Archive for the ‘wardrobe planning’ category

Kate Mathews’ wardrobe plans

July 3, 2010

My post on speedy sewing of capsules mentioned Kate Mathews’ “6 yard wardrobe” : jacket, dress, skirt, pants from 6 yards of the same fabric. This idea comes from her book “Sewing a Travel Wardrobe“. But her wardrobes aren’t just for travel. They’re inspiring and helpful for anyone thinking about a small group of co-ordinates. Though the book is just full of ideas, it does not contain patterns and instructions. Some [discontinued] wardrobe patterns suggested below.

2024 : some possible wardrobe patterns.

After reading the book, I had a happy time going through wardrobe patterns checking if jacket, dress, skirt, pants can actually be made from 6 yards (5.50 m). . . It’s surprisingly easy from 6 yards of 60 inch / 150 cm fabric,  though it would probably be a sleeveless sheath dress and a slim knee length skirt. . . You can also usually get a jacket, skirt and pants out of 6 yards of 45 inch/ 110 cm fabric.

Kate Mathews’ book has 7 complete wardrobe plans which include the ‘6-yard wardrobe’ idea. I especially like the unusual ideas for co-ordinating colours. If you’re not happy wearing prints, you won’t like some of the plans. Could you substitute a multi-colour weave, or a stripe ? I wouldn’t wear pants in a big bright print, but there is only one 😀

– – –

Styles for easy alternatives

When you travel, you want everything to go with everything else, so you get the largest number of outfits from the smallest number of clothes. This is easiest if all garments of the same type have the same simple overall shape. All jackets the same main shape, all skirts the same shape, etc. The simplest styles also make for easy layering (and easy packing).

The styles of Kate Mathews’ wardrobes are basic silhouettes with few added style elements : sheath dress, slim skirt, straight pants.

One of the wardrobes has notched collar blazer type jackets – a modern proportioned version might be Palmer-Pletsch McCall’s 5818.

”m5818pp”

Of course you haven’t got to use classic styles. There are many other wardrobe patterns with fitted jackets and different styles of collar.

Most of Kate Mathews’ wardrobes have loose fitting, unshaped, collarless jackets, for easy layering. A version with modern proportions might be Butterick 5429.

”b5429straight”

Again, there are many wardrobe patterns with different shapes of simple straight collarless jackets, for both wovens and knits.

Some of Kate Mathews’ wardrobes also add simply shaped vest, overshirt, blouse, tee, wrap skirt, or shorts.

Because the fabrics in these wardrobes are interesting, the outfits look so different that you don’t notice the shapes of the clothes are the same every time.

– – –

Wardrobe 1, p.38

2 solids (bright, and dark neutral), 1 main print, and colours extracted from them.

– jacket, skirt in bright solid.
– shirt jacket, skirt, pants in print with same background colour as bright solid.
– pants in dark neutral solid.
– 5 tops – prints in paler versions of solid colours, and colours from main print.

makes
2 jackets
5 tops
4 bottoms

– – –

Wardrobe 2, p. 42

2 solids (bright, and dark neutral) and 2 prints (one bold, one quiet).

– short jacket, dress, top, skirt, pants in dark neutral solid.
– shirt, pants in bright solid.
– dress, long wrap skirt in bold print.
– top, short wrap skirt, skorts in quiet print.

– reversible long jacket in dark solid and bold print.
– store bought tee in background colour from prints.

makes
2 jackets
2 dresses
4 tops
6 bottoms

This is the most ‘art-to-wear’ collection. There are appliqué embellishments :
– dark solid jacket and top with appliqués from bold print.
– bright solid shirt with bold print trim.
– bought tee with quiet print appliqué.
Also bands of solid colour added to edges of wrap skirts.
The dark plain dress is worn with added collars or scarves.

4 fabrics in interesting combinations. Some of us might want more tops, perhaps in solid colours from the prints.

– – –

Wardrobe 3, p.50

The familiar dark neutral/ light neutral/ accent colour scheme, but used in an unusual way. Less use of prints.

– jacket, blouse, pants in dark neutral solid.
– jacket, pants in dark/ light neutrals check.
– reversible vest : dark/ light neutrals print one side, light neutrals print the other.
– pants, shorts in accent colour solid.
– shorts in light neutral solid.
– overshirt, blouse, skirt in mainly dark neutral prints with touches of light neutral and accent.
– 3 tees, 1 in each colour, solids.

makes
2 jackets, 1 vest
6 tops
6 bottoms

– – –

There’s a simple version of the more usual type of 3-colour wardrobe, on p.15 in the text. Minimal prints.

