Archive for 2011

A note on the FBA

February 12, 2011

Some time ago I wrote about adding fabric wedges below the waist, especially so there’s enough fabric to cover a large front or back.

The best known reason for adding a fabric wedge above the waist is the Full Bust Alteration. (Lots of possibilities on the upper back and sleeves too, but I’m not going to talk about them here.)

I don’t need an FBA myself, so have no practical experience. It’s a bit silly for me to comment. But I am intrigued by it as an alteration so have been noticing information. Here’s some of what I’ve found, in case it’s of use to anyone.

There’s a list of links about the FBA by Debbie Cook at Pattern Review.

Adding enough fabric for larger cup sizes is not just a matter of adding length and width to the front pattern piece. A good FBA adds a wedge starting from the armhole, so the added fabric is in the middle of the pattern.

Here’s an example of the wedge in position, and it’s relation to the added length and width.
Before – left, after – right.

”fba”
(wedge about 2 inches)

The photo shows the usual FBA, described in detail in Palmer and Alto ‘Fit For Real People’ p.140 onwards, and also in many McCall’s Palmer-Pletsch patterns. Palmer-Pletsch also have a DVD : ‘Full Busted ? Sew Clothes that Fit !’‘.

Basically, slit up from waist to bust point.
Then angle across to the armhole stitching line at the notch.
Armhole not shoulder, as you may not want to increase the width of the upper pattern. Some people with larger cup sizes may like to open up a wedge to the shoulder as well.
Spread horizontally by the amount needed to go round the bust.

There’s no way of knowing beforehand exactly how large a change to make. It depends on your shape and your personal preferences – how much ease you think looks and feels right for you.

Also slash across to the centre front, and lower the separated section until the waistlines are level. This adds needed length to the front.

”new
(Red lines are new dart stitching lines. Larger cup sizes may look better with the ends of the darts further from the bust point.)

I’m getting more comfortable with the idea of slashing up muslins – it’s the reason we use the cheapest possible fabric ! Write on them, cut them up, keep them for reference. And I’m more patient with not getting fit right at first try.

Bigger darts put more curve in the flat fabric. You’ve added fabric at the centre of the pattern piece, but don’t want the side and waist seams to be longer. The added wedge of fabric also changes the shape of the armhole and the angle of the side seam.

McCall’s fitting pattern 2718 has different front patterns for 5 cup sizes. To make the armhole difference clear, here’s a tracing of the stitching lines for A cup (black) and DD cup (red). (Size 14, the shoulders and necklines are the same.)

”2armholes2”

The DD front pattern is wider, and the bust dart deeper. But also the armhole shape has changed, and the angle of the side seam. Notice the ‘scoop’ of the armhole – the lower edge of the armhole isn’t horizontal. The changed armhole shape introduces a wedge of fabric from the armhole where more fabric is not needed, to the centre of the pattern, where it is.

– – –

Some people who need a larger front pattern also need a larger armhole and sleeve head, or wider shoulders. But not everyone does. So those are separate adjustments.

If your cup size is larger than B (the size commercial patterns are made for), but your shoulders are not large, the pattern shoulders may fit you better if you buy patterns according to your upper chest/ high bust measurement, not your bust. Vogue size charts for Misses include the upper chest measure, but the Women’s chart doesn’t. I e-mailed them to ask about this, but they didn’t reply.

Debbie Cook’s list of links mentioned before includes several links about choosing pattern size by high bust or full bust measurement.

Ann Rowley prefers to buy her patterns by bust size and do a narrow shoulder adjustment, rather than buying by chest/ high bust size and doing an FBA. Here is her tutorial on the narrow shoulder adjustment.

Ann explains her choice by relating it to her own measurements. You only need to do an FBA or narrow shoulders if your shoulders are small relative to your bust. From Ann’s post, it looks as if the best method depends on :
– if your hips are smaller, like your shoulders – buy pattern by chest/ high bust and do an FBA,
– if your hips are larger, like your bust – buy by bust size and do a narrow shoulder adjustment.
If you’re interested in this, it’s best to read Ann’s comments about why her approach is best for her measurements, and her suggestions for other body shapes. This may be another area where you need to try both to see which is best for you !

– – –

The standard FBA method works for tops with fitted armholes and front shaping darts. Debbie Cook has written tutorials for doing FBAs on different styes of tops, which are here.

And there are many other special cases. Do a web search to get over 3,000 links with examples and suggestions to explore !

