Archive for the ‘sewing technique’ category

Faced slash/ slit openings

February 27, 2010

I’ve always had a phobia for making slash openings. So I’ve been astonished how often they appear in Very Easy patterns or patterns for beginners. But I’ve found very little on the internet about sewing them, so perhaps everyone else does find them easy !

Me, I found it impossible to make them so the end lays flat without crinkles. And strong enough that it doesn’t fray or tear easily.

The secret is that for many years I’ve been using the wrong method. And now I’ve tried a different method – they really are quite easy !

Perhaps I’m the only person in the world who has this problem. But if there are any other people like me, then this is for you 😀

– – –

Don’t stitch to a point :

Here’s an example of sewing a narrow V shape.

”sewpoint”

It’s obvious that it’s nearly impossible to cut between the sewing lines right down to the bottom of the slit.
And if you did, the seam allowances would be almost non-existent.
Not a strong result.

Whenever I’ve tried turning this sort of V, I’ve got a lumpy wavy mess.
Not something I want in the middle of the front of my garments.

Several books tell you to use this method (e.g. ‘Simply the Best’ p.229, Rene Bergh ‘Dressmaker’s Handbook’ p.69). So, many people must get a good result this way. Good for you if you can do it. But I’ve never managed it.

– – –

Do take stitches across the end of the slit :

The alternative is to sew a blunt-ended slit, with some stitches sewn across.

Here’s the basic technique :
This is a combination of methods in Kwik Sew 3302 and ‘Professional Sewing Techniques for Designers’ p.326, plus some little bits I’ve noticed myself.

Interfacing :
Fusible interfacing of course helps stabilise fabric and strengthen the end of the slit, but it isn’t essential unless the fabric frays easily. If you don’t want to interface the entire facing but want to strengthen the end of the slit, use a 2-inch square of interfacing at the end.
Use light interfacing which barely adds any bulk.

Mark the slit stitching lines on the interfacing, or on the back of the facing fabric.
Lines at the open end need to be a minimum of 1/4 inch apart.
See later for how wide to mark the blunt end of the slit.

”drawnlines”

Set the machine at 1.5 mm stitch length (16-17 st. per in.)

Sew down one side of the slit, across the bottom, and up the other side.

Cut half way between the stitching lines, then into the corners at the end.
”cutslit”
Use good tipped (small) scissors to cut up to but not through the stitching,
and good light so you can see the stitches.
Some people find it helpful to put a pin in the corners to make sure you don’t cut the stitching.
The quality and strength of the end depend on this cutting.

Press the side seams flat.
Press the seams open if it’s possible to get at them (a point presser may help if you have one).
Turn the facing in.

Finger press so seam is at edge of opening,
and press, one side at a time.
Flatten the slit out and press the end.
Hurrah !

– – –

How wide to stitch across the bottom ?

One stitch across (1.5 mm, 1/16 inch) :

Vogue Sewing 1982 and Alison Smith ‘The Sewing Book’ (lingerie expert) tell you to take one stitch across the bottom of the slit.

One stitch across the bottom means the end of the sewing is 1.5 mm, 1/16 inch wide. If a strip that wide is cut in half, the seam allowances are less than 1-mm, 1/32 inch wide. For most fabric weaves, that is very little substance.

So I think such a narrow bottom of the opening only works well in finely woven fabrics. And I think you need good technique, to sew and cut very accurate straight lines. And use fine thread.

Good for lingerie silk, but I would have difficulty with the technical accuracy of the sewing and cutting needed.

– – –

Two Stitches across (3 mm, 1/8 inch) :

This is the width recommended in ‘Professional Sewing Techniques for Designers’.

Taking two 1.5 mm stitches gives an end measuring 3 mm, 1/8 inch.
So the seam allowances are 1.5 mm, 1/16 inch wide.
This is acceptable with a fabric that has as fine threads and is as tightly woven as a typical quilting cotton.

Here is the result I achieved without difficulty (no interfacing).
(Photos are bigger than the real thing. Fabric is a print.)

”2sts”

The result is sufficiently neat. I don’t think anyone is going to notice the end of the opening isn’t a point.

But this does depend on the fabric.
Here is a loosely woven tweed, sewn with 2 stitches at the end.