– jacket, top, skirt, pants in dark neutral solid.
– top in light neutral solid.
– top in light/dark neutrals print.
– top in accent colour solid.

makes
1 jacket
4 tops
2 bottoms

Add scarves for more variety.

– – –

Wardrobe 4, p. 52

Oriented round 1 dark neutral.

This is made with several reversible garments, ingenious but difficult to summarise.
– 3 jackets (2 reversible)
– 3 tops (1 reversible, made from 4 fabrics !)
– 2 pants (1 reversible)

Basically all the garments are the same dark neutral, in solids with texture variations. The reverse fabrics are prints of bright colours on the dark neutral background, or medium dark or bright solids.

– – –

Wardrobe 5, p. 56

1 solid (bright) and 2 prints (bold and quiet).

– jacket, dress, skirt, pants in bright solid.
– dress, shirt in bold print.
– vest, blouse, skirt, shorts in quiet print.

makes
1 jacket, 1 vest usable as top
2 dresses
2 tops
4 bottoms

Another very simple plan, but with not many tops. It would be easy to add more in solid colours from the prints.

– – –

Wardrobe 6, p. 59

1 bright solid – yes, really !

This is a ‘cultural city weekend’ set, mainly one 6 yard wardrobe of jacket, slip dress, skirt, pants, plus a lace overdress. Everything in the same bright solid colour. The ‘jacket’ is a draped closed style, wearable without a top under.

Kate Mathews suggests extending this by adding a second 6 yard wardrobe in a dark neutral solid. I think most of us would want to add some tops.

This style is more like Butterick 5101 (add a sheath dress).

”b5101soft”

– – –

Wardrobe 7, p.61

This wardrobe is made from 3 colour groups – light blue, beige/ivory, and green/teal. I’ve translated that as medium-light, light, and medium-dark.

– jacket, dress, skirt, pants in medium-light solid.
– jacket in light/ medium-dark small check.
– 2 tapestry vests in 3 colour patterns.
– blouse, skirt in quiet print with medium-light background and light pattern.
– skirt, 2 pants in medium-dark solid.
– skirt, pants in light solid.

makes
2 jackets, 2 vests
1 dress
1 top
8 bottoms

Yes, only one top in the written wardrobe list. But the photos include tees in medium-light and medium-dark solids, and it would be easy to add more. This seems to me the least balanced and efficient of the clothes suggestions. Though the colours are inspiring.

– – –

Of course, you haven’t got to use wardrobe patterns or bright colours. Go through the wardrobes and substitute dark for bright, or light for dark, for a whole lot more ideas.

And you can change the style greatly by the character of the fabrics you choose. Think of current prints and woven patterns – animal skins, soft florals, hard edged abstracts, bright plaids, a quiet pin stripe, a tweed or herringbone. . . (Wardrobe 5 in a dark neutral with a plaid and herringbone ?) If you want to use an option with several prints, it’s probably easiest to choose from fabric collections of co-ordinated prints. Or, instead of fabric pattern, embellish to add surface variety : lace or ruffles, sequins or studs. Though these may make a garment less multi-purpose (and less easy to pack).

I think these colour-fabric pattern combinations give food for thought about co-ordinates for nearly everyone. I haven’t listed Kate Mathews’ suggestions about fabric fibres and textures. They add more useful ideas. The best fibres, and details of garment styles, depend on climate and lifestyle.

And I think the book is a fun read 😀 Very out-dated styling, but many interesting suggestions for multi-purpose and multi-look garments, plus tips and projects.

First published 2010. Sadly in 2024 none of the pattern suggestions nor Stitchers Guild still exist, but I have added a link to some current wardrobe patterns.

= = =

Sew a Wardrobe in a Weekend : layers and capsules

June 19, 2010

At last, the super quick layers needed to complete a speedy wardrobe.

I’ve already posted about time-limited patterns for wardrobes, dresses, tops, and bottoms. Here’s the next step, some time-limited patterns for vests, jackets, and coats. A good range of styles from casual to classic. There are also some jackets in the speedy wardrobe patterns posted earlier.

Interesting, these jackets suit a wide range of body shapes. Not just for rectangles, there are shaped waists for people who have them, and flared styles for the pear shaped.