I hope you don’t have much difficulty with getting a good fit 😀

– – –

P.S. Here’s Imogen Lamport’s advice for people with large cup sizes on how to look good.
And here’s a post from her on layering tops with a large bust.

P.P.S. More resources :

Silhouette patterns are for B, C, D cup sizes.

Butterick patterns (A to D).
Vogue Custom Fit patterns (A to D).
Simplicity patterns for cup sizes A to D

McCall’s 2718 fitting pattern has front pattern pieces for A, B, C, D, DD cup sizes. (Buy by above-bust chest measure, which is on the Butterick and Vogue fitting charts though not the McCall’s one).

Here is blogger Shams’ fitting advice for people she calls the ‘uber busty’ (larger than D).
And here’s her resources for the busty.
The Curvy Sewing Collective has a series of posts about big darts starting here.

Connie Crawford has a series of master patterns for cup sizes from A to I :
basic bodice sloper with darts
shoulder princess
armhole princess
Video intro to these patterns on fitting for cup size.
Plus a video intro on
using these patterns as a starting point for making your own designs.
The videos refer to the basic sloper with darts (CS1201), but apply to the other master patterns as well.

Step-by-step detail about doing an FBA or an SBA on an existing pattern, from Colette Patterns here.

– – –

Links available February 2011

Looks for Spring/ Summer 2011

February 5, 2011

Here are some capsules as examples of styling with a touch of trendy for summer 2011. The styling suggestions come from the editorial and ads in the March issues of UK Elle and In Style magazines, as well as US Vogue Style.com.

This post is in three sections, each with one key example :
– crisper shapes styled in many ways,
– softer lines,
– my personal reminder that you don’t need to be trendy to look good !

Choose your own group of patterns. Many current styles are basic classic shapes, made trendy because they’re in this season’s colours, prints, and trims. How about styling your own core patterns in one of the top looks for the summer.

– – –

Here’s a casual grouping from Cutting Line, as a starter example for simple styling changes.

cutlinewdrb-bw”
(not correct relative size)

Clockwise from top left : Cutting Line : My Hearts a Flutter shell/ Easy Ageless Cool shirt/ 2 x 4 tunic/ Fun with Fabric jacket/ Easy Ageless Cool pants/ Relax a Little skirt.

If ‘oversized’ doesn’t look good on you, think of closer fitting but similar styles for tops and bottoms. Or your own TNT basics.

And blazers and jeans jackets are both current, if you prefer them to a softer style jacket like the Cutting Line one. Perhaps recent patterns Butterick 5568 (upper below) for a pretty choice of blazers, or jeans jackets from Butterick 5616 (lower below) :

”blazerjean”

These patterns can give many different styles by changing colours, prints, and trims. How about these colour and print choices for this season :

– Make your whole capsule in black with touches of grey and ivory for edgy minimalism.

– Head to toe white or soft white. A new type of city minimalism (as in Style.com Seeing the light).
UK In Style magazine March issue says ‘white is the new black’. Hmm. Some people have amazing ability to keep white clean. And some of us look dreadful in black, some in white. Wear them if you look good. Not to worry if you don’t, there are many other current looks.

– Choose tans and khakis, chinos and twills, for a ‘safari’ look.

– Or all in denim blue (not stiff fabric). Very current casual – try light/ medium/ dark blue in the same garment. Or the cheerful casual of denim with gingham, or denim with large florals.

– Or all navy, an even newer blue.

But you haven’t got to wear a monochrome look. How about :

– Colour blocking of strong pink, bright yellow, primary-like green, orange, chartreuse, as well as primary blue, and purple, with clear white, This is not the old colour blocking of several colours in one garment. Each garment is a different strong colour. Much easier to manage. The coming summer looks as if it will be a good season if you like strong clear colour.
(see Style.com on Hyper Color)

– Large (hand sized) florals widely spaced on white background, a hot climate ‘Tropicana’ or ‘desert island’ look.

– Or head to toe closely spaced prints – abstract or floral.

Those three are ‘rich beach’ looks for the coming summer.

– Louise Cutting herself uses fabulous and subtle designer wools, silks and linens to make ‘Easy Luxe’ garments from her patterns.

For high fashion accessories, choose big bags and totes, and thick platform soled high heeled shoes. With the same attitude to colours and trims as your clothes.

