Archive for the ‘designers, trends’ category

Drapey angles and balloons

May 7, 2011

Here’s some May Day fun. Will this idea last ?
Feast your eyes on the fascinating cut of these voluminous dresses.

Issey Miyake Vogue 1238

”v1238”

Sandra Betzina Vogue 1234

”v1234”

McCall’s 6347

”m6347”

or McCall’s 6350 for something more restrained.

”m6350”

For a balloon style, there’s the Sewing Workshop Tosca dress.

”swtosca”

or Donna Karan Vogue 1175.

”v1175”

And what about these pants :

Vogue Woman Vogue 8588

”v8588”

or for stretch knits there’s Vogue 8738.

”v8738”

And a skirt by AKO, Vogue 1248

”v1248”

– – –

I love that it’s possible to wear longer dresses this season. People here are coming out in them as soon as the sun shines. And I love swishing skirts. These look as if they would be marvellous to swirl around in. Though I’m not sure what happens when you sit down.

And I do think this is one instance where shape shouldn’t echo shape. I may have a triangle shape body, but I don’t think I would look good in these triangle shape clothes ! More like a mountain with foot hills. . .

I’m intrigued with how these are made, though I wouldn’t be happy wearing them myself.

But great fun for those with the panache to carry it off 😀

– – –

Patterns and links available May 2011

Strong colour

April 16, 2011

Do you look good wearing the strong yellow of Easter chicks ?

Many trends this season are more about colour and prints than shape (see trends post).

Strong pure colours are important : red, blue, yellow, plus the intermediate green, purple, orange. All in bright versions, not with a little white or black mixed in to soften their impact.

Colour reproduction on my screen isn’t good so this may not look ‘primary’, but hopefully you get the idea. Drawing the colour wheel this way shows it may be a good idea to choose the right red or green. Though the best colour may only be obvious if you’re clearly either cool or warm in colouring (which I’m not).

One way of being super trendy is to wear three or four strong colours combined. With each garment in a different colour. Or several colours in one item, perhaps body, sleeves, and neck band/ collar/ cuffs in different colours.
See Style.com on Hyper Color.

Or two colours, one of the strong colours combined with white.

Well, colour blocking has been suggested by high fashion magazines for some seasons now, but I can’t remember seeing anyone wearing these tropical colours in this quiet suburb in this cool rainy climate 😀

Care with strong colours

If you can’t decide whether to wear bright colours and bold prints, they’re probably not for you. Have a look at Nancy Nix-Rice’s excellent articles, 7, 8, 9 on colour and 10 on prints.

Perhaps you can wear one or two of the strong clear colours, but not all of them. I can wear red, though reds with a touch of blue, not a yellowy red (odd, as I’m mainly ‘autumn’ in colouring). Other strong colours completely overwhelm me.

White is also a key trend this year, but it’s too ‘strong’ for many people. Does it help if you wear a white slightly tinted with blue, or white tinted with cream ?

A touch of strong colour

What if you don’t look your best when wearing strong colours or strong contrasts ? Would you still like a little trendy brightness ? Add it in bag or shoes. Just not near your face.

Or use it for trim, perhaps binding, piping or frills. Personally I think that makes a garment rather inflexible about what it will combine with. So don’t use it unless you have several items this will look good with.

Pantone colours for this season

Here’s the pdf of Pantone’s colour suggestions for Spring 2011.

Goodness, you can even get a Pantone app. . . though it needs accurate colour pick up from your mobile phone camera.

Happily Pantone are aware that some of us need muted (with a touch of grey), or paler (with added white), or more subtle mixes. They don’t include all those brights. They choose colours with names like :
Coral Rose (“sophisticated orange”)
Beeswax
Honeysuckle (not sure what they mean by this, perhaps it’s a problem with colours on my screen, UK native honeysuckle is rose-red and cream.)
Russet
Peapod (yellow-green)
Blue Curacao (related to turquoise)
Regatta (blue)
Lavender
Silver Cloud
Silver Peony

Look also at the colours mentioned by the designers in the pdf, who use more colour names, and wonderfully luscious sounding colour combinations.