Pick a jacket, top, and bottom from these super quick patterns to make a ‘capsule’. For most of us that would be a considerable achievement in one weekend. Can we leave aside for the moment the aim of making a whole wardrobe in a weekend 😀

– – –

Vests

McCall’s 2260 has several unlined classic vests which take 1 hour of sewing time.

”m.vests”

Butterick 5888 is for similar vests in 2 hours. In the extra hour you can make a faced notched collar or an edge-to-edge lining.

”b.vests”

What about my favourite layer – tunics ? I haven’t found any timed patterns specifically for tunics. But several of the super quick dress patterns include a tunic length version, or could easily be cut to that length. Check if you need to make a larger size so it will layer comfortably over tops (see ease post).

– – –

Soft Jackets

Butterick 5394 is for 2 hour knit cardigans.

”b.5394”

Butterick 5224 has more 2 hour knit styles.

”b.5224”

McCall’s 5241 1 hour knit cascade style jacket has 3 front lengths all with the same back (the only 1-hour jacket pattern I found).

”m.5241”

Butterick 4989 has an interesting choice of 2 hour cascade/ waterfall jackets – this time for wovens.

”b.4989”

– – –

Blazers

The pattern companies also think it’s possible for us to make more formal styles in a short time.

Butterick 4138 even has a classic unlined blazer pattern they say can be made in 2 hours ! There’s a choice of pocket styles and long or short sleeves.

”b.4138”

You could also round the corners of collar and hem. Or leave off the collar and use your favourite neckline (see neckline post).

At the ultimate, on their website Palmer-Pletsch claim their tailored lined blazer McCall’s 4598 takes only 8 hours to make. (This will be replaced by McCall’s 6172, available July 1.)

”m.4598”

These two patterns show you can add some shaping even if you’re sewing quickly.

– – –

Outerwear

oop Butterick 5089 is a 2 hour pattern for an unlined cropped jacket with cut-on sleeves. Lengthen it for a bit more warmth, and to be more flattering for some of us. Waist length jackets (or just above it) are ‘in’ for the coming winter season.

”b.5089”

McCall’s 9576 is a ‘relaxed classic’ 2 hour reversible shawl collar jacket.

”m9576”

McCall’s 5988 is a 2 hour reversible coat in 2 lengths.

”m5988”

McCall’s 3448, the easiest, is for 1 hour ponchos.

”m3448”

– – –

Some Speedy Capsules

Evidently you can include making your winter coat in your speed sewing weekend 😀

And you could make a blazer along with your winter coat, right. . .

If you prefer more formal styles, make the Palmer-Pletsch McCall’s 4598 8-hour blazer, one of their 3-hour shirts (McCall’s 4079), and a pair of their oop McCall’s 4459 3-hour pants. All in one weekend of course 😀

”pp.capsule”

I think Sue Neall, the expert whose wardrobe-in-a-weekend inspired these posts, could manage to sew those in a weekend, if it was her style. She chose a softer pattern which would not be quick and easy for many of us (Adri oop Vogue 2910). She was making a wardrobe for a week when she needed to look competent but friendly rather than authoritative and powerful.

We slower sewers might pick three 1-hour patterns so we could cut and sew a capsule in a day. . . er. . .

A ‘classic’ capsule from the super quick patterns could include the Butterick 4138 2 hour blazer, one of the Butterick 5948 2 hour tops, and a pair of Butterick 5044 1 hour straight legged pants. Oh dear, that gets it up to 5 hours of sewing time 😀

”classic.capsule”

There’s a good choice of jackets for a softer look. Perhaps a Butterick 4989 2 hour jacket, a camisole from the same pattern, and a pair of McCall’s 5889 1 hour pants.

”soft.capsule”

Or the timed wardrobe patterns are supposed to take less than 6 hours to sew a basic capsule.

It would certainly be pressurised to sew one of these capsules in a day. Me, I prefer to stay calm. . . but it’s interesting and fun to think about the possibilities !

You could use 2 days of a holiday weekend to make two capsules. And spend the third day making a coat, dress, and skirt. In 3 speedy days, you’d have a proper ‘wardrobe’ of 9 items to cover most eventualities 😀

Kate Mathews in ‘Sewing a Travel Wardrobe’ suggests you make jacket, pants, dress and skirt from the same fabric, for easy co-ordination. She calls this a ‘Six yard wardrobe”. That would speed up cutting and sewing a bit more.

