Archive for the ‘fit + patterns’ category

“The Lucky shopping manual” – advice for the pear shaped

August 27, 2009

An attractive and interesting book, but sadly the advice about what’s best for the pear shaped or small busted is the opposite of what works for me.

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Note : Butterick-McCall’s-Vogue has changed their websites. My BMV links now only get you to a page where you can search for a pattern number.
I apologise that I haven’t changed to the new individual URLs, but it would be a lot of work.

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In the section on Jackets , they suggest a classic blazer for the pear shaped. Oh dear. Have they never noticed how ridiculous someone looks when the top of their jacket is too large and floppy with nothing inside to fill it, while the hip area is bursting and straining at the buttons. Not an attractive look.

ReadyToWear jackets are not made with enough fabric in the seam allowances at the hip level. So it isn’t possible to let them out to increase the hip area by 2 or 3 sizes.

Here’s where we sewers who can make our own clothes have such strengths and advantages. Though a fitted lined jacket is definitely not a beginners’ project. It’s wondrous the way a well fitted garment makes someone look as if they have no figure flaws.

Here are some of the alternatives to blazers that I like :

Fitted above the waist and fuller below the waist, such as McCalls 5594, McCalls 5766, or McCalls 5936 :

”peplum”

or simply released pleats without a waist seam, such as Butterick 5393, or Vogue 8600 :

”releasedpleat”

or a flared or tucked style that doesn’t fit to the waist, such as McCalls 5638, or McCalls 5762 :

”nowaist”

(The smock-like version would need to be longer and without the strong horizontal trim line to look good on me.)

Notice most of these examples have large collars – a good way of drawing attention up to the face, and giving more visual ‘weight’ to the upper body.

And for Tops to enhance a small bust, the Lucky book suggests a stretchy top with gathering at the bust. Well, what could emphasise the smallness of my bust more than wearing a stretched fabric, making it obvious there isn’t anything there to stretch it. Definitely best not.

In her Spring/ Summer Newsletter 2009, Pati Palmer talks about ‘essence of waistline’. My personal preference for disguising my small bust is to use woven fabrics for tops, with darts to give ‘essence of bosom’.

Jeans and pants : To minimise your butt, this book suggests large centred pockets on jeans. Goodness, perhaps people with large butts emblazoned with large centred pockets never appear in New York City, or these authors might change their minds.

The best advice I’ve seen on back pockets for large backs was, I think, in Burda WOF magazine. Oddly enough, it suggested what the Lucky manual says for pants : use high welt pockets just under the yoke. (Sorry I can’t find the drawing.). Not classic jeans style, but at least it doesn’t put a large square on a large round, and so draw attention to a large blodge. Well, a large square is better than a small one 😀

For front pockets, they suggest curved pockets for pear shapes. Perhaps these work well for people with a silhouette which tapers out gradually from waist to widest part. But below my indented waist and high hips, this sort of curved pocket just points outwards, saying ‘look here’. I prefer slanted pockets.

Here are the alternatives, McCalls 5394, and McCalls 5239 :

”pocketslucky”

Sorry these images aren’t perfectly size matched. But I think they show how you can use curved horizontal pockets if you want more curves, and straight slanted pockets if you want less 😀

I do agree that in-side-seam pockets are not good in a fitted garment over curvy hips. Particularly with my high hips, it’s almost impossible to make them lie flat without gaping. Sad, as this is the easiest type of pocket to make.

Dresses : There I was, thinking how lucky I was to be a teenager in the 50s (though only because of this feature of the clothes), when the dresses had tiny tops which emphasised my neatness above the waist, and voluminous skirts which disguised where my hips were. But these Lucky editors strongly tell everyone not to wear them. Perhaps that’s true if you’re a size 0 rectangle shape. But I think 50s style dresses are a good idea if you’re a 14 on top and 18 below (sewing pattern sizes) and want to look size 14 overall. Though I admit you do look better with a trim waist (achieved by most people in the 50s by wearing the obligatory corset).