Or for your own style, trim and embellish with your favourites – lace or fringe, ‘statement’ buttons, bows and ruffles, glitter, embroidery or appliqué, braid or ribbon, tucks and insertions, studs and grommets, bias or leather strips ? A little or a lot ? (I got a ruffler foot for Christmas, and expect I’ll be adding ruffles to everything 😀 )

– – –

In contrast here’s a softer possibility, as it’s mainly in knits, from the December – January 2011 issues of La Mia Boutique pattern magazine. (Italian subscription). This could look edgy in blacks and greys, or pretty in light muted pastels.

lmbedge”

Although the main silhouettes are the same as Eileen Fisher’s key winter capsule (see previous post), the style details give a very different effect.

Or find similar patterns but for wovens. Add long floaty skirts or maxi dresses.
(Style.com on Midi is the message)

Make a popular look for the coming summer by using light fluid fabrics with floral prints, or white batiste, with added frills, tucks, lacing, and heirloom stitching.
(Style.com on Lace embrace)

You can also do ‘mixed’ styling, combining blazers or jeans jackets with frills and soft fabrics instead of crisp classic shapes.

In the UK magazines there are two key types of floral print for the coming season :
– hand-sized flowers spread widely over a white background. Used brightly in more classic shapes, as in the previous capsule.
– 1-2 inch/ 3-5 cm size flowers, closely spaced on more fluid fabrics. Perhaps more gentle muted colours, with a hint of transparency. A ‘Garden Party’ look. Often used in softer, more flowing, frillier styles.
But you can use these muted shades in solid/ plain fabrics and softer classic shapes as well.

For more abstract all-over prints see Style.com on the Prints revolution.

Ideally, hold a print up against yourself and look in a mirror. Is the print in scale to your own proportions and the effect you’re looking for ?

– – –

Apart from the blazers and maxi skirts, most of the trends are about colour and print, rather than shape. So you can apply them to any somewhat-classic shape that you like. There are a couple of other ‘shape’ trends :

This season’s retro style is the 70s, which Style.com calls The Yves standard.

The season’s big (literally) pant shape has high waist and relaxed leg. See Style.com We wear the pants.

(P.S. According to You Look Fab Angie’s review at the end of New York Fashion Week, the same trends continue in Fall 2011. Except she doesn’t mention white or prints, and she predicts pants will be ‘tapered’.)

– – –

And here’s a reminder you haven’t got to be trendy to look good.

If I force myself to choose a basic capsule for my own use from one designer, rather than being distracted by my fascination with style and cut and instructions, I keep coming back to Loes HinseTextile Studio.

lh-tswardrobe”
(not correct relative sizes)

Textile Studio (pink) : Tank Top Shell, Mandarin shirt, Florence jacket, Soho pant.
Loes Hinse (white) : Boat Neck top, Cowl Neck top, Tango skirt.

A soft quiet group if made in my favourite natural neutrals with touches of texture. Another monochromatic look, but not one that’s currently fashionable. Though it’s often found in ’boutique’ styles. This pattern group could of course be made in current monochromatics, or bright colour blocking, or the season’s florals and laces. Loes Hinse’s Hepburn pants have the high fashion shape. But most of this season’s trends aren’t for me, though I do like heirloom sewing on clothes. I love looking at what’s current, but wear only a little of it myself.

– – –

What about dresses ? I haven’t mentioned them, but you may love them. If you do, I expect you’ve already looked at the inspiring new dress patterns from Vogue and McCall’s. Interesting shapes which again you can vary greatly by the colours, prints and laces you choose.

Do any of these possibilities make your heart beat faster ?
Or make you react ‘no ! no ! not for me !’
Which of these trends gives you the most inspiration, or makes you feel the most comfortable and ‘in your skin’ ?

If you’re uncertain about a style, start slowly with one piece, then a 2 to 3 piece outfit, to try things out.

And as usual, Enjoy (Joy In) your Quest.

– – –

(P.S. And have a look at Style.com’s Spring Shopping Guide.
This season they actually suggest some wearable clothes 😀

P.P.S. Here’s YouLookFab’s list of trends for Spring 2011.

P.P.P.S. And here’s a link to In Style magazine’s Spring ideas.)

Patterns and links available February 2011

Building and personalising your capsule

January 29, 2011

Here’s a possible basic group of co-ordinates : the whole ‘cheat sheet for getting dressed’ from Eileen Fisher’s Personal Shopper section for November to February 2011.

”

My previous post suggested patterns for these.