Goodness, you might even have enough time to make one of the oop Butterick 5055 2 hour bags. . .

– – –

Patterns and links available June 2010

Dress in 5 minutes : co-ordinating skirt and pants

June 12, 2010

Co-ordination is the key to dressing without having to spend time thinking about what goes together.

Using Eileen Fisher’s summer 2010 ‘system’ as a guide to a small wardrobe of current co-ordinates : this post is about the ‘bottoms’.

I made some more general comments about co-ordination in my previous post on the ‘system’ tops.

– – –

Eileen Fisher’s ‘System’ and co-ordination


Eileen Fisher

The ‘system’ includes :
– short straight skirt in stretch crepe, with elastic waist, front and back darts.
– cropped leggings in stretch jersey.
– slim ankle jean in stretch denim, with contoured waist, back yoke, rivets, contrast stitching.

These styles are all going to be around for a while. Simple skirts, leggings, jeans : they might be called ‘current classics’.

And these three will obviously make different looks. The three fabrics also have different textures. Anna Johnson in ‘3 Black Skirts’ says you need :
– 1 to succeed.
– 1 to seduce.
– 1 to slob out.
How would you assign these three ?!

The tops in the Eileen Fisher ‘system’ are all very similar (see post).

These ‘bottoms’ aren’t very similar, so what is the key to being able to use them interchangeably ? What are the common features which make for easy co-ordination with a variety of tops and layers ?
– they’re all in the same colour, your best darker neutral.
– they all have fitted waists, which are all at the same level (low).
– they’re all neatly fitted over the hips and thighs, so will be okay under whatever length and ease of top or layer you wear them with.
– they all have the same silhouette, in this case slim rather than big or flared.

– – –

Skirt

McCall’s 3830 is an obvious candidate for a straight skirt TNT pattern.

”classicskirt”

Some people look better in a slightly tapered skirt.

Elsewhere on the Eileen Fisher site, most of the skirts are just below knee length, all very classic shapes, either straight or slightly a-line. So use any favourite basic skirt pattern.

McCall’s 3341 is a pattern for a multi-length a-line skirt with faced waistband.

”m3341”

Eileen Fisher’s ‘system’ includes a short skirt. I’ve never had the legs for short skirts (though I regret to say I did wear them in the late 60s / early 70s, as everyone did. There really is no way to disguise the bulginess of my knees.) Personally I think the tops and layers in the ‘system’ would also go with a longer skirt. Some people predict full length skirts are going to be fashionable this winter.

– – –

Waist shaping

This skirt has an elastic waist. Elastic waists gather up fabric, they’re bulky. So how does this skirt get a fairly smooth fit over the hips ?

If you make a garment that you’re going to step into, it will be pulled up over your hips. So it all needs to be at least as large as your hips. This is usually achieved by :
– waist measure plus twice length of opening such as a zip. So long as that is bigger than your hips, you’re alright.
– or, have as much fabric at the waist as needed to go over the hips, and gather that up to hold it in round the waist.

Problem with gathered waist : if your hips are a lot larger than your waist, there’s a lot of spare fabric scrunched up round your waist, which is actually only needed while you’re getting the garment on and off.

Solutions :
1. Put a skirt on over your head. For everyone except inverted triangle shapes, who are larger above than below the waist, this means the waist only needs to be large enough to go over your upper body, not your hips (see ease post).
2. My hips spread 4 inches/ 10 cm when I sit down. So I need at least that much ease at the hips. But I don’t need that ease at the waist for pulling the garment on. Get rid of the excess with darts.
3. Use a low waist style – so the measurement at the top edge of the garment is closer to your hip measurement.
4. Use very stretchy fabric. So it will stretch while you’re pulling the garment on, but relax to closer fitted when you’re wearing it.
5. Use very soft fabric, so the gathers lay flat rather than bulging.

This Eileen Fisher skirt uses most of these options.

– – –

Leggings

If you fancy the idea of designer leggings, there’s Issey Miyake’s Vogue 1114 pattern. (hips up to 46 inch/ 117 cm)

Most leggings patterns come from companies which specialise in patterns for knits or activewear.

