Archive for the ‘style and planning’ category

Sewing Workshop layering wardrobe

January 9, 2010

We’ve had more snow here (southern UK) than we’ve had in over 30 years. Wardrobe plans with only a couple of layering pieces don’t warm my heart at present. Do any fashionistas mention double force thermal long johns or flannel lined pants. 😀

So I was interested to read about Linda Lee’s wardrobe for multiple layers. It was posted by Vicky in the Sewing Workshop thread at Stitchers Guild in April 2009 (page 15), and is based on her notes from a class given by Linda Lee in 2005.

Here is the ‘Capsule Wardrobe’ (edited from Vicky’s notes – thanks to her for posting). I don’t know what Linda’s current views are and hope this doesn’t misrepresent her !

Bottoms :

1. slim line pant.
2. soft pant in a silhouette and length that flatters your figure.
3. skirt in a shape and length that works with all of the tops.

Base layer :

4. basic tee or shell (knit or bias) that has your best neckline, shape and sleeve length.
5. surplice wrap tee or top.

More and more layers :

6. thin, sleek cardigan that goes over the tee shirts and under the vest or jacket.
7. vest/ sleeveless jacket that fits under jacket and coat.
8. shirt jacket, jean jacket, Miyake-esque shirt, or your version of a classic shirt that dresses down everything, works with the tee shirts and tops – ideal if the vest slips under or over this piece.
9. distinctive jacket that layers over cardigan and vest, under the coat.

Outerwear :

10. jacket/ coat or rain coat that goes with everything.

– – –

Vicky said Linda matched this plan up to Sewing Workshop patterns and showed how to alter the patterns for more variety. I (sadly) don’t know what Linda said, so here are my choices :

P.S. The Sewing Workshop site has changed since this post was written, so these individual links no longer work. Start here for Sewing Workshop patterns.

1. Slim line pant
Slim pants are good on me. The Zigzag and Kinenbi patterns are different styles. I would start with the Zigzag, as a contoured waist suits me and those vertical lines look slimming. I would leave out the ankle zip.

”zigzagpant”

2. Soft pant in a silhouette and length that flatters your figure.
There are two groups of fuller leg SW pant styles, ones with straight legs, and ones with a shaped leg, like the Hudson or Trio.

”triopant”

Only a tapered leg pant is flattering on me. Even straight leg pants give me ‘elephant legs’. So this is one part of this plan that I personally would leave out. I might try the Tahoe culottes, though they don’t look as if they would be good on a bike.

”tahoeculottes”

3. Skirt in a shape and length that works with all of the tops.
There are several interesting SW skirt patterns, but they are all ‘statement’ pieces. I think a more background style is needed to fit in to a wardrobe of co-ordinates. So I would pick the Oasis skirt.

”oasis”

4. Basic tee or shell (knit or bias) that has your best neckline, shape and sleeve length
Again there are several T patterns which make a statement in themselves, such as the Teegarden, Trio, and Urban patterns. But I think a simple design is needed to layer under other pieces. So I would pick the MixIt top for wovens,

”mixittop”

and the Milano T for knits.

”milanot”

5. Surplice wrap tee or top.
An easy choice as I love the look of the Salsa pattern.

”salsa”

5a. To fit my own wardrobe style, I would need to add a basic fitted blouse to layer between tee and cardigan, as I wear them all the time.
My favourite Sewing Workshop pattern for this would be the Tribeca.

”tribeca”

6. Thin, sleek cardigan that goes over the tee shirts and under the vest or jacket.
For me this would be a bought knit.

7. Vest/ sleeveless jacket that fits under jacket and coat.
As usual, Sewing Workshop doesn’t provide your average vest pattern. I like the idea of a soft drapey vest like the Poppy or Mimosa. But if it has to be layerable, I would choose the Peony vest.

”peonyvest”

8. Shirt jacket, jean jacket, Miyake-esque shirt, or your version of a classic shirt that dresses down everything, works with the tee shirts and tops – ideal if the vest slips under or over this piece.
This is the basis of Sewing Workshop style : many possibilities. If I had to pick only one it would probably be the Zona (with a bit of added flare for my hips), as those dart and seam lines are so interesting.