”2coarse”

As you can see, if this slit was cut down the middle, there would only be one fabric thread in each seam allowance. Not a strong result.

– – –

Three Stitches across (4.5 mm, 3/16 inch) :

This is the width at the bottom of the slit in Kwik Sew beginners’ pattern 3302.
I think this is a good width for a first attempt.
But I don’t think it’s necessary with a cotton/ poly-cotton broadcloth type weave, once you’re confident you can sew and cut reasonably accurately.

Here are a 2-stitch end (above) and a 3-stitch end (below) in quilting cotton.

”2plus3”

So 3 stitches are not necessary in a weave like a quilting cotton.
But I think they could be good for a coarser weave such as linen or a slub silk.

– – –

Four Stitches across (6 mm, 1/4 inch) :

Here’s the loose weave fabric, sewn with 4 stitches across the bottom of the slit.
Not too bad at all. Not prize winning technique (or photos !), but the seam allowances don’t feel insecure.

”4coarse”

– – –

So my vote is for this technique is :
– sew a blunt end to the slit.
– vary the width of the blunt end according to the weave of the fabric.
– test fabric-interfacing combinations.

I’m very pleased this feature is now possible for me.

This method is also good for other techniques which slash into the fabric, such as :
– continuous band sleeve placket,
– polo neck opening.
Also other sharp inward corners on a facing, such as scallops.
And once you can do this very narrow ‘corner’, then the corners of V and square necks, even of welt pockets, may seem simple by contrast 😀

= = = = =

Aargh about sergers – second version

December 24, 2009

I’m thinking about getting an overlocker/ serger, and I’ve now learned a lot about the problems !

I wrote a first post on this in a fit of aggro about how difficult overlockers are to use. Now I’ve found out more, and some of the things I said in my first post are wrong. I had looked at some reviews at Pattern Review, and didn’t know enough about overlockers to understand what the reviews are saying.

If you do a search for sergers at YouTube you get a whole lot of useful information. As I knew nothing whatever about overlockers before starting on this, I found the Expert Village series particularly helpful.

After watching those, then the Palmer/ Pletsch DVD on Serger Basics has a great deal of useful information about sewing, but nothing on threading from scratch.

I now have a little practical experience with one overlocker – the Husqvarna Viking HuskyLock s15, but don’t know how it compares with other models.

– – –

My dealer told me overlockers don’t need to be threaded from scratch. But that’s not true. They do need to be rethreaded if :
– a thread breaks,
– threads get tangled,
– the s15 is a 2/ 3/ 4 thread overlocker. It’s necessary to unthread the upper looper to use the 2-thread stitches or attach the 2-thread converter.

On some overlocker models, to rethread the upper looper, it’s necessary to unthread the lower looper as well, as the upper looper must be threaded first, without the lower thread in place, or the threads get tangled round each other.

On some models, it’s necessary to unthread the needles before threading the loopers, so the threads don’t tangle round each other.

– – –

As I have shaky hands, I want to know how easy the loopers are to thread from scratch. And I’ve found several things worth checking which are not mentioned in product descriptions.

Here are some YouTube videos about threading lower loopers :
Video 1
Video 2

It’s helpful to think separately about the thread path leading to the hole on each looper, and about getting thread through the final hole itself.

The looper thread path

First thing to check is how easy it is to place the thread into the path leading to the final hole on the looper. On some overlockers, part of this path is recessed, In the descriptions of their models, some manufacturers say they have threading aids. These move some parts of the path forward so it’s easier to access.

When manufacturers don’t say they have aids it usually isn’t possible to tell, without actually looking at the overlocker, whether this matters. For example, on the Husqvarna Viking HuskyLock s15, the path is relatively easy to access, so aids aren’t necessary. But it isn’t possible to tell from the product description whether this is the case. So it’s important to check when trying out a machine how easy it is to lead the looper threads along the right paths.

– – –

Threading the final holes

The next thing to check is the size of the holes at the ends of the loopers. These are usually quite small. On the s15 they are less than 1 mm. across. I don’t know whether any overlockers have larger holes than this, but I would have thought the larger the better, for ease of threading. So it could be worth comparing overlockers for the size of holes they have.