Jalie 2920 leggings are highly recommended at Pattern Review. (hips from 22 inch/ 58 cm to 53 inch/ 135 cm)

”jalie-legging”

Christine Jonson’s leggings in her BaseWearOne pattern are also recommended by Pattern Reviewers. (hips up to 44 inch/ 112 cm)

Kwik Sew have 6 patterns for leggings for adults. They aren’t all reviewed at PR. These add to the size range : Kwik Sew 2835 is for Women’s sizes up to 60 inch/ 150 cm hip (and includes a big shirt.)

I personally haven’t tried leggings yet – I haven’t found any in a flattering colour.
When I do, then I’ll start worrying whether they enhance my thickish legs.

Many people do look good in them, and they’re very fashionable. So give them a try 😀

But make sure the bottom hem hits your leg at a flattering point. As leggings are close fitting, this is even more important than with skirts and pants.

Though they’re made of very stretchy fabric, it’s still good to fit leggings. Any strain lines mean they’re uncomfortable to wear and will wear out quickly. Check if you need crotch extensions, so you don’t feel they’re cutting you in half.

YouLookFab says leggings will be important for the coming winter too.

– – –

Jeans

Fashion jeans are tighter than pants. They have zero crotch depth ease, and are close fitting on the thigh. The effect is to enhance the view from the back.

Jalie 2908 stretch jeans have high and low rise versions, and are very popular with Pattern Reviewers. (hips 22 inch/ 58 cm to 53 inch/ 135 cm)

”jalie-jeans”

Pattern Reviewers also say Jennifer Stern’s jeans have excellent instructions for first time jeans sewers. (Misses pattern size 6 to 16. Women’s pattern up to size 24 W – mixed reviews on this one, not for all body types.)

Jeans aren’t quick and easy to sew. They use special techniques. There’s a lot of useful jeans advice at Pattern Review in a jeans sewalong.

I confess I have never had a back view to enhance, so I wear ‘trouser jeans’. Use a pants style amount of ease, made in denim and with jeans styling elements (back yoke, double top stitching, rivets). I don’t personally think classic jeans pockets are very slimming, see pear shape post.

In the main section of the Eileen Fisher site, there are leggings, jeans, slim pants, straight legged and wide pants, knee length, calf length, ankle length, floor length. So pick what suits you best. Just make sure the hem of shorter pants is not at the widest part of your calf.

– – –

These three styles, short skirts, cropped leggings, and fashion jeans, aren’t the most flattering possibilities for me. Though it’s interesting and useful to work out how they co-ordinate well and are interchangeable. Personally, if I was choosing a similar minimum wardrobe for myself, I would sustitute a longer skirt, and cropped and full length pants.

But this disagreement set me off on a whole train of thought. So I’m writing another post about pant style and body shape – just some thoughts, not complete answers !!!

And my final post in this group on the ‘system’ is about the layering pieces.

– – –

Patterns and links available June 2010.
I suspect on the Eileen Fisher site what these links lead to changes each season.

Dress in 5 Minutes coordinates : Tops

May 31, 2010

Sew in a weekend : dress in 5 minutes.

The key to dressing without thinking, yet still looking good, is a co-ordinated wardrobe. Most of us have at least a few days when we don’t want to think about clothes. And for that we need a small group of clothes that all go together. So we can grab anything and it will work.

We also sometimes feel we’d like to be able to choose a co-ordinated wardrobe without thinking. Or wish someone else would do the thinking for us.

The trouble is this doesn’t work, as we’re all different shapes, different colours, different lifestyles, and different personalities. I’ve found I can’t work from a theory. There’s no substitute for trying things out and looking carefully. From past experience, I know the clothes in the ‘system’ below are not right for me. But it has general ideas which are useful.

This example of co-ordination comes from Eileen Fisher. They’re very simple styles so, using super quick patterns, you might be able to make a capsule from her ‘system’ in a weekend 😀 Though simple clothes do look best in quality materials and quality techniques.

The current (May 2010) Eileen Fisher ‘system’ consists of :
– 3 sleeveless tops.
– 3 bottoms.
– 3 layering pieces.
– 3 accessories : 2 scarves and a belt.

Most of these garments are made from knits. But I’ve had my head full of speedy patterns for wovens recently, so that’s what comes to mind.

(SWAP 2010 recently finished at Stitchers Guild. Very inspirational wardrobes. But not usually quick to make !)

– – –

Sleeveless tops

”3tops”Eileen Fisher

All the tops do need to be suitable for wearing alone, as well as co-ordinating with all the layering pieces.

These three tops are sufficiently similar that they’re easy alternatives. All are sleeveless, collarless, unshaped, and long – either low hip or high thigh.

