier to add extra fabric to seams than to the middle of a pattern piece. Vertical seams can be added by extra gores on a skirt, or ‘princess’ seams on pants. Horizontal seams can be added by a contoured waistband, a horizontal yoke, or the classic jeans angled yoke shape.

– – –

Method 4 : Add to inseam / crotch extension :

In ‘Pants for Real People’, Palmer and Alto don’t use either of the methods for adding a wedge in the middle of the fabric piece.
They add only at the waist and at the inseam crotch extension. pp. 30-32.

”crotchext”

Personally I add long crotch extensions because I have a deep torso so I need more fabric front to back. I haven’t got a protruding rear.

Other people need longer crotch extensions to accommodate large thighs.

Even 1/4” or 0.5cm change in the crotch extensions can make a difference.
Small amounts you can change by adding on, as in the previous photo.

But it’s best to change a longer amount by slash and spread, so you don’t change the length of the in-seam.

”extension-wedge”
(haven’t been able to find the source of this image)

This may make a ‘crotch peak’, which you’ll need to straighten out. (If you have a big crotch-peak, test the result of straightening it out, as you will have removed some crotch length.)

”crotch-peak”
(image source)

– – –

Some comments on wedges below the waist :

Some well known names talk about pants fit without mentioning these wedges at all. (Most people just tell you to solve every crotch length issue by changing crotch height. Those of us who need long crotch extensions know that can give very odd results.)

Palmer and Alto ‘Pants for Real People’, and McCall’s Palmer-Pletsch pant fitting patterns, don’t mention either of the methods which add fabric in the centre of the pattern piece. They only add at waist line and inseam.

They do mention the angled wedge method for skirt fitting in Palmer and Alto ‘Fit for Real People’ pp. 179 – 180.

Morris and McCann in ‘Every Sewer’s Guide to the Perfect Fit’ also use all the methods.

By contrast Joyce Murphy of JSM patterns thinks all these methods of adding wedges to pants put fabric somewhere where it isn’t wanted, so give distorted results. Instead she lengthens or shortens the horizontal part of the crotch curve by moving the whole top of the pants pattern sideways above crotch level.

So obviously experts have greatly different opinions about what to do to fit large bumps below the waist.

The waistline method adds fabric at high hip level. The two methods which slash and spread the pattern piece add fabric at mid hip level. And longer crotch extensions add fabric at low hip/ upper thigh level. So perhaps the best method to use depends on how high on your body your biggest bump is.

”hiplevels”

Could be worth experimenting, to see which combination of methods gives the best result for you.

– – –

The biggest fitting hurdle I had to get over was expecting to get fit right first time (or with just one muslin !). Now I’m only looking for improvement, the whole process is much less stressful. . .

Good Luck with all your fitting issues 😀

– – –

Originally written March 2010, links checked December 2018

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Clothing Values

Posted March 21, 2010 by sewingplums
Categories: personal style

I’m currently enjoying working through ‘Dress Smart’ by Anne Fenner and Sandi Bruns.

Yes, it is a workbook, full of questionnaires and exercises, as well as insights. Takes time and thought.
Expensive (not good value) and mainly focussed on work clothes, but a lot of interesting ideas and clarifications which work in a wider context.

What I’m particularly interested in is that it adds an extra dimension to the mix of deciding what are the best clothes for you, not just :
– your colouring,
– your body shape,
– your lifestyle,
– your personal style,
but also :
– your clothing values.
This doesn’t mean how much your clothes cost, or how much they cost per wear, but how important you think different aspects of clothing are.

This is somewhat related to personal style (classic, romantic, casual, dramatic, etc.), but I’m finding it greatly clarifies things for me to see this as separate.

They identify 7 values. (I’ve put ‘ ‘ round a couple of labels as I think their meaning isn’t obvious.)

– – –

Economic
How much money and time you’re willing to invest in your clothes and their care.
For sewers I think this includes how much and what type of effort we want to put into making our clothes (time, complexity of skill we enjoy using, time to gain new skills, etc.).

‘Theoretical’
Are you ‘interested in clothes’ – how they’re made and designed, how fashion works, the history – as an interest separate from being fashionable or enjoying sewing. This I realise is very important to me. A big ‘aha’.
Or ‘concept’ clothes, clothes which express an idea ?

Physical Comfort
I got the highest possible score on this !

Aesthetic
Beauty and quality.

Body awareness
How important it is to you that your clothes enhance your body.

Social
Social acceptability, fitting in, belonging to a group with a particular dress code, being fashionable.

‘Political’
How important it is to you to be “the best”, or to enhance your power by how you dress.
My ‘least important’ score here 😀

– – –

Creativity
I think we sewers have another important value which probably doesn’t occur to people who are studying clothes buying habits : how much we want opportunities for individual creativity.
And what form that creativity takes – whether our pleasure comes simply from making things, or using the equipment, choosing fabrics/ patterns/ techniques, making our own styles or patterns, or designing our own embellishments, etc.

– – –

And all these ‘values’ can be reasons why we sew, as well as just because we enjoy sewing. I’ve realised the reason I’m so uncomfortable with buying RTW is that most of it goes against my clothing values.

Very intriguing – this has helped me to understand important ways I differ from some people who otherwise seem very similar to me. Often I dismiss some issues that other people are greatly concerned about. Or what I think is important are things which other people aren’t bothered by.