”zona”

9. Distinctive jacket that layers over cardigan and vest, under the coat.
Again this is a signature Sewing Workshop style, with lots of possibilities. For this purpose there are two groups :
One is jackets which would not layer over the shirt-jacket. My favourite is the San Diego.

”sandiego”

The other group is those big ‘arty’ rectangular jackets, which might layer over anything. Typical versions are the Ikina and Plaza. The Valencia is my favourite.

”valencia”

10. Jacket/ coat or rain coat that goes with everything.
As the final piece, an outerwear coat. I pick the Soho pattern, as outerwear with a hood fits so much better into my life-style needs.

”soho”

– – –

Well, I have a whole lot of other favourite Sewing Workshop patterns, but wouldn’t it be delicious to have this group 😀

Patterns available January 2010

Elle’s Four Winter Styles

January 1, 2010

HAPPY NEW YEAR, AND HAPPY STITCHING IN THE NEW DECADE 😀

UK Elle (January 2010 issue) has 4 themes to keep us going for the winter. There are two casual styles which have all the pattern and colour, and two work styles, all black, grey and white.

They’re all different combinations of fairly classic shapes. The big difference is the jacket/ layering top chosen. All styles wear slim pants or leggings.

– – –

Note : Butterick-McCall’s-Vogue has changed their websites. My BMV links now only get you to a page where you can search for a pattern number.
I apologise that I haven’t changed to the new individual URLs, but it would be a lot of work.

– – –

Canadian Winter

Canadians may be entertained to know that UK Elle thinks we should be dressing like backwoods Canadians this winter – plaids, denim, sheepskins. Classic shapes except they have fitted not dropped shoulders.

Plaid big shirts, with yokes and pockets cut on the bias. These are North American homespun plaids, not Scottish tartan plaids. In bright reds and blues. Sadly most of the homespuns available from UK quilt shops are autumn ‘country’ colours.

Of course use Canadian patterns ! Here are the Jalie 2111 shirt (left) and the McPhee Workshop 305 He/She shirt. (Linda MacPhee’s patterns are good for people who like quick techniques.)

”canshirts”

Big warm knits, in fair-isle or scandinavian knitted-in patterns.

Sheepskin lined jackets, hats and boots, with outer wool, denim or suede. Elle doesn’t go as far as suggesting the big red and black fleece lumberjack style !

Jackets are classics. Convertible collars, fairly straight shape, may have yokes. A jeans jacket would be a good starting point. Can be worn shorter than the shirt. For a vest gilet in the same style, simply make one of these but sleeveless. Here’s the Jalie 2320 denim jacket. The line diagrams for the MacPhee 295 Jean jacket are very similar.

”jaliejean”

Remember to allow for the fur lining. I wrapped a strip of fake fur round myslf and was surpised to find it only increased my measurements by about an inch. It’s worth checking body, shoulder and sleeve ease. Or Kwik Sew 5259 is designed to be made with fur inside.

”ksfur”

An alternative is a padded blouson, see the Jalie 2108 insulated jacket, worn with a leather trimmed backpack.

”jaliepadded”

If you look round those sites, you’ll see Canadian designers know something substantial is needed for protection from a real Canadian winter ! Here in the southern UK we’ve had just a touch of snow so far. But some areas in North America are already well below zero. For that you’ll want lined salopettes, such as Jalie 2109 lined overalls (left), or Green Pepper (Oregon, US) 103 waisted and 113 unwaisted.

”salops”

Accessories : Fur-lined flat ankle boots. And aviator style sheepskin lined helmets, such as Kwik Sew 2613, or Onion 6006 accessories.

”helmets”

– – –

Casual Lounging

Long easy tunics or knits in soft luxury fabrics and yarns – silks and cashmeres, worn with leggings.

Taupe, light grey, pinky beige, nude colours, little pattern and some surface texture.

The long tops are usually somewhat loose fitting. The waist is not shaped, but sometimes marked by a seam/ casing or self-fabric belt. This is difficult to find a pattern for, as the line is at waist not under bust level. Easy enough to add a casing at that level.