For a bit of variety there’s a camisole, and low and high necklines. One has neckline embellishment (self-coloured sequins).

There are few patterns just for sleeveless tops. But if you ever buy wardrobe patterns, you’re probably already well supplied with sleeveless top patterns.

Jalie knit patterns are popular. Jalie 2806 scoop neck tops include sleeveless styles.

”jalie2806”

If you need a pattern for wovens, oop Butterick 4987 is for making camisoles (left below) in 2 hours of sewing time.

Among current patterns, there’s a camisole in the Butterick 4989 2-hour pattern for cascade jackets.

McCall’s 5298 wardrobe includes a low neck fitted top (centre). This pattern isn’t timed, but is quick and easy.

Butterick 5948 is a pattern for 2 hour tops that are not fitted but include a range of necklines and body and sleeve lengths (right).

”3toppatts”

Or try the Textile Studio – Loes Hinse Tank Top and Shell.

”tstankshell”

Lengthen all these patterns to mimic the inspiration.

Personally, this sleeveless top is so simple I think I would start from my fitting sloper. At the beginning of the year I launched into developing TNTs, but got bogged down on finding a comfortable armhole. Now I’ve mercilessly scooped out the lower front armhole, I’m close to one that doesn’t bind.

I usually wear sleeves and a collar. But now I have a comfortable sleeveless top and the weather is unusually hot here – perhaps I will try some sleeveless shells !

(The next TNT problem is I have no idea how to get a sleeve head to match my armhole. . . but that’s another story. . .)

The easiest way to have interchangeable clothes is to make them the same shape and colour. But within that limit, there’s still huge potential for an almost infinite variety of embellishments. It’s even possible to morph these simple shells into vests, blouses and dresses. Shirley Adams’ Alternatives 500 Shell series includes add-on pattern pieces. Fun, but a long way from developing a co-ordinated wardrobe. Which is easiest if the components are fairly similar.

– – –

Tees

If sleeveless doesn’t work for you, you’ll be pleased to know there are many basic sleeved tees elsewhere on the May 2010 Eileen Fisher site. (Many of these tops are long too.)

Jalie 2805 pattern for knit tees is a favourite of Pattern Reviewers, one of the Best Patterns of 2009.

”jalie2805”

Or Simplicity 4076 (oop) is in the Pattern Review Hall of Fame 2009, if you like more varied tops. Though these styles are more difficult to combine successfully with a covering layer (I think it would best be simple and plain).

”s4706”

Some other popular patterns are Pamela’s Perfect Tee and Jennifer Stern’s The Tee.

If like me you don’t look good in knits (anything closely fitted makes it obvious how small my bust is), there are woven short sleeved tops in the Butterick 5948 collection of 2 hour tops.

Or try the Textile Studio – Loes Hinse Basic Top.

”tsbasictop”

I look better in these tops if I add front bust and back shoulder darts.

– – –

Cami dresses

Elsewhere on the May 2010 Eileen Fisher site, most of the dresses are ‘cami dresses’, lengthened versions of the simple tops.

Spaghetti straps slide straight off my sloping shoulders, so I wouldn’t be comfortable in this style. They’re minimal garments, not made with the support you get in a strapless formal dress.

If you do like this idea, New Look 6804 (oop) is a 2-hour dress pattern.

”nl6804”

– – –

On Trend

If you’re following the Pattern Review Wardrobe Contest for 2010, you need to include something that’s ‘on trend’ as shown in a fashion source. These items show just how easy that is ! You might make a classic tee and refer to the Eileen Fisher site to show you’re current 😀

There are several trends this summer that are relevant for simple tops.

Colour :
Lighter neutrals, such as nude tones or oyster grey, non-colours of beige, stone, greige, light coral, or pale muted pastels.

Minimalism :
One of this season’s key trends is minimalism, and these tops certainly follow that – the simplest of styles made in high quality drapey fabrics.
See ‘Clean Energy‘ at Style.com (US Vogue) (“Click for more fashion” to get a beautiful slide show.)

Lingerie look :
Make your top in charmeuse or sheers, with added lace or flounces. Or white lawn covered in heirloom stitching.
See ‘Pastoral Interlude‘ and ‘The Big Reveal’ at Style.com

– – –

Co-ordination and personal style

‘Dress in 5 minutes’ is possible because the clothes are interchangeable. Everything goes with everything else, so you don’t have to think or try things out.