What I had been naively hoping/ assuming was that some overlockers have a mechanism for moving the final part of the loopers forward so you can get at the hole more easily. But evidently not. Well, those parts have to move so fast they need to be very robust.

Also I haven’t found anything, except for BabyLock jet air threading models, which fully automates threading the loopers including through the final tiny hole. All the other aids appear to be for getting the thread along the path, not through the final hole.

– – –

The next thing to check is how easy it is to access the space behind the holes in the loopers, either with fingers or tweezers. And how easy it is to see into the space behind the holes. When you are threading through the upper and lower loopers from front to back, you need to be able to see into and grasp threads behind the holes, to pull the thread through.

– – –

It’s also helpful to have good light front and back in the looper area. On the s15, the overlocker light itself is no help. That is arranged to light up the sewing area. But the looper area is shadowed from it by the presser foot and cutting mechanism. So you need good independent light when threading.

– – –

You may be someone who has steady hands (not me) and good eye-hand co-ordination, in which case you’ll be able to thread by hand, or using tweezers. (I wonder if it would be helpful to set up a big magnifying glass on a stand, like the ones embroiderers use !)

There are several tips for stiffening the end of the thread :
– twist the thread so it doubles back on itself.
– pull the end of the thread through beeswax (as used by some hand quilters and sewers).
– pull the end of the thread through lip chap stick.

– – –

If threading by hand is difficult, what about using a needle threader ?

For threading sewing machine needles, I particularly like the plunger type of threader. But I couldn’t find any way of using one on the looper holes.

It may be possible to use the type of threader with a thin wire loop.

On the s15, I couldn’t find any way of getting close enough to the hole in the upper looper to push the wire through, either from front or back. I would need to remove the presser foot and the upper cutter. I don’t know if other people could manage it, or if there is more room on other models.

It isn’t possible to get a wire threader through from back to front of the lower looper on the s15, but I did manage to get one through from front to back. What help is that, you might ask, if the thread needs to lead from front to back. Well, there is a trick I’ve learned from other uses :
Put a loop of thin thread through the loop of wire, not a single strand.
So you pull 4 strands of thread from back to front through the hole, using the threader.
And when you remove the threader, you have a loop of thread coming through the hole from back to front.
Put your looper thread through that thread loop, and pull it through from front to back.

Fiddley and slow, but it is possible.
I didn’t bother to complete this process on the s15, as I already knew I couldn’t manage the upper looper, but I did find I needed to use a light colour thread, so I could see it against the dark inside of the overlocker.

– – –

Some people use overlockers to do decorative stitching with speciality threads, not only metallic embroidery threads but also threads like perle cotton or even 1/8 in. embroidery ribbon. The easiest way of threading these thick threads through the small holes is to thread a loop of thin thread through the hole from back to front. and use that to pull the thick thread from front to back, as I just described.

So when you are trying out overlockers, take some speciality threads, and check it’s possible to get them through the holes in the loopers.

– – –

Some aspects of the threading videos to be careful about :

Different companies use colours in different ways : blue for one company means left needle thread, and for another company means lower looper thread. There isn’t an International Standard for serger colours ! So don’t just follow the colours in the videos, make sure you use the correct colours for your own overlocker.

Also different companies thread the threads in a different order, so don’t just follow the sequence used in one of the videos, but check the correct sequence for your own overlocker.

– – –

So, the level of information provided by manufacturers and dealers about sergers/ overlockers is poor. They just brightly say they are easy to thread, with minimal guidance about how to overcome the difficulties. It really shouldn’t be necessary to spend many determined hours on the internet, and reading books and watching videos, before you can find out how to operate the thing.

I think it’s essential to try before you buy. If you might want to do decorative stitching, take speciality threads with you. You may never find a serger/ overlocker that’s easy for you to thread, but at least you can look for one that is possible for you and that you can put up with the difficulties of.

For me, it looks as if threading an overlocker from scratch myself isn’t possible. I have to decide whether I’d use it enough to invest in a BabyLock Eclipse with jet air threading, so I don’t have to face those pesky little holes 😀

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Thanks to the people who commented on my first version.

Hatty suggested Pattern Review.