How could you build up to having a group of clothes like this ? (apart from making the whole thing rapidly in one Stitchers Guild SWAP 😀 ).
And how can you adapt it for yourself if this is not right for you ?

– – –

Building from season to season

If you’re just beginning to build a wardrobe of co-ordinates, you might start with the four items from Eileen Fisher’s early summer ‘system’ from last year (jacket, top, skirt, pants).

At the moment, Eileen Fisher’s Personal Shopper section has a simple ’Essentials’ group of 7 items. These could be basics for all seasons :
– tops : 1 camisole top, 1 cap sleeved top, 2 long sleeved tops.
– bottoms : 1 leggings, 2 pants,

If you’ve already got the skirts, pants and sleeveless tops from previous groupings, then all you need to add are some (flared) long sleeved tops, and a warmer (banded collar) jacket. See my previous post for pattern suggestions.

Louise Cutting in ‘Cutting through the clutter’ (in Booklets section) suggests a similar starter ‘weekend wardrobe’ of 7 items :
1 jacket,
2 short sleeved tops,
2 long sleeved tops,
2 pants.
For her ‘basic wardrobe’ she expands the 7 to 11 items by adding :
another jacket,
1 sleeveless top,
2 skirts.
Once you’ve got the basics, she suggests changing the fabrics to have clothes that look professional, dressy, or casual, suitable for travel or your climate.

– – –

How many items do you need for your minimum wardrobe ?

To extend the wardrobe building idea, there’s Elizabeth’s plan of making 6 items each season. This builds up to a wardrobe of 24 items which co-ordinate throughout the year. This scheme is used in seasonal sewalongs at Stitchers Guild.

Or go in the other direction and minimise the number of clothes. There are several ideas for using only 6 garments. Lisette is choosing from the same 6 items every day for 30 days. Her 6 items are : tee, shirt, cardi, pants, jeggings, dress. Or here’s a shopper’s diet idea that consists of : jacket, 2 shirts, tee, pants, jeans. It seems you’re allowed an infinite number of accessories, which does make it easier to produce different looks 😀

This idea could make you focus on multi-purpose garments. In her book “Sewing a Travel Wardrobe”, Kate Mathews describes a reversible top which can be worn inside out and back to front – and is made of 4 clearly different fabrics.

I think the economic issues are a bit more complex than ‘owning only 6 items will save the world’. Modern economies depend on people buying things they don’t need. But it’s an interesting exercise. If you were only allowed to dress from 6 items (not counting under- and outer-wear), which clothes would you choose?

And would 6 be the right number for you ? In winter I wear several layers together. I can imagine a month in mid-winter when I would wear all 6 items every day, just to keep warm. I don’t think that’s what’s intended with this idea 😀 You’re supposed to arrange things so people don’t notice you’re wearing the same things repeatedly.

Perhaps 10 or 12 items would be a better minimum for me. Early in my blogging I wrote about a tunic wardrobe and decided I need at least 10 items, 2 each of pants, shirt, thin sweater, thicker layer, vest. Then there’s my take on the Sewing Workshop layering wardrobe, which gets up to 8 items without duplicating function, 16 if you have two of each.

– – –

Start with simple basics

Eileen Fisher uses very simple shapes, but her clothes are luxurious because of the quality fabrics. (I’m assuming of course that we all do quality workmanship so I don’t need to mention it 😀 ) And there are many ways of making the same styles look different by using different fabrics, see my post on Kate Mathews’ wardrobe plans.

This approach to dressing uses simple basic shapes for bottoms and first layer tops. It’s the added over-layers which have more variety. In the Eileen Fisher capsules the jackets change the most each season. Of course the tops and bottoms are renewed in fabrics and details, but there’s not much change in the overall shape.

Though it is a mistake to think a basic shell top must necessarily be boring. Have a look at Shirley Adams Alternatives 500 series pattern 501, which includes nearly 30 ways of varying a shell by adding embellishments and seams. There are many other changes in another pattern, using different neckline shapes, collars, dart alterations, and wraps.

”alternativeshells”
Alternatives pattern 501

I talked a bit about using a small group of basic patterns to build a co-ordinated wardrobe, in my post on reducing the number of garment shapes.

Although the jackets in the Eileen Fisher capsules do change in style each season, the previous season’s styles are current classics and not outdated. You can certainly continue to wear the cascade styles from Eileen Fisher’s early Summer 2010 capsule.