Here are a couple of examples, Butterick 5350, and Butterick 5320 :

”luckydress”

I’m sure I have a lot more to learn about the best styling for my shape, but these are what I’ve found flattering so far from personal experience.

This Lucky book includes much that is useful and food for thought. It gives good advice on looking trendy and stylish. There are some things that work immediately for me, plus inspiration for a lot of thought about how to take the essence of their styling suggestions and adapt them from ‘wouldn’t be seen dead in’ to ‘looking good’. But I don’t think the authors have ever actually looked at someone pear-shaped.

Patterns available August 09.

Personal Croquis

August 6, 2009

To make good pattern choices, it’s useful to have a drawing of our own body shape.

Fashion designers often sketch their styles over a drawing of the human body which is called a croquis. You can even get pre-printed pads of them – though those are for ideal model bodies. (‘Croquis’ is a french word pronounced ‘crow-kee’.)

As Imogen Lamport points out in her Body Shape Bible, there are 3 important aspects of your body shape :
– your silhouette from the front (me – I have an indented waist, and larger hips under prominent high hips),
– your length proportions (me – I’m very short waisted, so most style advice for people with a small waist makes me look all hip),
– your special features (me – small bust, flat rear, protruding tummy).

Here’s my body image for wearing a fitted top and belt.
”hobbit”
No insult intended to hobbits, but I don’t think this is an ideal look for a human. It is the sort of thing you may be able to check for by using a croquis.

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Making your personal croquis

Here are 4 possible approaches.

One
In the recommended method for making a personal croquis, you are supposed to :
– take a photo of yourself in your undies
– trace round the outline of your photo so you have a drawing of your body silhouette.
– sketch the proposed garment over this body shape diagram, to see if it suits.

There are very detailed instructions on making a croquis from photos in Gale Grigg Hazen’s book ‘Fantastic fit for every body’ (best selection of copies from AbeBooks).

Two
Drawing neatly around the edge of a silhouette is not something I have the skills to do (I have shaky hands).
What I did was print the photo out on card. Cut out around the photo, and turn it over so I’m not distracted by the details of the photo.

Three
Get someone else to do the drawing for you, though you still have to take the photos. Here’s a service from Najah Carroll.

Four
No photos needed. Use a drawing which has been computer-generated from some basic body measurements : My Body Model.
The shape they draw doesn’t work for everyone. They don’t include the special features of my body (such as sloping shoulders and high hip bones) which are the reason why I need help with knowing what shapes look good on me.

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Using a personal croquis

When you use one of these aids for getting a picture of your own shape, you still have to do your own sketching of possible styles. My Body Model have a beginners’ video on that.

I’m not much good at that, so I often simply compare my shape by eye with a line diagram of a pattern I’m interested in. Less accurate, but gives a starter idea.

Here for example is me, compared with Sewing Workshop’s Deja Vu pattern. Oh dear, obviously not. Though I love the style it’s not for me.

crdejavu1

Sadly, it would make me look like a balloon ! I may make it even so. The construction looks intriguing, and it would be a cosy cuddle-up for winter. But I won’t expect it to be flattering 😀

(This version of my body shape is the diagram for a short-waisted pear from the former Littlewood’s site information about Trinny and Susannah. Sadly the diagrams are not in their body shape book.
The big differences from my actual shape are that I’m unusually short from armhole to waist, and as I have a long head+neck my length proportions are unusual.)

And how about this Issey Miyake Vogue 1114 design, which Vogue Patterns recommend for the triangular of shape. Maybe it would look good on some of us, but I don’t think it’s worth trying for me.

”crmiyake”

While this Vogue 8509 dress pattern, with it’s vertical bodice pleats, could be something I would wear, if these days I ever did have reason to wear a dress.

”crdress”

Making this comparison has been a real ‘eye opener’. I thought I was allowing for my ‘bottom heavy’ shape in making pattern choices, but I’ve completely changed the patterns I go for since I started using this tool.

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Originally written August 09, updated May 2020, patterns not now available.

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