Faye Lewis said :
I hadn’t had any experience with sergers before I purchased mine either. I bought mine at a Singer store who promised threading lessons. Well they gave me one lesson the day I bought it, but when I got it home and had problems threading it I went back for another lesson and they were not that friendly about showing me again. I’ve had the serger for about 3 years now and still have problems threading that one looper. 99% of the time I don’t have to re-thread because I tie on at the top. I now own 2 sergers; and tie on with both.

The balloon skirt

October 10, 2009

When “The X Factor” judges and contestants all appear in a look, you have to notice it ! The magazines I reviewed for the coming trends now barely mention the balloon skirt, so perhaps it’s a fad rather than a trend. But it’s entertaining to look at the possibilities.

– – –

Note : Butterick-McCall’s-Vogue has changed their websites. My BMV links now only get you to a page where you can search for a pattern number.
I apologise that I haven’t changed to the new individual URLs, but it would be a lot of work.

– – –

Here’s a balloon skirt from Marc Jacobs at Louis Vuitton

”

In this quiet suburb, I haven’t yet seen anyone wearing matching leggings !

Dior has a less strong look, with a soft hem shape over a knee length skirt, or even below the knee :

”

As some of these skirts are fully pleated from the waist, people might think this is good for disguising big hips. But most of these styles are actually worn by people who are very slim underneath. From what I’ve seen, this shape only looks good on less slim people if they have a defined waist and good legs.

An easier ‘street’ touch of this look is to have this full shape below the waist or a bubble hem, on a parka or jacket. Or add pleats to a thigh length tunic, as in this McCall’s 5926 cowl neck top. Again this sort of tunic is probably best worn with leggings or slim pants, so won’t flatter everyone.

”cowltunic”

– – –

How to make this look ? For a skirt, there is Burda 7610 (picture). Or Onion Skirt 3024 (see Blog roll) has the balloon hem.

”burdaskirts”

Here are two designer dress patterns with related effect. The Donna Karan dress (left) (Vogue 1119) has a draped hem. The Alice + Olivia dress (right) (Vogue 1122) has the similar style of bell shaped hips.

”

Marcy Tilton has a lower calf length skirt (Vogue 8499).

”

But a specific pattern isn’t really necessary. This style is fairly easy to make using a skirt pattern with pleats at the waist, such as Butterick 5285

”

– – –

For the Waist, use pleats which widen at the outer end. If the pattern you start from has straight pleats, angle them out.

Here are a couple of angled pleats :

”

And here are the marked fold lines for making those pleats :

”

Angled pleats are like unsewn darts. Interestingly, there is no picture of an angled pleat in my favourite instruction books.

It’s a good idea to try on with pleats basted, before sewing. Then you can check and adjust the pleats if necessary, so they don’t bulge and buckle and have strain lines. As someone with high hips, I know these peculiarities can be disconcertingly likely in pleats over the hips !

The pleats may be unsewn, or sewn part way down. Probably unsewn pleats, which have a bulkier effect, are better on slimmer people.

To get the proper balloon effect, the fabric needs to have some body/ stiffness. Otherwise you will have to add some support interfacing under the pleats. For a strong look this might be a good idea anyway.

Though for larger people who just want to give a suggestion of the style, boosting the amount that the pleats stick out is not so good ! In fact. I think on larger people it’s better to make the strongly curving shape below the waist using curved darts rather than pleats – gives the shape without the bulk.

– – –

A Hem that is smaller than the widest part of the skirt is an essential part of the complete balloon look. There are two main ways of making this hem :

One is simply to add pleats at the hem. They may be free or sewn down. They can match the pleats at the waist or not – experiment with how many look good on you.

Using an inner skirt is a bit more complex :

a. Decide what length you want the finished skirt

Make a straight or slightly A-line skirt lining, 2 – 3 inches shorter than you want the finished skirt. Ir’s best to make the lining fitted with darts at waist, to minimise bulk.

Make the outer skirt 2- 3 inches longer than you want the finished length.

b. With right sides together, either pleat or gather the outer skirt hem onto the inner skirt hem.

Turn them right side out and baste together at the waistline.

c. Then do closure and waist treatments.

It might be a good idea to make a ‘muslin’ trial garment to test the effect !

– – –

Runway photos from Style.com.
Patterns available October 2009