Pantone colour predictions for the coming Fall are also more muted.

So if you’re a ‘Summer’ or ‘Autumn’ feeling left out by the high fashion brights, not to worry. There are many other attractive colours relevant for this season.

Some Soft ‘Summers’ like the top-to-toe ‘nude’ shades that are another fashion theme. This is a grayed palest pink, Pantone’s Silver Peony. Another colour we can’t all look good in. Would it help if you use a muted bluey pink, or a muted peachy pink ?

Or try the palest most washed out shades of denim blue.

For Warm ‘Autumns’, refer to Pantone rather than Vogue ! The simple colour wheel doesn’t work well for browns.

– —

If you’re like me and the season’s brights and nudes don’t make you look your best, just stick to your most flattering colours, and choose to ignore being trendy about colour this season 😀

– – –

Links available April 2011

Jackets of the season – cascade, revers, asymmetric

April 9, 2011

Some of us only feel happy if we can wear a structured crisp jacket with shoulder pads on even the most casual occasions. Others, me included, are miserable if we have to wear anything like a blazer, even if it contains not a smidgen of interfacing. Most people are more flexible and come somewhere between the two !

In this season when the notched collar blazer fills the fashion magazines, what can we wear instead ?

All Eileen FIsher‘s jackets are current classics, so can be worn for several years. This Spring season she picked 7 jackets to emphasise. Three are notched lapel collar blazers, see my post, and 2 have a shawl collar, see my post on them. She also picked two less formal styles : a cascade jacket, and a collarless jacket with revers. And in the catalogue there are several styles with asymmetric front opening.

(All these styles were available at the beginning of the season. Some of them are already no longer on the Eileen Fisher site.)

– – –

Cascade front

”cascade”
Eileen Fisher

There are several ways of designing cascade fronts. (There must be technical terms for these things, but I don’t know what they are. The books on pattern making I have don’t mention cascade style.)

The first issue is whether the upper edge of the cascade is short or long.

Two download Shrug patterns for knits show the difference between the two front lengths, a high/ short cascade which draws the eye up, and a long cascade which draws the eye down.

Sewing Workshop’s new eShrug pattern (left ) has a high cascade length.

Or there’s Hot Patterns free Cascade-cozy shrug (right), with a long front.

”shrugs”
(not correct relative sizes)

Most knit cascade patterns are the longer style, like the shrug on the right but with sleeves. Eileen Fisher has that style in her winter and spring catalogues. (P.S. here’s a tutorial on adding long sleeves to the Sewing Workshop shrug.)

This season’s cascade jacket for wovens from Eileen Fisher has the short upper edge.

Then below the short cascade, you have a choice of the lower front dropping down, as in the black shrug, or cut away as in this season’s Eileen Fisher woven version (first photo).

Last summer Eileen Fisher featured a short cascade jacket with longer lower front. Here’s my post on her Summer 2010 capsule. I suggested Butterick 5472 for copying that version.

”b5472”

The lower cut away is like some of her more structured jackets for this season, see my posts on the notched collar blazer and the shawl collar jackets.

There’s a new McCall’s 6333 wardrobe pattern with a short cascade which is cut away below.

”m6333”

Release the darts and lengthen about 4 to 8 inches / 10 to 20 cm around the bottom edge (and omit cuffs) to mimic Eileen Fisher’s version.

– – –

Collarless ‘revers’ style

”revers”
Eileen Fisher

Collarless jacket styles are more frequent in the shows and pattern catalogues this year. This one has a button at waist, and the X-shape opening, cut away below the button.

Here’s a new Palmer-Pletsch pattern, McCall’s 6329.

”m6329”

Many good opportunities for fit.
Add a waist level button, and perhaps cut away below it.
If you’re going to cut away, notice the X-shape is made by the fold line of the revers, not the cut edge. So there’s a curve in the pattern piece around the button area.

– – –

Asymmetric opening

”efbikers”

These Eileen Fisher’s examples show much variety in style details : buttoned and zip closures, fitted or semi-fitted, narrower or wider collars.