WordPress recently told me what was most active in my blog during 2010. There’s that Butterick 5472 wardrobe with the cascade jacket I suggested for copying Eileen Fisher’s version. Out of all the patterns I’ve given links to, this is the pattern that the most people wanted to know more about.

”b5472”

– – –

Your own needs

The more serious question is : does the Eileen Fisher capsule suit your needs ? your body shape, your lifestyle, your personal style ?

Simplify the EF capsule to :
1 jacket
2 long sleeved tops
3 sleeveless tops
3 pants or leggings
3 skirts.

What about the general types and numbers of each item ?
Not much good for people who like dresses or jumper dresses.
And I would have no use for so many skirts, while some people rarely wear pants.
I’d like some vests instead, for more warmth ! (and for the same reason I rarely need a sleeveless top).
People who need power dressing may prefer more jackets rather than tunic tops.

What about the style elements of each item ?
I use shirt-blouses for my first layer rather than sleeveless tops (there are a couple of soft shirts on the main Eileen Fisher site).
And I haven’t got the legs to look good in skin-tight pants and short skirts.
Also in winter I want a jacket that fastens up to the neck, for warmth.
Many people would not feel happy in the generally longer styles.
People with waists might prefer their tops and jackets more fitted.
People who are larger above the waist than below may not look good in flared styles.
As I have a pear body shape, I need a bit of flare. But I need to be careful with styles which use flare as a style element, as I really need upper body emphasis.
Power dressing is easiest with a more structured jacket (though at work I used the highest quality to achieve a power effect with an unstructured style).
And many people like more structured styles anyway.

There are two interesting strands at Stitchers Guild which show what different ideas people have about their ideal minimum garments :
Your tried n true patterns, and why
What constitutes a classic wardrobe

– – –

Your own style

What’s the core style for your most basic most useful wardrobe items ?
Perhaps the last thing you enjoy wearing is plain tees, skirts and pants without any added style elements 😀 If you rarely wear jackets or added layers, you’ll want some of your tops and bottoms to be ‘statement pieces’.

It’s certainly much easier to follow someone else’s capsule suggestion. If you’d like a similar group of co-ordinates though not Eileen Fisher styles, you have to find a way to cut down on the almost infinite possibilities.

It’s an advantage of using independent patterns. The Big 4 try to cater for all tastes, which some people find confusing. It’s simpler to choose one pattern you really like, from an independent. Then pick the rest of the pattern group from the same designer. They’re likely to be in the same style. Choose patterns with potential for easy changes to sleeve and body length and neckline/ collar. I’ve already talked about some sources of independent patterns, both well established and more recent.

If you don’t want to work your way through all the companies individually, start from a retailer who lists patterns by type of garment. Here are some sources for jackets :
The Sewing Place (230 jacket patterns ! And they don’t even sell the Big 4.)
Nancy’s Notions
Craft Connection

Find a pattern you like. Get the pattern company name from the pattern envelope photo, and search for them so you can see their whole pattern line. Most pattern companies sell their patterns on-line now.

– – –

Some of us would find it a relaxing relief to have a wardrobe devised for us. The Big4 pattern companies suggest wardrobe patterns. Most style books include wardrobe plans. For me they give pleasure and food for thought, though I’ve never wanted to follow one of them exactly. But by thinking how to change them so they suit me better, I learn about my own needs and likes.

There are also many ideas for building a wardrobe of co-ordinates. The simplest is Endless Combinations. Just check that everything you make or buy goes with at least 2 items you already have, love wearing and find flattering.

Despite knowing their limitations, I haven’t been able to resist suggesting several capsules with different styles. This all went on too long so that has become a separate post. . .

Good Fortune for your own choices, about how many clothes you have, as well as what styles, colours, and shapes they are 😀

– – –

Patterns and links available January 2011

New season patterns, January 2011

January 22, 2011

It’s the time for looking at the runway shows, and being reminded how little relevance they have for those of us who live happily without media attention or vast wealth. Exciting, fun, creative, beautiful – yes. But not much guidance about what to wear to do the shopping or in the office.

So it’s good that there are stylish current patterns.

– – –

Special occasions

I feel the same distance from the new dress patterns at Vogue and McCall’s. I’d be unlikely to wear these styles even as a wedding guest or for a special summer party, which I rarely go to. Vogue has a stunning group of designer dresses. And McCall’s dress patterns have edgy trendy details. As I don’t wear them, I’m not the best person to comment on short barely-covered dresses.

For people who don’t wear dresses but want to look ‘dressy’ : high waisted wide legged pants and boleros are ‘current’, as in Vogue 8717.