This must be my style, as I want to quote patterns I’ve often mentioned before. Here are some possibilities (left to right) : McCall’s 5926 (oop), Kwik Sew 3718 (move the casing up a bit), Butterick 5185, McCall’s 5932.

”luxetops”

Accessories : Sheepskin lined flat calf length boots and big shawl scarves.

If you’re wearing this elegant couch potato/ winter recluse style, it looks as if you’re not expected to go outdoors, as there are no suggestions for warm jackets and coats or hats. My favourites are Vogue 8605 or Mizono Vogue 1145, which I’ve mentioned before.

”luxejkts”

How about a cashmere-alpaca fleece coat with a cashmere beanie, scarf and gloves 😀

But stylish people round here are wearing padded blousons or thigh length pea coats (see below).

– – –

Military

This is one of the more formal styles. The key to the theme is the jacket, worn with a white top and black or grey slim pants. Lots of buttons, studs if you like them. There are two related shapes.

One jacket style is short with princess seams and band collar. Basically the traditional hussar jacket, which is fitted and high hip length, with either an edge-to-edge front closure with lots of braid or frogs, or double breasted with shiny metal buttons.

Many pattern lines have one of these shapes, even already with added braid. Here are Kwik Sew 3466 (top left), Burda Patterns > Coats, Jackets > 7934, Onion 1031 uniform jacket (bottom left). Or for authenticity there’s Folkwear 133 Belgian Military Chef’s jacket.

”military”

The second jacket style is a double breasted pea coat with big lapels and collar, and shiny buttons again, low hip or thigh length. Most patterns are coats which can be shortened. Try Burda Patterns > Coats, Jackets > 8022, Vogue 1266, or oop Vogue 7978

”peacoat”

There is a touch of big shoulders in this military style. But otherwise the big shoulder idea seems to have disappeared. There are very few in the images Elle picked to preview next season. So perhaps big shoulders were a fad rather than a hint of a longer term style change.

Military accessories : this time the boots are unlined calf-length and heeled. Other accessories are all black leather, with studs and buckles. Military style square sided caps : Kwik Sew 3481, or Vogue 8528 View E for a softer look.

”caps”

— – –

Androgynous

More white shirts and black or dark grey slim pants, this time in very classic styles.

‘Boyfriend’ jackets and knits. These are long and straight, perhaps a bit over large. The jackets are an extreme version of the classic notched lapel style. The lapels are not only typically slim, but also very low. The ‘break’ of the lapel, where it starts to fold out from the front, is often below waist level. The ‘gorge’, the point which divides the collar and lapel, is also very low, perhaps below bust level.

Here’s an extreme version from Andy & Deb in Pantone Fashion and Home > Trends > Splashes of Sunshine for 2010.

”boyfrdrssm”

The true boyfriend style is of course tailored, with notched lapel and collar combination. I’ve had difficulty finding patterns for this very long lapel, can’t even find one for men !

(P.S. the new McCall’s 6043 suit has a lapel down to waist level, though not a low notch between collar and lapel. And it has very slim pants !
P.P.S. the new Vogue 8638 jacket pattern has long lapels and low notches.)

Drafting your own lapel collar combination isn’t a beginner project. You could try in Pattern Master Boutique. Set the neckline depth (on Settings tab) to it’s lowest for the ”break’. Set the Notch depth (on Collar tab) to its lowest for the ‘gorge’. Also make the lapel narrow.

Or for a simpler solution to get a touch of this look, make a straight jacket with a turn back from a deep V-neck front edge and add a cut-out notch, as indicated in the fashion sketch.

If you’re buying a long classic knit cardigan, choose one styled for women, so it has a neat fitted armhole and slim sleeves.

Accessories : more black, mainly crisp in line, or Chanel quilting and chains, or go frivolous and girly to tone down the masculine look.

– – –

All four styles include slim pants and leggings. ‘Canadian’ ones can even be in plaid 😀 Burda WOF magazine has patterns for slim pants and leggings in most current issues. Otherwise try Donna Karan Vogue 1039 (left) for pants.and Issey Miyake Vogue 1114 (right) for leggings, or Onion 0005 (in the speciality patterns).