Leather asymmetric jackets with zip closure are sometimes called biker or aviator jackets. Biker style is more edgy in black with exposed zip pockets. Aviator ones have shearling lining.

There are a couple of popular patterns for this style.

Sandra Betzina Vogue 1198, with zip closure.

”v1198sb”

Widen the collar and use buttons instead of zip to copy some of Eileen Fisher’s style options.

And Kwik Sew 3827. This has an angled front. The vest version has hidden button closure.

”ks3827jkt”

– – –

I’ve picked out some themes, but there many other current style choices. On the Eileen Fisher site there are also trench coat, parka, zipped knit hoodie, some soft hoodie vests. So you can enjoy jackets in your own style this season.

On The Shopping Forecast site (currently discontinued) the jacket styles are very limited – nearly all are notched collar blazers, with a few trench styles and jeans jackets. All current classics. If you want high fashion this summer, ironically this isn’t the time to go wild with your jacket shape (though you might want to with the colour).

There are good patterns for all these other styles if you prefer them. So there’s an idea for yet another jackets post 😀

– – –

Patterns and links available April 2011

Jackets of the season – notched collar blazer

March 26, 2011

The key jacket for this Spring/ Summer 2011 is a notched collar blazer.

Eileen Fisher has picked out 3 versions.

”3-notched”

The most obvious difference is length : mid hip, low hip, or mid thigh. Which is the best length proportion for you ? (Notice the under layers are all about the same length.)

All have collar notch at front neck level. Good if you want to draw attention up to your face.

All have similar shape and angle of notch. In some seasons there can be big changes in these, but a simple notch is popular this year.

And lapels that are 1/3 to 1/2 the width along the shoulders to the armhole.

All of them are loose enough to layer. While many jacket patterns are more fitted and meant to be worn closed, with perhaps only a camisole under.

As I never wear a blazer myself, I used to think a blazer is a blazer is a blazer. Notched lapel collar, fitted sleeves, single breasted, boxy shape. Well, that’s in women’s clothing. In men’s clothing it’s a similar shape but usually navy fabric with brass buttons and patch pockets. Or in sports club or school colours. But in women’s fashion, there’s actually a wide variety of style details.

– – –

Round or square corners ?
Two of these jackets have square and one has rounded corners, so choose which is best for you.
Are your body lines straight or curved ? Is it your style to be crisp or soft ?
And some stylists say square corners make you look slimmer. . .

Width of lapels and collar
A wide variety of lapel widths are fashionable at the moment. Though Eileen Fisher hasn’t featured one, shoulder-width lapels are also current if that looks good on you.
For me it’s not a simple choice.
Wide lapels give me upper body emphasis, which I need as I’m small busted and wide hipped. And they visually strengthen my sloping shoulders.
But a slim lapel adds a vertical line, which I need as I’m short waisted.
Which looks best on you ?

These styles all have collar and lapels the same width. This is classic style, but it isn’t essential, it’s a design decision.

Also the edges of collar and lapel are straight. That’s another style feature which is current classic, though there are many patterns with curved lapels.

X or Y neckline ?
In these examples, the 3 button style has a front edge Y shape, and the 1-button styles have a front opening X shape, which I talked about in my shawl collar blazer post.
Would you look better with the front cut away below the lowest button ?

Soft roll or firmly pressed edge to the collar fold ?
Which is more to your personal taste ? Which flatters your body shape ?
Do you want to look more formal or more casual ?

Style, location, angle of pockets ?
Men’s blazers have patch pockets. Women can use nearly every pocket style on a blazer : patch, in-seam (perhaps with hidden zip), flap, single welt, double welt. (An exposed zip is more edgey than classic. And pleated or bellows pockets are more safari/ artisan.) It’s possible to go on at length about pockets. There’s a lovely old book, ‘Just Pockets’ by Patricia Moyes. Start from the simplest jacket pattern and make multiple versions which look different because of the pockets.