”v8717”

If you need to cheer up the little black dress that someone talked you into, there are good shrugs from Elizabeth Gillett NYC Vogue 8721

”v8721”

In your most flattering colours. Unless of course you’re one of the lucky people who really do look your best in black 😀

– – –

Casual tops and bottoms

Well, what if we just want to feel good when shopping ?

Vogue 8710 has a couple of tees with added interest from Katherine Tilton.

”v8710”

Vogue 8707 is a hook sided top.

”v8707”

Many recent flared top patterns have this hook shaped side seam. The extra fabric swirls attractively as you move. But this draws attention to your hips. So I think this for people who want to look as if they’ve got more hips, not for those who’ve already got too much. . .

If you’d prefer something fitted and for woven fabric, there’s this raglan shirt blouse, McCall’s 6286

”m6086”

Or for a fitted sleeve there’s McCall’s 6285. Though who on earth decided a yoke, top-stitched princess seams, band collar and curved hem are Easy ! What an effective way to distress beginners.

”m6285”

Vogue 8712 (left) is a pant pattern from Marcy Tilton. A wide legged style that tapers rapidly at the ankle just makes me look dumpy, though I know many people love it.

”vpantskirt”

Also many people like this Vogue 8711 draped skirt (right). Sadly it’s only for people can show off less bulgy hips, a flatter stomach and prettier knees than mine !

– – –

Casual layers

It’s a good season for people who like shirt jackets.

Vogue 8716 (left) has a high collar, fitted sleeves, and yokes with gathers. All flattering style elements for me.

Vogue 8708 (right) is another big shirt, but the flat collar and cut on sleeves aren’t best for me. I expect there are many people with different bodies from mine who will prefer this one.

”vbigshirts”

Marcy Tilton has a flared designer version in Vogue 8709. Perhaps that loose lower strip is not a good idea for the large of hip 😀

”v8709tilton”

Shirt and pants in the same fabric (or print) is current.

For another way of adding a layer, there are some interesting vests in Vogue 8713.

”v8713”

And for trendy knit layers there’’s McCall’s 6288 by Rebecca Turbow.

”v6288”

– – –

More serious and responsible

Two summary points about jackets in the collections. One is there are many collarless jackets, perhaps worn with collared tops. Nearly all the current wardrobe patterns have collared jackets over collarless tops. That doesn’t work well for me. With my long head and neck, I like a raised neckline whether or not I have a jacket on. So I’m pleased to see collarless over collared coming back.

Vogue has a couple of ‘peplum’ jackets in their Custom Fit range. Good opportunities for fitting the top.

Vogue 8714 has front princess seams and pattern pieces for 4 cup sizes. A waist level seam makes it easier to fit my bigger lower half with high hips. Though I need darts in a peplum, or it would just stick straight out from my waist.
And this pattern has back shoulder darts and a CB seam. So the first steps have been done if you need back shaping alterations.

”v8714”

Vogue 8715 is a peplum jacket wardrobe with similar fitting help. This time with above waist seam.
And those are the best style of pants for me !

”v8715”

Although some high seams look good on me, I would need several fish-eye darts to get the lower front portion of this jacket to fit well over my indented waist moving out rapidly to high hips. The previous jacket looks easier to fit for my particular shape.

The second key point about jackets this season is that most are blazers. Many patterns already available.

If you prefer something more structured and closely fitted, there’s a trendy slim shape by Melissa Watson for Palmer-Pletsch, McCall’s 6294.

”m6294”

And I’m a sucker for pieced jackets. There’s a new one from Nancy Zieman, McCall’s 6293.

”m6293”

You have a choice between narrow or wide lapels on your blazer.

Double breasted nearly shoulder-wide lapel ‘trench’ style is current in dresses, jackets and coats. There’s a jacket in Simplicity 2256. High waist seam again, but this time with fitting seams below, so usable by a wider range of body types.

”s2256”

– – –

So there are plenty of arty/ classic/ relaxed/ soft/ trendy options for looking good this season. There are more patterns I want to comment on but this got too long.

Colours : McCall’s go for strong pink, denim blue, slightly yellowed green, and rust-tan neutrals. Pantone also mention silvered palest pink and mid grey as neutrals. Does that cater for Winter, Summer, Spring, Autumn colourings, and the grey haired ?

Whatever your choice, enjoy what you wear this Spring 😀

– – –

Patterns and links available January 2011