”slims”

– – –

All styles have large square hand held bags, in their own typical materials : plaid, black, silver, fake fur, quilted. These don’t look like an attaché case but would be big enough for a laptop. Should be easy to make a fabric version. Basically a big square stiff sided tote, with leather or square cornered hardware rather than fabric handles. Much easier to make than what I thought was ‘the’ bag for this season, which is leather and covered in silvery metal : D-rings, buckles, eyelets, exposed zips. . .

Add of course a phone by Dior, Prada, or Dolce & Gabbana. 😀

– —

Patterns available December 09

December-January patterns – better alternatives for casuals

December 12, 2009

Isn’t it interesting that we can like one pattern more than another, even when they’re very similar ? Sometimes I have difficulty pinning down why that is, but it’s definitely true with some of the patterns in this month’s Sew Today (December – January issue of UK BMV magazine).

– – –

Note : Butterick-McCall’s-Vogue has changed their websites. My links now only get you to a page where you can search for a pattern number.
I apologise that I haven’t changed to the new individual URLs, but it would be a lot of work.

– – –

If I was still working I would be interested in the Vogue 1141 wardrobe, a Soft Classic look. I’m not a suit person, and luckily I’m retired so finding one I like is not a problem. But it is a relief to know there’s a pattern I wouldn’t mind wearing if I had to. I might omit the pocket flaps on the jacket – their present position is not ideal for someone with high hips !

”softsuita2”

For an intermediate weight jacket, there’s Butterick 5424. I like cape collars, and this has an interesting and rare feature for a reversible jacket : a fitted waist shape.

”reversiblejkt”

This is similar to Marcy Tilton’s Vogue 8600 which I’ve mentioned before. The Butterick looks easier to make.

”tiltonjkt”

As an outermost layer there is an old favourite of mine, the jacket from Vogue Woman 8526. A lovely padded coat for cold weather, and that big collar makes a hood. Oddly it doesn’t have a closure. Easy enough to add button loops in the front edge seam.

”vwjkt”

What about leisure wear ? Butterick 5409 in the magazine is a current cardigan look, especially view B. But there are several versions of this cut-off sleeve look which I prefer. My favourites are Butterick 5251 (above) or McCall’s 5932 (below), and they have interesting extra choices.

”cardigans”

Connie Crawford’s new sleep wear Butterick 5434 (smock insert top and loose pants) is the sort of easy style I like. But there are other Butterick patterns with an inset yoke and more flair. For a tunic version my favourite is Butterick 4856. Gathers aren’t right for every body but they are good on me. I need to add some flare at the sides.

”insettunic”

For an open fronted version of this style, my all-time favourite is Christine Johnson’s Inset Jacket 115 for wovens. Though I would add a button band.

”cjinsetjkt”

It’s obvious from the magazine photo that the Connie Crawford Butterick 5434 pants have too short crotch extensions for the model. The strain lines don’t appear so clearly in this scan, especially the ones in shadow on the left (her right) inside leg. Poor girl – not the most comfortable pyjama bottoms. RTW pants often have short crotch extensions, as they ‘waste’ fabric. Happily we don’t have to put up with that when we make pants ourselves.

”crotchext”

I have a large number of elastic waist pant patterns – get one as a free gift every time I buy a top pattern. For slopping around I don’t suppose there’s much to choose between the wide-leg versions. Slim ones are more of a problem. Around here many young people are wearing pants slim enough to fit inside calf-length fur boots (the look is so important to them they were wearing fur boots even in a warm spell !) But I’m still looking for a slim pant pattern for myself. I’m not sure it’s possible to slim down that far from my hips, but I am searching !

Although elastic waist pants aren’t ideal for my shape, I’m starting my slow search for TNT pants by making elastic waists for simplicity. I’m currently trying Butterick 5044 (left), for one-seam straight leg pants which are well reviewed at PR. Then McCall’s 5889 (centre) for slimmer ones with side seams (much better for my curved hips and saddle bags). Before perhaps moving on to Marcy Tilton’s Vogue 8499 (right) to see if those pockets make my hips look like weapons of war . . .