Co-ordinating is helped by shapes and lengths, necklines and armholes, and colours. This ’system’ of clothes do co-ordinate, but is this the co-ordination that’s best for you ? I need to adapt the shapes and lengths, and the colours, to be more flattering for my body.

And the clothes also need to work with your personal style and lifestyle. For example, suppose you’re choosing tops for a travel mini-wardrobe. You might need a sunny top and a dressy top, but also a covered up top for visiting places with a dress code.

– – –

Shapes and lengths

This ‘system’ co-ordinates partly because of the similar shapes. All the pieces are simple in outline. They depend on knit fabrics for shaping to your body. If you’re not a straight shape, see my previous post for some thoughts on adapting simple patterns to be more flattering on other body shapes.

Use the high and low necklines that are most flattering for you (see post). Add darts if that works better for you. I need to flare the side seams or add side slits from waist level, so the tops aren’t strained over my hips.

Trinny & Susannah in ‘What not to wear’ have a lot of advice about t-shirt styles for different body shapes.

All the ‘system’ tops are long. That’s because two of the layers are cropped to give the ‘layered’ style. (Two meanings of ‘layer’ :
– a piece that goes over others.
– a look with the ‘layering piece’ shorter that what’s underneath, short over long.)

”layers” Eileen Fisher

Cropped jackets and vests are also a trend for the coming winter.

”me-layered” Me, ah perhaps not. . .

With my short waisted high hipped pear shape, this is not a good look for me. Puts a lot of important design lines across my hips, which is the last place I need to draw attention to. . .

In Trinny & Susannah’s “Body Shape Bible”, they only suggest short-over-long for their Pear shape – long body and short legs. Trinny herself is this shape, and uses the layered look to great effect so she appears to have perfect proportions.

It would be better for me to make these items the other way round, long over short : short tops and longer layering pieces.
But you may be one of the people the short-over-long look works well for.

It’s good to get the lengths right in a wardrobe. It’s also important to co-ordinate necklines, armholes and sleeves. In this ‘system’ the tops are all collarless and sleeveless, so that isn’t a problem. I do prefer to wear a collar. There are 2 easy ways of co-ordinating this :
– tops with collars, layering pieces collarless.
– tops collarless, layers with collars.

If you want sleeved tops that go under nearly all layering pieces, do make the tops with fitted armholes and sleeve heads.

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Colour

Co-ordinating is helped by simple use of colour. In this Eileen Fisher ‘system’ all the clothes are neutral colours and accessories are accent colours. There are two main neutrals, a light and a dark. Bottoms are in the dark neutral. Most of the tops and layering pieces are in the light neutral. There is added interest because they have different textures.

What are your best lighter and darker neutrals, and favourite accent colour ?

Personally I don’t look good in strong contrasts, and I wear mainly lighter colours. A light top and dark bottom means there’s a strong line across you somewhere. You need to make sure this is at the right height, and with the right balance of light and dark, to be flattering on you.

”contrast”

I like wearing neutrals, but mainly light ones. The monochromatic look is right for me. And I like textures. But soft florals, and animal or ethnic prints, are ‘in’ this season, if you prefer prints to textures. Or multicoloured abstracts if you like a hard edged look.

Do you know your own ‘colour personality’ ? (see posts on individual colour types in her April 2010 archive). Would you prefer to wear a couple of pastels, or olives and rusts, rather than neutrals ? Nude tones or khakis are very current. So is monochromatic denim blue. Or perhaps you like a variety of strong colours. In that case you may already know that colour-blocking of near-primary colours is ‘in’ this year !

In the Eileen Fisher ‘system’ , the clothes are all in neutral colours. Accessories add life and variety. Scarves and belt are in accent colours and obvious textures – crinkles and weaves. The long scarves (70 – 84 inches/ 1.75 – 2.10 m) have fringed ends. Many are wide enough (20-28 inch/ 50-70 cm) to use as a light wrap. A lot of stylish people round here are wearing these long big scarves to add colour and individuality.

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These are good relaxed styles. Some of the patterns I’ve mentioned are not timed patterns, but are easy.
Make a ‘capsule’ of top, bottom, and layering piece in a weekend. (More posts, on the Bottoms and Layers.)

So you need a month of speedy sewing weekends for clothes and scarves, and a little shopping for belts if you like them, to get the complete wardrobe 😀

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Patterns and links available May 2010