Added back interest
Do you do the sort of work where you have your back to onlookers, so jackets with back interest would be a good idea ?
Or do you usually sit down, so need a plain back that doesn’t crush easily ?
One of these Eileen Fisher jackets emphasises the curved shaping of multiple princess seams at the back. Another has an inverted pleat at centre back.

People round here are wearing jackets with multiple seams or inverted pleats at the back, often below a yoke, and with a 2-button tab at waist level.

Perhaps Project Runway Simplicity 2810.

”s2810”

Lined – unlined ?
It’s relatively easy to leave out the lining of a lined jacket – unless there’s a lot of inner structure to hide.
Adding a lining to an unlined pattern is not difficult once you know how. See oop book ‘Easy Guide to sewing linings’ by Connie Long.

Notch height and shape
There are some style elements which it’s best to leave as they are on a pattern, as they’re difficult to change unless you know what you’re doing.

The notch shape and height and the break point of the collar are all best left alone. (Though they can be changed in pattern making software like Pattern Master Boutique. Not in Bernina My Label. Those are the only software I have personal experience with.)

These 3 jackets all have the notch at front neck level.
But it has recently been fashionable to have notches much lower, even at bust or waist level. Particularly on ‘boyfriend’ jackets.

Being closely analytic, there are 3 angles at the notch – the collar corner, the notch, and the lapel corner. And all 3 are design decisions. The Eileen Fisher jackets have the corner angles close to square. This is the classic choice.
This is a fashion thing, other angles and shapes have not been so fashionable recently. (And they’re not so easy to manufacture.)

The origin where the lapel fold line starts – the ‘break point’
On these jackets, you have a choice of folding back the collar from bust level or waist level.
Which is more flattering on you ?
I’m best with a lapel down to waist level. That gives me a vertical line on my short waisted upper body. And a lapel folding out from bust level draws attention to the fact that I haven’t got one.
Does one of these break points make you look or feel older/ younger ? slimmer/ wider ? larger/ smaller cup size ?

In the example jackets, the lapel from bust level goes with the shortest length jacket, but that isn’t necessary.

Number and position of buttons
On these jackets the button positions are simple and classic : a single button at waist level, or three buttons spaced from bust to waist level.

It’s easy to change the number and position of the buttons within the space available. This is the strip where the centre fronts overlap. The top of the strip available for closures is just below the break point where the collar turns out. The bottom of the strip depends on whether or not the lower jacket is cut away.
Once these are set it’s relatively easy to change how high or low the top and bottom button are, and how widely spaced they are.
No doubt if you’re generous busted you’re already know it’s best to have a button level with the bust point, if that area is buttoned over.

Choice of 3 buttons or 1 (or 2 ?). Which is best for you ?
This depends on details of your body shape (and how fitted the style is, just to complicate things).
Perhaps do some snoop shopping of jackets. Which button layouts make you look longer/ shorter waisted ? Which make you look larger/ smaller busted ? Which make you look more efficient/ more relaxed ?

One button needn’t be a waist level. There are several Simplicity jacket patterns with 1 button at bust level.

– – –

Just for contrast, here’s a design with very different style decisions, Vogue 8638. (The pattern has a choice of notch shapes.)

”v8638”

– – –

This was all getting a bit much. So I’ve put some comments about notched collar blazer patterns and sewing advice in another post.

And not to worry if notched collar blazers are not your style. Some people love them, but they’re not for me.

I remember wearing a few RTW notched collar jackets, but never one that could be described as a blazer. I did once own a shawl collar structured blazer. Bought it because a stylist said “Every woman should own a blazer”, and that was in the days when I didn’t know better about such opinions. I only wore it one time. A colleague said “You look very. . . um. . . straight” – and I never wore it again 😀

I do wear trenchcoat styles, which are also current. Not at all the same as a blazer. Double breasted, wide lapels, closing up to the neck, wide collar based on a band, added yokes for shoulder emphasis.

There are three other key jacket styles picked out by Eileen Fisher for this season (cascade, collarless, and biker/aviator). I’m planning a post on them too.

– – –

Patterns and links available March 2011