”3pants2”

There are many other patterns in this Sew Today issue that I like, but I’ve already mentioned them in other plans !

To make a wardrobe from this selection, I would need to add a blouse. But otherwise it does make a lovely group of warm winter layers 😀

Patterns available December 09

The perfect shirt ?

December 3, 2009

Style is not just in the major choices, such as whether to have a straight or a gathered sleeve, but also the details. All the possible style adjustments in pattern making software gave me this ‘aha’ moment.

– – –

Which immediately reminded me of two patterns I’m intrigued by : they’re both shirts yet they’re so different. The differences need an eagle eye for detail, a way of looking at patterns that I’m not used to. Perhaps that’s part of why I’m not a top clothes designer 😀 I found it very interesting to look slowly and carefully at these patterns.

”photos”

Left oop Vogue 2972 by Alice + Olivia.
Right McCall’s 5433 by Palmer-Pletsch.

In picking out these two shirt patterns, I’ve already made several major shirt styling decisions :
– I look better in fitted armhole styles, I don’t look so good in dropped shoulders.
– Although a yoke is a classic feature of a man’s shirt, and looks good on me, neither of these has a yoke. Yokes are difficult to fit on my sloping shoulders, but a yoke gives my shoulders more definition, which helps me as I don’t like shoulder pads.
– Some people say a style only counts as a shirt if it has no darts, and neither of these patterns passes that test either !

I prefer the shirt on the left, but I’m sure many people like the one on the right – it’s softer and more relaxed in effect, and more suited to the full busted. No pockets in the wrong place ! and the vertical lines of waist darts can have a slimming effect.

The left style has :
– crispness of fabric.
– visible ‘button’ detail
– this detail appears on the placket whether it is open or closed. (This is done by using poppas rather than buttons.)
– 3/4 sleeve (this sleeve is also a bit shorter than the 3/4 sleeve in the right hand pattern).
– neck opening worn up even though unbuttoned – that could be because of crisper fabric, or the way the placket is constructed, or the use of interfacing in the front band.
– deeper collar
– bust pockets
– shoulder point is at outer corner of shoulder, not above arm articulation point

Here are the line diagrams for the fronts :

”fronts”

(The size of one of the diagrams had to be changed. I’ve got them to the right relative proportions as far as I can.)
The line diagrams show there are differences in :
– collar point angle
– number of buttons, and button spacing
– depth of side slits
– possibly different angle of bust darts, related to possible differences of armhole depth.

The back drawings are :

”backs”

Personally I get better armhole fit with back shoulder darts, so I might add them to these patterns.

Both have double button detail on the sleeve cuff, though the buttons are placed differently. Sleeve placket type not clear from these drawings, but there are several options.

The left pattern has an underarm sleeve seam, while the right pattern has the sleeve seam moved to the back so the placket is easier to make.

These two shirts don’t include several other shirt style choices such as : different collar / cuff / sleeve widths, different front and sleeve plackets, different yoke shapes.

– – –

So even something that looks as obvious as a basic shirt actually involves many detailed style decisions. No wonder we’re willing to buy patterns, to pay someone else to choose all the details that ‘look right’ to our individual taste. To use pattern making software to make something equally satisfactory, I would have to be aware of all these details and how they affect the look of the final garment. And I haven’t naturally got that sort of awareness. I expect I could learn a bit about it, but it wouldn’t ever ‘come naturally’.

Perhaps my ideal shirt pattern is a combination of these two patterns, details of styling from the Vogue pattern, combined with added waist darts, and shoulder darts or yoke. Perhaps it would be better if I looked for a different pattern altogether, some sort of ‘shirt-blouse’ . . . There are multiple possible patterns for a basic blouse with set in sleeves, wrist cuffs, waist darts, and either convertible (very easy) or band (easy) collar. I think I’ll choose between them just on how I react visually without detailed analysis – though of course the eye can be tricked by the style and quality of the illustrations, the fabric used. . .

Patterns available December 09